By Dominick DeGaetano. Dominick DeGaetano reflects on Hyung Seok Jeon's A Held Posture , which last performed at Theaterlab in New York City in January 2018.
By Lisa Portes. Announcing the twenty-four finalists for the 2018 LTC Carnaval of New Latinx Work, which will be held 19-21 July 2018 in Chicago, Illinois.
By Jonathan Mandell. New York critic Jonathan Mandell gives us a glimpse at the recently ended Broadway season, and reflects on how these shows have handled the past as a way to adapt to our…
By Martha Steketee. Director Erin Ortman loves musical theatre, new plays, theatre families, and William Ball's idea of "positation" that celebrates the "yes" in artistic collaborations. The…
By Caroline Prugh. Caroline Prugh discusses Kaimera Productions' SPACES , a site-specific performance weaving together storytelling and dance that took place in June 2017 at the Harlem Arts …
By Trevor Boffone, Nelson Diaz-Marcano, Georgina Escobar, Lauren Villegas. Trevor Boffone, Nelson Diaz-Marcano, Georgina Escobar, and Lauren Villegas reflect on the Latinx Theatre Commons Ma…
By Emily White. Emily White writes about Rebeccah Simone Bogue's Piece by Piece , which was presented as a work in progress in New York City in February 2018.
By Shawn Whitsell. Artistic Director Shawn Whitsell talks about the importance of Nashville, Tennessee's black theatre community.
By Jessika Malone. Producer and director Jessika Malone explores the theatre scene in her hometown of Nashville, Tennesee focusing on the powerhouse women who are at the helm of many of the …
By Audra Almond-Harvey. Audra Almond-Harvey, executive director of abrasiveMedia, explores Nashville, Tennessee's evolution as a city since the flood of 2010.
By Nate Eppler. Nate Eppler shares how Ingram New Works Lab in Tennessee is helping playwrights build a creative home that both feeds the soul and the stomach.
By Daniel Jones. Theatremaker Daniel Jones introduces this week's series on Nashville, the city that welcomed him"and has recently welcomed droves of other young artists"with open arms.
By James Wyrwicz. James Wyrwicz reflects on how two shows, Say Something Bunny! and Margarete , use found audio and video recordings as the basis for storytelling.
By LuÃsa Roubaud. LuÃsa Roubaud reflects on the history of Portuguese dance.
By Michael Lueger. Dr. Kevin Clarke of the Operetta Research Centre introduces us to Weimar-era operetta, which pushed artistic and social boundaries and is finally enjoying an artistic and …
By Elana Gartner, Rebecca Burton. Elana Gartner, founding co-chair of the International Centre for Women Playwrights 50/50 Applause Award, interviews Rebecca Burton, co-founder of Equity in …
By Ana Dinger. Ana Dinger explores theatre as a "place of listening" through the work of Mónica Calle and Rui Catalão.
By Todd London. Todd London celebrates playwright MarÃa Irene Fornés.
By Sara Brookner, Akiba Abaka, Rachel L. Fink, Kristen van Ginhoven, Stephen Shafer Mazow. Sara Brookner interviews the Steering Committee of the Berkshire Leadership Summit, which brought t…
By Gab Cody. Gab Cody reflects on the birth of The Monologue Project, an initiative that started in Pittsburgh, USA and Dallas, USA to increase the canon of audition-length monologues for wo…
By Jonathan Mandell. Jonathan Mandell reflects on the twentieth anniversary production of Basil Twist's Symphonie Fastastique at HERE Arts Center in New York City.
By Hannah Sachs. Arts educator Hannah Sachs talks about how introducing Theatre of the Oppressed to her students in the Czech Republic helped address xenophobia in the classroom, and slowly …
By Michael Lueger. Dr. Nora Williams joins us to talk about Measure (Still) for Measure , a devised theatre project that revises Shakespeare's infamous "problem play" in order to engage with…
By Holly L. Derr. Holly Derr discusses the dramaturgical implications of playwright Mary Kathryn Nagle changing one of her characters to a woman in her newest play Manahatta, which premiered…
By Kitty Drexel. Kitty Drexel writes about the failure of Andrew Lloyd Webber's Love Never Dies to accurately represent the performers with disabilities that made Coney Island famous.
