Almanac: Kingsley Amis on madness
"All schizophrenia patients are mad, and none are sane. Their behaviour is incomprehensible. It tells us nothing about what they do in the rest of their lives, gives no insight into the huma…
"All schizophrenia patients are mad, and none are sane. Their behaviour is incomprehensible. It tells us nothing about what they do in the rest of their lives, gives no insight into the huma…
From 2005: I got a call yesterday from a fact checker at The New Yorker who wanted to know whether H.L. Mencken actually sent the following form letter to angry correspondents: Dear Sir or M…
"New York is a terrifying city but hectically beautiful in many ways. The kindness and welcome are overwhelming, but there is too much money, food and drink and too much respect for success,…
The problem is that all this formidable talent has been enlisted in the service of a musical so smug that I could scarcely bear to sit and watch it.
Teller of Penn & Teller fame has come up with "Play Dead," a sensationally entertaining shockfest. Aside from great puppetry, the main new thing about "The Pee-wee Herman Show" is all the do…
A.R. Gurney's "Sylvia," which is being performed with terrific comic energy by the Florida Repertory Theatre, is both clever and cute in all the right ways.
Of all the great musicals, "Candide" poses the greatest problems to anyone who tries to stage it. Mary Zimmerman, whose "Metamorphoses" hit it big in 2002, is the latest director to take up …
One of the reasons "Finishing the Hat," Stephen Sondheim's annotated volume of his song lyrics, has attracted so much attention is because he takes potshots at certain of his colleagues...
It's as if they'd tried to turn "Shoot the Piano Player" or "Wings of Desire" into a Big Mac musical—and the results, not at all surprisingly, are a flavorless mess.
Vampire stories have been done to undeath in Hollywood and on TV, raising the stakes for anyone putting Count Dracula's original story back on stage.
How do you make a play written in pre-Revolutionary Russia in 1900 work in America in 2011?
Wilfred Sheed managed to make a drama critic look quite a bit like a human being.
In "Ghost-Writer," a secretary continues to hear from her employer and transcribe his novels after he's dead. It's a tale pulled from the real life of author Henry James, at the Florida Stag…
David Lindsay-Abaire's "Good People" was a hit before it even opened. But then his audiences can always expect to be told just what they'd like to hear.
When "The Merchant of Venice" appeared in Central Park this summer, it seemed destined for Broadway. Now that it has arrived there, is it ready for the big stage?
How a baggy-pants comedian did justice to a stage masterpiece.
Corny, charming and handsomely made, Arena Stage's production of "Oklahoma!" is pretty much the same show your grandfolks loved. And just as safe.
"Me and Orson Welles," recently released on DVD, brings a much-praised "Caesar" back to life.
Is marriage a bed of roses- or of nails? Your answer to that question may depend on whether you choose to see Westport Country Playhouse's sunny revival of "I Do! I Do!" or Barrington Stage …
Joan Ackermann's work on "The Taster," a new play at Shakespeare & Company, recalls Jorge Luis Borges at his most virtuosic.
"Another Part of the Forest" at American Players Theatre in Spring Green, Wis., throws a dramatic punch comparable in weight to "The Little Foxes."
When not writing plays like "August: Osage County" and "Killer Joe," Tracy Letts acts. In David Cromer's 2005 Off Broadway staging of Austin Pendleton's "Orson's Shadow," he played an effete…
John Guare's "A Free Man of Color" masterfully tells a complex, richly realized American story set in New Orleans at the dawn of the 19th century. The Arizona Theatre Company does great just…
Tony Kushner has been served well by Signature Theatre Company's Off-Broadway revival of "Angels in America," and even those who have their doubts about the play will likely go home feeling …
The NFL has put its marketing muscle behind "Lombardi," an extremely well-crafted piece of intelligent middlebrow theater by Eric Simonson.