By Sloth Levine. Theatremaker Sloth Levine uses the casting conceit in Jaclyn Backhaus's play Men On Boats as a jumping off point to explore gender diversity in casting.
By Ashley Marinaccio. Ashley Marinaccio examines the importance of youth theatre in Palestine through the work of a number of organizations, including ASHTAR Theatre, the Freedom Theatre, an…
By Michael Lueger. In this week's Theatre History Podcast, Dr. Derek Miller joins us to talk about the origins and development of theatrical copyright.
By Dominick DeGaetano. Dominick DeGaetano takes us to Tbilisi, Georgia's beloved marionette theatre, the Gabriadze, which was built and runs on the vision of single man, eighty-two-year-old …
By Annalisa Dias. Annalisa Dias discusses her work with the newly formed Groundwater Arts Collective, and suggests ways that other theatremakers committed to climate justice can adopt the fr…
By Ashley Teague. Ashley Teague discusses how Notch Theatre Company is using community-led theatre and storytelling to help fight to protect public land.
By Lanxing Fu. Lani Fu introduces the Climate Commons for Theatre and Performance, an initiative that emerged from the Theatre in the Age of Climate Change convening in June 2018.
By Kendra Fanconi. Kendra Fanconi explains why it might take us eighty-eight minutes to digest one simple sentence about climate change.
By MJ Halberstadt. Playwright MJ Halberstadt reports on Theatre of the Age of Climate Change convening, which took place 8-10 June 2018 in Boston, MA.
By Abigail Vega. Latinx Theatre Commons (LTC) Producer Abigail Vega reflects on the last six years of programming, and encourages the community to submit ideas for future LTC programming.
By Pax Ressler. Pax Ressler looks at both the successes and challenges for non-binary theatre artists in Philadelphia.
By Rachel Bonds. Parent and artist Rachel Bonds reflects on being a working playwright since the birth of her son, and maps out tips for theatres working with other parent-artists.
By Abraham Johnson. When the Lambda Emerging LGBTQ Voices Retreat was born in 2007, it was the first program of its kind for queer writers. Since then, annual week-long workshops have been l…
By Abigail Warhus. Theatre student Abigail Warhus talks about feeling stuck at university and taking her education into her own hands.
By Michael Lueger. How do you depict pregnancy when you're working with an all-male cast? Dr. Sara BT Thiel joins us to discuss this and other issues connected to pregnancy on the Stuart sta…
By Sara Brookner, Megan Simcox. Dramaturg Sara Brookner interviews actor/director Megan Simcox about equitable casting, and why they founded ACTive Roles Theatre Company.
By Caridad Svich. Playwright Caridad Svich reflects on the economic reality of working in theatre.
By Yasmin Mikhaiel. Yasmin Zacaria Mikhaiel talks about the importance of "good" criticism through the lens of Kristiana Rae Colón's play Tilikum.
By Kitty Drexel. Kitty Drexel reflects on harassment policies in the age of the #MeToo movement.
By Ishmael Hope. Ishmael Hope (Tlingit) writes about why we need to support Native playwrights.
By Allan Hayton (Gwich'in). Actor and former Naa Kahidi Theatre ensemble member Allan Hayton(Gwich'in) reflects on the history of the company and how theatre can be used as a tool for commun…
By Leslie C. Lewis. Leslie C. Lewis looks at how playwrights are working together and building community with Rough Draught Playwrights in Denver, Colorado.
By Lucas Rowley (Inupiaq). Playwright Lucas Rowley reflects on navigating expectations of Western theatre while also balancing his Inupiaq traditions and community responsibilities.
By Vera Starbard (Tlingit/Dena'ina). Vera Starbard (Tlingit/Dena'ina) introduces the series on Alaskan theatre through the lens of Alaska Native performance and storytelling.
By Massimo Monfiletto. Using three different plays" M. Butterfly , Iphigenia Crash Land Falls on the Neon Shell That Was Once Her Heart , and QPH "playwright Massi Monfiletto examines theatr…