Backstage: Shedding light on the Shrek set by The Stage

Lighting specialists, White Light, has been chosen to supply equipment to the London production of Shrek, the musical adaptation of the Dreamworks film that has already been greeted with acc…

SOURCE: The Stage Registration at 8:07am on May 18, 2011☆⚑

Critic faces his downfall by The Stage

While that tabloid hack might have been flying by the seat of his pants, The Stage's very own Mark Shenton gave another meaning to having audiences on the edge of their seats at the HighTide…

SOURCE: The Stage Registration at 10:46am on May 10, 2011☆⚑

Letter: How to manufacture theatre by The Stage

I was very much taken by Richard Jordan's column about how new writing in Chicago has been produced in abandoned retail spaces (March 31, page 11). But with all of the shops that go empty in…

SOURCE: The Stage Registration at 8:56am on May 9, 2011☆⚑

Open access: Documenting London's theatres by The Stage

Father and son team Donald and Marc Sinden emabrk on a historical journey around the great West End theatres in a series of DVDs. Nick Smurthwaite gets a taster of what promises to be the mo…

SOURCE: The Stage Registration at 1:06pm on May 6, 2011☆⚑

Roll out the red carpet by The Stage

The Bush is, of course, a famous new writing venue that regularly debuts work from first-time or up and coming playwrights.

SOURCE: The Stage Registration at 9:06am on April 26, 2011☆⚑

Shiver me whiskers by The Stage

The Old Library in Shepherd's Bush Theatre has gained some new residents.

SOURCE: The Stage Registration at 9:04am on April 26, 2011☆⚑

Letter: How will Equity rule change distinguish between work and play? by The Stage

When the ballerina Simone Clarke was 'outed' as a being a member of the BNP by the national press, I felt that Equity, via statements from Martin Brown (head of communications) and Jean Roge…

SOURCE: The Stage Registration at 5:39am on April 21, 2011☆⚑

Letter: Casting directors owe us nothing by The Stage

In response to Mary Monaghan's letter (April 14, page 8), it comes across as if she thinks the casting directors owe us something - they don't.

SOURCE: The Stage Registration at 5:35am on April 21, 2011☆⚑

Letter: Sondheim argument misses the point by The Stage

Without a continual to and fro, I do feel that Michael Vine's letter (April 14, page 9) totally misses the point about what I was saying.

SOURCE: The Stage Registration at 5:35am on April 21, 2011☆⚑

Backstage: Betty Blue Eyes gets White Light treatment by The Stage

Lighting specialists, White Light, has been chosen to supply the lighting for Betty Blue Eyes, the new musical from Cameron Mackintosh. Based on the film A Private Function by Alan Bennett a…

SOURCE: The Stage Registration at 8:26am on April 15, 2011☆⚑