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37 stories by "Simon Holton"

Review: what happens to hope at the end of the evening by Simon Holton

The best theatre leaves you with a feeling of excitement, thoughtfulness and, in some rare cases, a feeling of loss. Tim Crouch and Andy Smith's new collaboration as part of the Almeida Fest…

SOURCE: A Younger Theatre at 3:55pm on July 13, 2013

Review: Face to Face Festival of Theatre by Simon Holton

As someone accustomed to performing as part of a tight-knit ensemble, there is something distinctly terrifying about performing alone. No-one there to cover for you if you make a mistake, no…

SOURCE: A Younger Theatre at 9:06am on July 3, 2013

Review: To Freedom's Cause by Simon Holton

Having been born and raised a stone's throw from Epsom racecourse, I first learned of the tragic events of 4 June 1913 at a very young age. Since my initial childish reaction to the news,…

SOURCE: A Younger Theatre at 3:19pm on June 29, 2013

Review: Early Days by Simon Holton

The Finborough Theatre is well known for its rediscoveries and revivals. First performed is 1980, Early Days by David Storey is no exception. This new Five Wits production, proudly proclaimi…

SOURCE: A Younger Theatre at 5:11am on June 20, 2013

Review: The Young Visiters by Simon Holton

Enemy of spellcheckers and pedants alike, the misspelling in the title of The Young Visiters, in a new adaptation by Mary Franklin, is due to the fact that it comes from a novel written by 9…

SOURCE: A Younger Theatre at 5:14am on June 7, 2013

Review: Medea by Simon Holton

Wilton's Music Hall describes itself as 'The City's Hidden Stage'.  Though a mere 15 minute walk from my house, I'm ashamed to say that Teatro Patalogico's production of Medea was my firs…

SOURCE: A Younger Theatre at 3:21pm on June 2, 2013

Review: The Great Gatsby by Simon Holton

The Great Gatsby is a novel which seems to bear endless adaption, mutating into different forms. We've had numerous film adaptations, an 8-hour-long play, a ballet and now, Ruby in the Dust …

SOURCE: A Younger Theatre at 11:00am on May 27, 2013

Review: The Shepherd's Chameleon by Simon Holton

The irony of reviewing The Shepherd's Chameleon, a play written by Eugène Ionesco as a barbed response to his critics, is inescapable. The play is itself an exploration, perhaps a criticism…

SOURCE: A Younger Theatre at 3:49am on May 16, 2013

Review: The Gut Girls by Simon Holton

Hidden away in the heart of the docklands lies a hidden gem. The Space, on the Isle of Dogs, home to Rum and Monkey's new production of The Gut Girls, is an old converted church. This unconv…

SOURCE: A Younger Theatre at 1:04pm on May 10, 2013

Review: Larisa and the Merchants by Simon Holton

Larisa and the Merchants is making its English premiere at the Arcola theatre. With a name like that, one would be forgiven for mistaking it for a band. The title is actually a touch added b…

SOURCE: A Younger Theatre at 6:51am on May 9, 2013

Review: The Ghost Hunter by Simon Holton

Rational, enlightened, modern man that I am, I certainly ain't afraid of no ghosts. But a good ghost story should chill your bones whatever your beliefs. The Ghost Hunter, at The Old Red Lio…

SOURCE: A Younger Theatre at 12:11pm on May 7, 2013

Review: Ghosts by Simon Holton

Ibsen's paradoxical reputation as the fearless experimenter and driver of social change of his day, and as a writer of somewhat fusty GCSE drama texts, makes him a risky choice for a small t…

SOURCE: A Younger Theatre at 12:48pm on May 1, 2013
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