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394 stories by "Susan Galbraith"

Fickle: A Fancy French Farce, frothy fun at Olney Theatre Center (review) by Susan Galbraith

Hard-hitting, issue-packed, relevant plays are all the rage right now, but if you are weary of such emotional drain, and would just like some old-fashioned fun, look no further than Olney's …

SOURCE: DC Theatre Scene at 6:06am on March 7, 2017[SHARE]

Champion at Washington National Opera (review) by Susan Galbraith

The air was electric at Kennedy Center Saturday night with the promise of a great fight mounted as opera on stage, and I had what amounted to ringside seats.  Champion clearly had some he…

SOURCE: DC Theatre Scene at 7:03pm on March 6, 2017[SHARE]

Dead Man Walking at Washington National Opera (review) by Susan Galbraith

The opera Dead Man Walking is a journey of harrowing truth and compelling beauty. If, as Sister Helen Prejean says, " Grace is waking up to the gospel of encounter," then Director Francesca …

SOURCE: DC Theatre Scene at 12:32pm on February 27, 2017[SHARE]

Rehearsing Dead Man Walking: digging deeper in Week 2 by Susan Galbraith

I am being given an intimate look inside the rehearsal rooms of Washington National Opera's Dead Man Walking under the direction of WNO's Artistic Director Francesca Zambello. This report ma…

SOURCE: DC Theatre Scene at 10:18am on February 13, 2017[SHARE]

Chronicling Washington National Opera's Dead Man Walking: Rehearsals begin by Susan Galbraith

A rare inside look at the making of an opera. Washington National Opera’s Artistic Director Francesca Zambello invited Susan Galbraith to sit in on rehearsals of Dead Man Walking…

SOURCE: DC Theatre Scene at 10:06am on February 9, 2017[SHARE]

Alvin Ailey American Dance Theater at the Kennedy Center (review) by Susan Galbraith

Big News at the Kennedy Center. Alvin Ailey's American Dance Theater rocked the place last night.. And no one rushed to exit the Opera House auditorium (as they often do at the KC) until …

SOURCE: DC Theatre Scene at 1:06pm on February 8, 2017[SHARE]

Rinde Eckert performs RIN: Tales from the Life of a Troubador at The Kennedy Center (review) by Susan Galbraith

To the degree that a creative artist can draw you into his world and make you follow him regardless, to merge with his very humanity, that is the measure of his worth. By this measurement, R…

SOURCE: DC Theatre Scene at 3:54pm on February 7, 2017[SHARE]

Mariinsky Ballet's The Little Humpbacked Horse at The Kennedy Center (review) by Susan Galbraith

Choreographer Alexei Ratmansky has created a dance-theatre piece that is part ballet, modern, and Russian folk dance with plenty of comical pantomime to share the much-beloved folktale of hi…

SOURCE: DC Theatre Scene at 11:12am on February 2, 2017[SHARE]

American Ballet Theatre's Swan Lake at The Kennedy Center (review) by Susan Galbraith

As I walked up the steps into Kennedy Center's Opera House for the season's opening of American Ballet Theatre's Swan Lake, my heart was fluttering as if for a first love. As indeed it was; …

SOURCE: DC Theatre Scene at 3:04pm on January 26, 2017[SHARE]

Kennedy Center classical season announced: Aida will lead off Washington National Opera's season by Susan Galbraith

Washington National Opera announced its programming for the 2017/2018 season on Monday, almost three months earlier than usual. The upcoming season is all part of Kennedy Center's continued …

SOURCE: DC Theatre Scene at 1:36pm on January 24, 2017[SHARE]

The Dictator's Wife at Washington National Opera (review) by Susan Galbraith

Watching an opera take its first life breath is witnessing a high-risk birth. There were some serious devotees on hand at Kennedy Center's Family Theatre to support Washington National Opera…

SOURCE: DC Theatre Scene at 2:04pm on January 16, 2017[SHARE]

Someone is Going to Come from Scena: smart and compelling theatre (review) by Susan Galbraith

Monday night, Jon Fosse's play felt like a blast of early Pinter with some hoary frost of Edward Munch thrown in for good measure.  You know: a threesome locked for eternity in jealous…

SOURCE: DC Theatre Scene at 11:24am on January 11, 2017[SHARE]

The Marriage of Figaro from Washington National Opera (review) by Susan Galbraith

  As the dimming lights turned the deep red walls of the Kennedy Center Opera House into darkness, the spiky celestial chandeliers seemed to glow with unusual brilliance, welcoming us i…

SOURCE: DC Theatre Scene at 10:04am on September 26, 2016[SHARE]

Urinetown: The Musical from Constellation Theatre (review) by Susan Galbraith

It takes a lot of balls but maybe not much brain to call a musical "Urinetown," and the joke is made several times in the show just what a terrible name it is.  But that's the point.  …

SOURCE: DC Theatre Scene at 11:48am on September 8, 2016[SHARE]

Jason Loewith and Ryan Rilette team up to direct Angels in America by Susan Galbraith

Twenty-five years ago at the small Eureka Theatre in downtown San Francisco, Tony Kushner pushed forth the first iteration of a play that would become what many feel is not only a great Amer…

SOURCE: DC Theatre Scene at 4:39pm on September 7, 2016[SHARE]

The Tempest, STC's free for all (review) by Susan Galbraith

For the past 25 years, Shakespeare Theatre Company (STC) has memorably gifted our community by remounting one of its recent favorite productions in free performances.  These used to be…

SOURCE: DC Theatre Scene at 12:13pm on August 19, 2016[SHARE]

Opera in Washington " The 2016-2017 Season by Susan Galbraith

– Notes from the talk delivered by Susan Galbraith at The Smithsonian on August 16th – On a good day in the Greater Washington area there are more than 15 opera companies of vari…

SOURCE: DC Theatre Scene at 12:13pm on August 19, 2016[SHARE]

The Crucible at Glimmerglass Festival by Susan Galbraith

In 1692, Tituba and a gaggle of Puritan girls frolicked by night in the woods outside Salem and allegedly conjured up the devil, an event that embroiled the witnesses and a whole township in…

SOURCE: DC Theatre Scene at 7:28am on August 3, 2016[SHARE]

Sweeney Todd at Glimmerglass Festival by Susan Galbraith

 Is it true, as Stephen Sondheim insists, that mostly audience expectations dictate whether a work is to be experienced as an opera or a musical?  When pushed, however, he is equally a…

SOURCE: DC Theatre Scene at 11:51am on August 2, 2016[SHARE]

The Thieving Magpie at Glimmerglass Festival by Susan Galbraith

 Well, this one's for the birds! Full disclosure. I love a production that is steeped in fanciful storytelling.  My background as a former teacher of theatre-movement makes me a sucker…

SOURCE: DC Theatre Scene at 8:20am on August 2, 2016[SHARE]

La Bohème at Glimmerglass Festival by Susan Galbraith

In a season where we've been hammered by political name-calling and divisive fearmongering, the threat of climate change and global terrorism, and protests and gun violence in hometowns acro…

SOURCE: DC Theatre Scene at 7:15am on August 2, 2016[SHARE]

Kurios: Cabinet of Curiosity from Cirque du Soleil (review) by Susan Galbraith

Under the magic of its yellow-and-blue striped tent, Cirque du Soleil has brought what may be its most rare and delightful show to date.  Kurios reminds us that little and "oldie" can be …

SOURCE: DC Theatre Scene at 3:55pm on July 22, 2016[SHARE]

22 Boom! (review) by Susan Galbraith

 22 Boom! sounded like a sure Fringe favorite. Advertising that it does 23 plays in 70 minutes, it promised something like a Fringe buffet. Light, clever, crisp entertainment, and f…

SOURCE: DC Theatre Scene at 12:00pm on July 15, 2016[SHARE]

Do Not Disturb (review) by Susan Galbraith

  Do Not Disturb is big as Fringe shows go -an ambitious chamber opera in fact, with 11 singers, 5 instrumentalists, plus stage and music directors. As in his previous work, the "hor…

SOURCE: DC Theatre Scene at 11:14am on July 14, 2016[SHARE]

Romanov (review) by Susan Galbraith

Unless you have been living under a rock, you know the American musical has been redefined and re-colored by the talented Lin-Manuel Miranda and the phenomenon of Hamilton. Well, Danny Ba…

SOURCE: DC Theatre Scene at 12:32pm on July 13, 2016[SHARE]
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