By Manuel R. Cawaling, Erin Murray. Dragon Lady, written and performed by Sara Porkalob, brings bring race, female stories, and intersectionality into the American theatre conversation.
By AlÃcia Hernà ndez Grande. AlÃcia Hernà ndez Grande writes about the theatrical street protests that have been staged since 2012 around the Catalonia independence referendum vote…
By Michael DeWhatley. Michael DeWhatley talks to several theatres, including Trinity Rep and the Guthrie, about how they define success and the benefits of a feedback process for talking abo…
By Kristin Horton, Lisa Biggs. Playwright Lisa Biggs and director Kristin Horton discuss the process of developing After/Life , a new play about the 1967 Rebellion in Detroit, Michigan with …
By Marci R. McMahon. Marci McMahon reflects on how Diane Rodriguez's The Sweetheart Deal breaks gendered stereotypes about the Chicano Movement of the 1960s and '70s.
By Michael Wright. Michael Wright discusses how his playwriting residency program WomenWorks is helping tackle the underrepresentation of female playwrights in the US.
By Eduardo Campos Lima. What is the significance of staging Coriolanus in Sao Paulo where the new mayor is a businessman who was the host of two seasons of the Brazilian version of TV show T…
By Annalisa Dias, Deb Sivigny. DC based playwright Annalisa Dias interviews fellow The Welders collective member Deb Sivigny on the world premiere of her new play, Hello My Name Is....
By Alej Bustillos, Jr.. Alej Bustillos, Jr. discusses documenting and translating his lived experience in the field of theatre arts and performance studies by referencing scholars in the fie…
By Jonathan Mandell. Jonathan Mandell looks at three plays about caregiving on stage recently in New York.
By HowlRound. HowlRound announces the four selected convening proposals for the HowlRound Challenge, a new initiative to incubate ideas and seed action to make a better theatre and a better …
By EllaRose Chary. Women musical theatre writers may exist but do they apply for funding opportunities? EllaRose Chary addresses this question and looks at how that information can be used b…
By Luane Davis Haggerty. Director and educator Luane Davis Haggerty reflects on how prioritizing movement as a form of communication encouraged diversity and intersectionality in her New Yor…
By Michael Lueger. A Theatre History Podcast annoucenemnt from Michael Lueger.
By Massimo Monfiletto. Massimo Monfiletto questions the representation of trans women in a commercial theatrical setting.
By Shelby-Allison Hibbs. Shelby-Alison Hibbs analyzes Matthew Paul Olmos' so go the ghosts of mexico , part 2 .
By Claire Glubiak. Clarie Glubiak talks with several theatre companies at the forefront of the inclusive theatre industry asking about sustainability.
By Laura Marriott. Laura Marriott considers The Eurydice Project in Dublin in the context of Ireland's Repeal the Eighth movement.
By Katy Koop. North Carolina based theatremaker Katy Koop reflects on the impact of the Women's Theatre Festival on Raleigh's theatre community since its launch in 2016.
By P. Carl, Taylor Mac. P Carl talks with Taylor Mac about drag, aesthetics, gender, performance, and politics.
By Eric Schorr. While researching and developing his musical The Rising Sea , playwright Eric Schorr reflects on the parallels between the historical narrative of slavery and the modern narr…
By David Finnigan. In the third installment of this series, Australian playwright David Finnigan discusses how he navigated the attacks of climate deniers on his provocatively titled play.
By Jennie Hahn. Maine artist Jennie Hahn explores environmental stewardship in Maine's Penobscot River Watershed with the performance project IN KINSHIP and shares her three guiding principl…
By Lanxing Fu. In the second installment of this series, Lanxing Fu discusses The Living Stage NYC, an intergenerational collaboration between Superhero Clubhouse and the community of Meltze…
By Brett Aresco. Brett Aresco discusses Radical Evolution's New York City production of Loving and Loving, inspired by the famous 1967 Loving v. Virginia case.
