A Not So Brisk-and-Bright Allegro
Why can't they just do Broadway musicals the way the authors wrote them in the first place? is a not infrequent cry along the Rialto. If a show was a hit, if a show is a classic, why do mode…
Why can't they just do Broadway musicals the way the authors wrote them in the first place? is a not infrequent cry along the Rialto. If a show was a hit, if a show is a classic, why do mode…
To tell you the plot of this mysterious ghost play -- anything more than that Man brings Woman to the cabin and they eat two bites of trout -- or to even discuss the dramatis personae, is to…
This week's column discusses studio recordings from Broadway's Mary Testa and Michael Starobin, an anthology from songwriter Scott Alan and this year's edition of "Carols fo…
The Band Wagon, featuring Brian Stokes Mitchell and Laura Osnes, opened at City Center. Playbill.com was there.
This is the master's earliest professionally-produced musical; that is, it is his earliest musical to receive a professional production, albeit 40-odd years later.
This month's column looks at the long-running talk-show "The Merv Griffin Show," which was based in the heart of the theatre district throughout its formative years.
Show Boat — in a grand semi-staged version featuring a large cast and an even larger orchestra — is back in town at Avery Fisher Hall.
Tony nominee and "Smash" star Jeremy Jordan brings his solo show "Breaking Character" to 54 Below.
There is enough in the characters and the dialogue -- even in the costumes, with some actors drifting on wearing basketball sneakers -- to tell us that Father Comes Home is a play of ideas a…
This month's column discusses John Lahr's new, comprehensive biography "Tennessee Williams: Mad Pilgrimage of the Flesh" and Allen Shawn's "Leonard Bernstein: An A…
There is an interesting and potentially important musical contained within The Fortress of Solitude, the new piece from Michael Friedman, Itamar Moses and Daniel Aukin at the Public.
This month's column looks at the Emmy Award-winning HBO version of Larry Kramer's "The Normal Heart;" the first-ever complete release of the well-remembered s…
Playgoers who haven't walked away from a Broadway musical beaming since before they can remember should head over to Times Square for On The Town, the 1944 musical which introduced Leonard B…
This Big, alas, seems just as unengaging as the Broadway version; given the lack of orchestral accompaniment, it is even less entertaining.
This week's column discusses the first complete recording of Jerome Kern's 1933 "Smoke Gets in Your Eyes" musical, Roberta.
You will not likely find anything funnier onstage, just now, than Nathan Lane in the opening scene of Terrence McNally's It's Only a Play. Lane, as a humble off-Broadway actor turned top-tie…
Alex Sharp in The Curious Incident of the Dog in the Night-time. Photo: Joan Marcus There are plays that entertain,...
This week's column discusses Marisa Michelson's Tamar of the River, along with a notable newly-discovered full recording of West Side Story.
Mid-period Stoppard -- that is, the work of the acclaimed Czech-born British playwright in his fifties and early sixties -- brought forth a remarkable series of intricate, thought-provoking-…
This month's column discusses the new, Eighth Edition of Stanley Green's "Broadway Musicals Show by Show;" Annie Baker's Pulitzer Prize-winning The Flick and&nb…
This playgoer's memory of A. R. Gurney's Love Letters -- the 1988 two-character play consisting of letters between an upper crust boy-turned-man and girl-turned-woman, performed without memo…
This month's column looks at Zero Mostel in Richard Lester's motion picture version of "A Funny Thing Happened on the Way to the Forum;" the classy film adaptation of Terre…
Robert O'Hara's Bootycandy is rude, raucous, vulgar and gloriously funny. It's a happy sign when established not-for-profits like Playwrights Horizons can offer such outspoken fare as mainst…
Two-time Tony Award winner Christine Ebersole, who has starred on Broadway in 42nd Street and Grey Gardens, opened her new solo show at 54 Below Sept. 8. Playbill.com was there.
In this week's column, we listen to Audra McDonald in Lady Day at Emerson's Bar and Grill, the 1967 Richard Rodgers television musical Androcles and the Lion and an album of forgotte…