2,892 stories by "The Dance Enthusiast"
Marjani Forté-Saunders, a powerful and riveting performer who inhabits character as closely as a hand in a glove, revisited Chicken Soup, Blondell Cummings' seminal 1981 solo, at Danspace P…
"...communal thought, labor, and witnessing extends into the themes artists explore in their work: creating and holding supportive microcosms for ritual revelation, transcending difference t…
"I don't just dance because I'm a good dancer, I dance to survive. I dance to say YES to tomorrow." Fadi Khoury, New YorkÂ
"I don't just dance because I'm a good dancer, I dance to survive. I dance to say YES to tomorrow. "Â Fadi Khoury, New YorkÂ
"Dance Africa is the largest festival annually paying tribute to the legacy and culture of Africa and its diaspora. Founded over 48 years ago by Dr. Baba Chuck Davis, this festival spans the…
MorDance Artistic Director Morgan McEwan has always had a passion for creating dance that speaks to social and environmental impact. For the presentation of her evening-length ballet TreesÂ…
"Â My social feed, like many others, is inundated with a million pirouettes and technique so clean it sparkles. American Ballet Theatre Studio Company's social media presence is no excepti…
"Danced to various recordings of orchestral arrangements of the well-known Bizet music, and exquisitely executed by the dancers of Ballet Hispánico, Sansano's movement vocabulary is sharp…
"The three-act ballet tells a girl meets boy tale: Sylvia, a huntress and handmaiden to the goddess of the hunt, Diane, resists the affections of the shepherd Aminta, only to be kidnapped by…
"Passing the torch is a solemn duty in the relay race that we call civilization. For the Martha Graham Dance Company, this means training young dancers to perform the works of the company's …
"Here, a cast of riveting dancers and musicians present their show -- seamless and complete unto itself " and, blissfully undistracted, we are free to be totally entranced by their performan…
"Celebrating its 79th year at the 92Y's Kaufmann Concert Hall, the Limón Dance Company continues to captivate audiences with a striking blend of physical vibrance and emotional depth." Ch…
"A Love Letter" pays homage to stories of Asian-American heritage in an episodic evening of imagistic symbolism, movement, and film. /... The Slipper Room...may be the last place you'd ex…
"In Memory Piece: Mr. Ailey, Alvin….the un-Ailey, Bill T. Jones says he regrets that he did not pursue a friendship with his choreographic elder, the late Alvin Ailey (1931-1989). Yet Aile…
" In his solo show from last year, Memory Piece: Mr. Ailey, Alvin…the un-Ailey, Jones reviews his complicated relationship with the late Alvin Ailey. The season premiere, Curriculum III: P…
"Montreal-based artist Lara Kramerbrings her evocative solo work "Gorgeous Tongue" to New York." Theo Boguszewski, New YorkÂ
"The exquisite group of solos, duets, and trios presented by Parker and Schulkind acknowledges Schulkind's influence on Parker's dance history as well as the artistic values both artists sha…
"There are many characters within Carmen. She is confident, sensual, evil, playful, and vulnerable at times [...] I feel that in many relationships there is often someone like Carmen,Â�…
"Volunteers, veterinarians, dancers, audience members"we come together in a beautiful kind of chaos. Somewhere in that crowd, someone will meet the gaze of a homeless animal, and it will be …
"What first registers as chaos gradually reveals a skeleton of structure. A series of electronic beeps cues the trio into synchronized movement, only for them to abandon it later, diving bac…
The four nude dancers jump wide-legged with bent knees, arms relaxed at their sides"three penises and one vulva plainly visible"as if sculpted in the stance of sumo wrestlers. Then, without …
"The choreographers presented a diverse and highly anticipated bill, filled with complex storytelling and physical genius, but it was the Gibney Company dancers who truly carried the show to…
"Sokolow's theatre makes a similar "ask" of the viewer: don't just watch, but actively feel what is happening on the stage." Samuel Humphreys, New York