By Michael Lueger. Madeline Sayet joins us to talk about how she's producing Shakespeare's work with Native American artists to place them in a new, more diverse context.
By Carey Purcell. Carey Purcell engages the complications of sex in The Sex Myth, presented at HERE Arts Center in New York City.
By Marilyn Millstone, Ari Roth. An interview with Ari Roth, artistic director of Mosaic Theater Company in Washington, DC.
By Jonathan Mandell. Jonathan Mandell runs down the recent past and present dramatization of dystopian novels on stage, including 1984 , and asks whether what's on stage is reflected in the …
By Jamie Macpherson. Fight instructor Jamie Macpherson addresses objections to teaching stage combat to young people.
By Brendan McCall. In the fourth installment of this series, Brendan McCall discusses the work of Czech-born, Norway-based artist Nela Kornetová, and her performance collective T.I.T.S.
By Anne Bogart, Tadashi Suzuki. Tadashi Suzuki and Anne Bogart in conversation at the Symposium on the Suzuki Method with SITI Company"New York City, June 3, 2017.
By Heather A. Beasley. Producer, dramaturg, and grant writer Heather A. Beasley writes about the challenges and ethics of collecting audience demographic data, and offers a radical propositi…
By Cynthia P. Schneider. Ambassador Cynthia P. Schneider, who attended the AsiaTOPA Performance Festival in Australia, reflects how as the United States devalues diversity and imposes restri…
By Michael Lueger. David Coates talks about his research into amateur theatricals in the nineteenth century.
By Maia Kinney-Petrucha. Maia Kinney-Petrucha examines the theoretical and applied science of creating empathy through theatre
By Viviana Vargas. Viviana Vargas compares West Side Story and La Carreta by looking at the history of Puerto Ricans migrating to New York to better understand an example of cultural appropr…
By Patrick Gaughan. Patrick Gaughan interviews Christian Appel and Renée Imperato about how they used applied theatre, writing, and utopian world-envisioning to create the all-trans, ensemb…
By Georgina Escobar. Georgina Escobar reflects on the past four years of Latinx Theatre Commons (LTC) convenings, and developing an understanding of "Latinx aesthetics."
By Sophia Skiles. Theatre practitioner and educator Sophia Skiles interrogates unconsciously artificial and increasingly antiquated casting practices and urges understanding of casting pract…
By Michael Lueger. Dr. Eric Colleary, Cline Curator of Theater and Performing Arts at the Harry Ransom Center at the University of Texas at Austin, introduces us to the treasures in the cent…
By Brendan McCall. In the third installment of this series, Brendan McCall discusses the work of Øystein Elle and his company Capto Musicae . Originally a classically trained opera singer…
By Alyssa Sileo. High school performing arts student Alyssa Sileo discusses how creating a theatre advocacy project based on The Laramie Project helped her unite communities in the face of a…
By Aaron Sawyer, Terri Lynne Hudson. Aaron Sawyer and Terri Hudson reflect on what they learned from the Access Auditions, and offer tangible steps theatres can take to become more accessibl…
By Michael Lueger. The Staging Napoleonic Theatre project is working to study and stage early examples of melodrama, a theatrical genre that was widely popular in the nineteenth century.�
By Joan Schirle. Joan Schirle, Founding Artistic Director of Dell'Arte International, presents an overview of the history of Dell'Arte's Rural Residency Program and the program's relationshi…
By Brendan McCall. In the second installment of this series, Brendan McCall discusses the work of Cliff Moustache and Nordic Black Theatre.
By Nora J. Williams. Following the controversy around the Public's Shakespeare in the Park Julius Caesar production, Nora Williams provides a parallel story about a play that was censored an…
By Michael Lueger. Dr. Stacy Wolf reveals the hidden feminist history of the Broadway musical in this discussion of her book Changed for Good .
By Brendan McCall. In the first installment of this series, Brendan McCall discusses the work of Lars Øyno and his company Grusomhetens Teater.