By Rob Onorato. Writer and performer Rob Onorato explores what makes the Chicago Neo-Futurists so special.
By Katherine Swimm. Katherine Swimm discusses New Rep Theatre's Boston production of Ripe Frenzy , and the innovative collaboration between playwright Jennifer Barclay and projection designe…
By Ramona Ostrowski, JD Stokely. Associate Producer Ramona Ostrowski and Fellow JD Stokely reflect on how HowlRound made the Theatre in the Age of Climate Change Convening on 8-10 June 2018 …
By Georgina Young-Ellis. Georgina Young-Ellis looks at the history of the innovative Mexican theatre company Teatro LÃnea de Sombra, its connection to Portland, Oregon, and two of their p…
By Julie Taiwo Oni. Playwright and scholar Julie Taiwo Oni reflects on the experience of casting an actor with albinism for her play Chisel , and discusses why authentic casting is worth the…
By Georgina Escobar. Playwright Georgina Escobar reflects on the curation of the 2018 Latinx Theatre Commons (LTC) Carnaval of New Latinx Work: ¡ConeXión!, which took place 19-21 July …
By Tyrone Giordano, DJ Kurs, Ethan Sinnott, Rachel Grossman. The Deaf Theatre Action Planning Session, a convening for deaf theatremakers taking place on 15-17 March 2019, is accepting appli…
By Beatrice Basso. Beatrice Basso discusses what it was like to bring multidisciplinary artists from north and south of the US-Mexico border together to create and learn from each other in t…
By Michael Lueger. Could you make it as the manager of a New York City theatre in the 1840s? That's the question that Dr. Robert Davis's game and app Broadway:1849 poses to players. Robert j…
By Rob Neill. Rob Neill, founding ensemble member of the New York Neo-Futurists, shares his thoughts on the company's process, devising work, and creating rituals in theatre.
By Noe Montez. Noe Montez interviews ensemble members from New York's Pregones Theatre on Dancing in My Cockroach Killers, which ran from 7 June to 1 July 2018 at the GALA Theatre in Washing…
By Courtney Bailey Parker. Actor and literature/theatre professor Courtney Bailey Parker talks about national anthem protests, performance as activism, and theatre artists as mediators.
By Heather Denyer. Heather Jeanne Denyer interviews Cameroonian playwright Edouard Elvis Bvouma about the country's theatrical landscape, touching on topics like the low number of companies …
By Bertie Ferdman. Bertie Ferdman looks at En Garde Arts' production of Red Hills , which explores the question: "Who has the right to tell what stories?"
By Amelia Parenteau. Amelia Parenteau explores the value of bringing theatre and the humanities into the medical field through the collaboration between Philadelphia's Lantern Theater Compan…
By HowlRound TV. Beginning on 19 July, the 2018 LTC Carnaval of New Latinx Work will bring over 200 Latinx and allied theatremakers, scholars, and decision makers together in Chicago, IL, US…
By Michael Lueger. Dr. Cobina Gillitt joins the Theatre History Podcast to introduce us to the work of Putu Wijaya and his Teater Mandiri and to explain how modern Indonesian theatre has dev…
By Gaven Trinidad. Dramaturg Gaven D. Trinidad reflects on workshopping Snowflakes, or Rare White People by Justin Chinn as a part of UMass Amherst's New Play Lab in December 2017.
By Tammie Pollard. Tammie Pollard details the history of military theatre in Europe, explores its benefits, and looks at the challenges it faces today.
By Shelby-Allison Hibbs, Marianne Galloway, Sherry Jo Ward. Shelby-Allison Hibbs interviews director Marianne T. Galloway and theatre administrator and actor Sherry Jo Ward about representat…
By Michael Lueger. How has the circus changed from its earliest origins to today? CarlosAlexis Cruz joins us to explain how acrobatics and storytelling have come to replace the big top and t…
By Robert Ruffin. Theatre artist and educator Robert Ruffin explores the idea of theatre being necessary for human survival and the research that needs to be undertaken to prove it.
By Corey Bradberry. Georgia-based theatremaker Corey Bradberry reflects on lessons learned after creating an immersive murder mystery play in a four-story historical theatre, and muses on ho…
By Meggan Gomez. Director Meggan Gomez reflects on working with her youth ensemble based in New Mexico to create _____ Historias, a play that is created in real-time in response to stories s…
By Emily Garside. Scholar Emily Garside explores the ideas at the heart of Matthew Lopez's play The Inheritance and the way in which the story acts as a response to Tony Kushner's Angels in …
