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394 stories by "Susan Galbraith"

Review: The Scottsboro Boys at Signature Theatre by Susan Galbraith

Signature Theatre and its own "Scottsboro boys" have given us a musical for our times.  Smart. Searing. Dangerous. Funny. Provocative. And " as it continues to expose and engage us in a c…

SOURCE: DC Theatre Scene at 12:04pm on June 1, 2018[SHARE]

Review: Final thoughts on 2018 Spoleto Festival. Strong women, fake news and favorite performance by Susan Galbraith

Some of the best of Spoleto comes happenstance and often spills out onto the streets.  So don't let the size of your wallet dictate whether you can take part in the joyful exuberance of t…

SOURCE: DC Theatre Scene at 9:42am on May 31, 2018[SHARE]

2018 Spoleto Festival USA " Miami City Ballet is sublime and a diva dies twice by Susan Galbraith

To judge the relative importance of a performing arts festival, one must ask the questions: "How are the arts furthered?" and "How are the artists being pushed?" Challenges come in all shape…

SOURCE: DC Theatre Scene at 8:32am on May 29, 2018[SHARE]

From Charleston, SC, opening day for 2018 Spoleto Festival USA by Susan Galbraith

Charleston ravishes the senses. The unique aromas of this town hit you on your first step onto its streets. Confederate jasmine and magnolia mix with the smell of salty pluff mud at low tide…

SOURCE: DC Theatre Scene at 6:24pm on May 28, 2018[SHARE]

Review: 10 Million from Cuba by Susan Galbraith

I do not know. I do not remember. These are the words of a man looking back on his life: a young man haunted by shame and the pain of losing a part of himself as he lost his family. They bec…

SOURCE: DC Theatre Scene at 12:24pm on May 22, 2018[SHARE]

Review: Candide from Washington National Opera: glorious with a bit more bite by Susan Galbraith

Candide is one of those hybrids (opera/Broadway show) that seemed so radical and ungainly a child when it first appeared in 1953 that it shocked and raised the critical ire of many. No one w…

SOURCE: DC Theatre Scene at 12:36pm on May 7, 2018[SHARE]

Review: The Barber of Seville from Washington National Opera by Susan Galbraith

Washington, especially the State Department it seems, wants to get back its swagger (sic.) No need to look further than taking a cue from the newly landed stellar body in our midst, baritone…

SOURCE: DC Theatre Scene at 12:04pm on May 4, 2018[SHARE]

Review:  Druid performs Beckett's Waiting for Godot by Susan Galbraith

The accidental Samuel Beckett festival now going on in Washington (Scena Theatre’s three one-acts, Arcturus Theatre’s two one-acts) has been made internationally lustrous by a…

SOURCE: DC Theatre Scene at 12:24pm on April 26, 2018[SHARE]

Part II of the accidental Beckett festival: Play and The Old Tune from Arcturus (review) by Susan Galbraith

April appears to be the month of celebrating locally not only cherry blossoms but playwright Samuel Beckett. There are three notable productions in town. Scena Theatre has just presented The…

SOURCE: DC Theatre Scene at 2:06pm on April 24, 2018[SHARE]

Washington National Opera announces its 2018-2019 season by Susan Galbraith

The partnership between Washington National Opera and The Kennedy Center continues to dominate the opera scene in Washington. But Deborah Rutter, at the helm of the entire arts complex, cont…

SOURCE: DC Theatre Scene at 9:06am on April 20, 2018[SHARE]

The Kennedy Center Arts Summit 2018: imagining the 'what if's' that could everything by Susan Galbraith

Deborah Rutter, President of the John F. Kennedy Center for the Arts announced the Citizen Artists Initiative in 2016, and she has been bringing together a group of talented young artists ea…

SOURCE: DC Theatre Scene at 11:36am on April 19, 2018[SHARE]

Review: Athol Fugard's confessional play, "MASTER HAROLD" … and the Boys by Susan Galbraith

What does radical empathy look like? Look no further than the plays of Athol Fugard. He has made his life’s work giving voice to the Black Africans of South Africa who were not allowed…

SOURCE: DC Theatre Scene at 1:06pm on April 17, 2018[SHARE]

Review: Cirque du Soleil's Luzia by Susan Galbraith

In the darkness, a disembodied voice tells us we are embarking on a journey and instructs us to ready ourselves for take off and to put our cell phones to airplane mode. Then so many thousan…

SOURCE: DC Theatre Scene at 10:48am on April 16, 2018[SHARE]

Powerful 'wake up' energy in Washington, DC: August Wilson, Peggy Cafritz and Dr. Martin Luther King, Jr by Susan Galbraith

This past week brought a powerful confluence of "wake up" energy to Washington, DC. Sunday, people gathered at Washington's National Cathedral to remember Dr. Martin Luther King, Jr., who ga…

SOURCE: DC Theatre Scene at 12:03pm on April 13, 2018[SHARE]

Review: New opera Florida from UrbanArias by Susan Galbraith

With Florida, the world premiere of an opera by composer Randall Eng and librettist Donna Di Novelli, Urban Arias just got bigger. It's not just that the piece of ninety-five minutes didn't …

SOURCE: DC Theatre Scene at 10:56am on April 9, 2018[SHARE]

Aaron Posner and Katie deBuys talk of magic and music in Folger's Winter's Tale by Susan Galbraith

Susan Galbraith speaks with director Aaron Posner and actor Katie deBuys during rehearsals for The Winter’s Tale which opens at Folger Theatre this week. ————&#…

SOURCE: DC Theatre Scene at 3:37pm on March 15, 2018[SHARE]

Washington National Opera stages Verdi's greatest opera (review) by Susan Galbraith

The icy blast that whipped through Washington this past week blew in a work rarely seen to the Kennedy Center's Opera House Saturday night that both tested one's brain stamina and also broug…

SOURCE: DC Theatre Scene at 1:20pm on March 5, 2018[SHARE]

Opera Lafayette performs Erminia and La forêt enchantée (The Enchanted Forest) Review by Susan Galbraith

Watching a Baroque opera delivered by Ryan Brown and Opera Lafayette can feel like a refreshing "re-set" time-travel from warp-speed to the pace of a gently-moving skiff down a lazy river. E…

SOURCE: DC Theatre Scene at 9:24am on February 1, 2018[SHARE]

American Opera Initiative 2018: three new short operas by Susan Galbraith

Opera has a promising future, judging by this past weekend's plethora of riches delivered in the newly renovated Terrace Theatre at The Kennedy Center.  As part of the American Opera Init…

SOURCE: DC Theatre Scene at 9:10am on January 24, 2018[SHARE]

Franz Kafka's The Trial at Synetic Theater (review) by Susan Galbraith

In a world where facts are malleable, the working government gets shut down, good people are without protection of the law, bureaucrats are colluding with the powerful and mad, and officials…

SOURCE: DC Theatre Scene at 8:40am on January 23, 2018[SHARE]

Proving Up, a ghost story opera from Washington National Opera (review) by Susan Galbraith

This weekend a new opera, Proving Up, proved itself indeed " a chamber opera worthy for the 21st century. Born out of a spirit of inquiry, Proving Up is mysterious, mesmerizing, startling in…

SOURCE: DC Theatre Scene at 12:18pm on January 22, 2018[SHARE]

Birthing Opera: The Next Generation of Washington National Opera's American Opera Initiative by Susan Galbraith

This coming weekend Washington National Opera will showcase its most vital work: insuring the future of the form by developing young creative talent through its American Opera Initiative (AO…

SOURCE: DC Theatre Scene at 6:16am on January 16, 2018[SHARE]

Leonard Bernstein's Trouble in Tahiti (review) by Susan Galbraith

Stillpointe Theatre, a Baltimore-based company known for its sharp takes on the American musical, has just entered the field of opera and became one of the first out of the gate this year to…

SOURCE: DC Theatre Scene at 10:46am on January 15, 2018[SHARE]

Is WNO's The Little Prince too sophisticated for children? (review) by Susan Galbraith

The Little Prince returned to earth this past weekend, filling the newly renovated Terrace Theater at the Kennedy Center with a veritable feast of sound and sights. "Amazing!" pronounced Kik…

SOURCE: DC Theatre Scene at 3:06pm on December 18, 2017[SHARE]

Christmas at the Old Bull & Bush, British music hall at MetroStage (review) by Susan Galbraith

Christmas traditions can pull you back into  memories of your favorite childhood outings, gooey or punchy. MetroStage has delivered a seasonal British music hall with more punch than goo.…

SOURCE: DC Theatre Scene at 11:24am on November 21, 2017[SHARE]
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