2,892 stories by "The Dance Enthusiast"
The fire was contained to the Doris Duke Theatre and did not spread to any of the other buildings on the Jacob's Pillow grounds; the entire theater is lost. No one was injured in the inciden…
In IMPRESSIONS: "Crutch," a Documentary about Bill Shannon by Sachi Cunningham and Chandler Evans, Premiering at DOC NYC , "After his show, Sketchy, was panned and he made several l…
In IMPRESSIONS: "Can You Bring It: Bill T. Jones and D-Man in the Waters" " REPUBLISHED from August 16, 2018, "The Loyola students, born 10 years or so after D-Man premiered, can wo…
In MOVING VISIONS: Guest Editor Heidi Latsky on Viewing and Being Viewed, "Laying yourself bare, revealing yourself to others is an act of generosity, grace, and humility. It cannot be super…
Ballet Collective Presents "The Nutcracker," The Company's First Full-Length Ballet in the US During The Pandemic
In Letter from the Editor: The Resilience of Dancers, The State of Enthusiasm, and a New Initiative: Moving Visions, "So, in the spirit of flowing, shifting, and reshaping energy, and becaus…
In MOVING PEOPLE: Daniel Gwirtzman on Maintaining a Company for 20+ Years, Optimism as a Choice, and His Love of the Polka, the Charleston, and The Hora Or, "I can't say I have a favor…
"If ever you are out there questioning your own value, whether it be in relation to another person, society at large, or yourself, we hope that you will "remember the pinky," the one that we…
In IMPRESSIONS: New York Theatre Ballet's Lift Lab, "Typically intricate, Richard Alston's Distance offers a tantalizing sample of a ballet that NYTB hopes to present in 2021. Quick an…
In Apart /Together The Dance Enthusiast asks, "What do you dream for dance in the future?"
"I want dance to continue to thrive and grow in New York City." Amber Sloan, NYC
IN Ramón Flowers - Butler University Professor and Students Dancing Through the Pandemic: "To my students I impart the permission to love what they are doing. Students often work so h…
In MOVING PEOPLE: MOVING PEOPLE: Jacqulyn Buglisi on William Blake, Reimagining "Table of Silence Project 9/11" during COVID-19, and the Performance with the Martha Graham Dance Company S…
The Bessies Announces Town Hall on October 26 and 36th Annual Ceremony on December 14, 2020
In Contact Dance in the Time of Covid-19: Carl Flink's Black Label Movement and Dr. Jon Hallberg of University of Minnesota Bring Dancers Together" My company has partnering as a ver…
In IMPRESSIONS: Alpha Omega Theatrical Dance Company's "Solo Suites," "The dance portion of this program concludes with a tongue-in-cheek (we hope) response to Roberta Flack's famously me…
Georgiana Pickett & Shayla-Vie Jenkins Join Merce Cunningham Trust
In IMPRESSIONS: Annie Rigney's "Quis Est" at the Ace Hotel, "Their movements start to differ from one another, drawing from vocabularies both classical and urban. As their actions escalat…
In Pavan "PMT" Thimmaiah on Dance Studio Alliance, His Favorite Time of Day, and Why Conan O'Brien Should Take His Class at PMT House of Dance, "Living with Hemihyperplasia and with being…
The Chocolate Factory Commissions New Work Through The Pandemic Season
Save the Future of Dancing in New York City
In MOVING PEOPLE: Eduardo Vilaro on His Love Of Birding, Josephine Baker & Running Ballet Hispánico, "Shut up and dance," says Vilaro in response to what is his personal motto.
#NYCDANCEUNITES - Alvin Ailey American Dance Theater, American Ballet Theatre, Ballet Hispánico, Dance Theatre of Harlem, and New York City Ballet Join Forces to Lead the Dance Community …
"The most compatible aspect of teaching dance that applies to real estate is reading people: their body language, when to explain, when to ask questions, when to listen, when to diffuse tens…
In Dana Tai Soon Burgess Dance Company presents Christin Arthur in Michio Ito's "Ave Maria,"Â a Tribute to Ruth Bader Ginsburg, Dana Tai Soon Burgess says, "My dream is that at the end of …
"Social work entails a lot of creative problem-solving and improvising. Sometimes things work, and oftentimes, things don't. But the main tenet is that improvising, in the context of dance a…