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19 stories by "Sean Craig"

A triumphant Caroline, or Change from Creative Cauldron by Sean Craig

Sometimes it's hard not to wonder about the relevance of musical theater. Sometimes it's hard not to love the form but wonder if the content might be stuck in a limbo of irrelevance.  And…

SOURCE: DC Theatre Scene at 12:16pm on May 11, 2016

Jersey Boys returns to The National Theatre (review) by Sean Craig

There's an odd moment in the middle of Jersey Boys, a throwaway line that you could miss amid the pulsing rhythm that drives the now decade old musical. It comes near the end of the first ac…

SOURCE: DC Theatre Scene at 6:34am on April 12, 2016

Cat on a Hot Tin Roof at Round House Theatre (review) by Sean Craig

  The first thing you'll notice about Cat on a Hot Tin Roof at Round House Theatre is the set. It would be impossible to walk into the Bethesda theatre and not marvel at the luscious re…

SOURCE: DC Theatre Scene at 2:25pm on April 7, 2016

Tinseltown: A Hollywood Cabaret from Congressional Chorus (review) by Sean Craig

A slew of clichés are at my fingertips, wanting desperately to open this review. "The silver screen comes alive on stage!" "Hollywood meets Broadway at the Atlas thanks to the Congressional…

SOURCE: DC Theatre Scene at 12:09pm on March 18, 2016

ABCs of American Art Song from In Series (review) by Sean Craig

The great American composers are alive and well in the Source blackbox, as In Series continues its season: Made in America (all three Americas that is…) with ABCs of American Art Song. The…

SOURCE: DC Theatre Scene at 10:19am on March 1, 2016

Agents of Azeroth from Washington Rogues (review) by Sean Craig

  The past few years have seen a boom of plays trying to tackle the digital age. It's an interesting prospect for theatre, a medium that in so many ways is diametrically opposed to the …

SOURCE: DC Theatre Scene at 4:43pm on January 29, 2016

Too Much Light's back and blazing at Woolly Mammoth (review) by Sean Craig

The Neo-Futurists are at it again. Once more they are taking Woolly Mammoth's stage by storm with their mentally experimental performance of Too Much Light Makes the Baby Go Blind. The show …

SOURCE: DC Theatre Scene at 3:52pm on December 10, 2015

The Night Alive at Round House Theatre (review) by Sean Craig

Time is out of joint in Conor McPherson's The Night Alive, making its regional premier at Round House Theatre. Taking place solely in the rundown apartment of Tommy, a Dublin burnout trying …

SOURCE: DC Theatre Scene at 11:52am on October 28, 2015

Lovecraft: Nightmare Suite from Molotov Theatre Group (review) by Sean Craig

The fear of the unknown is the greatest fear that plagues us. This is the conceit of the works of H.P. Lovecraft, and the mission statement of Molotov's newest work, a staged adaptation of s…

SOURCE: DC Theatre Scene at 11:49am on October 21, 2015

Seuls, briefly at the Kennedy Center by Sean Craig

After years of being performed around the world, Seuls, the riveting solo performance written, directed, and performed by Wajdi Mouawad, makes its U.S. premiere in the Kennedy Center's Eisen…

SOURCE: DC Theatre Scene at 9:09am on September 21, 2015

From Rorschach: Truth & Beauty Bombs: A Softer World (review) by Sean Craig

Is it enough praise to simply say that shades of Churchill and Ruhl permeate Truth & Beauty Bombs: A Softer World, Rorschach  Theatre's brilliant new play running at Atlas Theatre? No…

SOURCE: DC Theatre Scene at 2:41pm on September 16, 2015

Family Portrait from DC Music Theatre Workshop (review) by Sean Craig

DC Music Theatre Workshop makes its debut with Family Portrait, a musical written by British composer Theo Jamieson and being fully staged here for the very first time. The show is a collect…

SOURCE: DC Theatre Scene at 8:34am on August 11, 2015

The Eulogy at Capital Fringe by Sean Craig

Go see The Eulogy. Right now. What are you doing? Why are you still reading? For every minute you spend not seeing The Eulogy, you're missing out on easily the funniest thing you'll see at t…

SOURCE: DC Theatre Scene at 8:28am on July 14, 2015

Out of Sync at Capital Fringe by Sean Craig

Out of Sync is a show that wears its heart on its sleeve. It is a personal tale of a budding relationship held down by the tragedy of long lost love. The play jumps between past and present …

SOURCE: DC Theatre Scene at 10:26am on July 13, 2015

Paper Glass at Capital Fringe by Sean Craig

Paper Glass is an intimate adaptation of Lewis Carroll's Through the Looking Glass that glows with innocence and childlike wonder. The piece is created and performed by Monica Dionysiou who …

SOURCE: DC Theatre Scene at 8:19am on July 13, 2015

The Great Awkward Hope at Capital Fringe by Sean Craig

On paper, The Great Awkward Hope, a play about making a play about making a play, is a quirky little exploration into the art of making art and what it can say across racial divides. In prac…

SOURCE: DC Theatre Scene at 2:21pm on July 12, 2015

Tomato Beard at Capital Fringe by Sean Craig

Tomato Beard contains all of the following: broken hearts, puppets, curses, an alcoholic turtle (who's also a ship's captain), a neurotic and sexually confused pig (who's also a mayor), a li…

SOURCE: DC Theatre Scene at 9:51pm on July 11, 2015

The Paper Game at Capital Fringe by Sean Craig

Life and death has never been so fun. The Paper Game is a brain-busting new show by Nu Sass Productions that tackles the struggle to survive in the face of systematic adversity with care and…

SOURCE: DC Theatre Scene at 10:40am on July 11, 2015

Neighborhood 3: Requisition of Doom at Capital Fringe by Sean Craig

Neighborhood 3: Requisition of Doom is a wonderfully fitting title for Molotov Theatre Group's new show about a deadly video game and a sinister suburban lifestyle. Much like the play its…

SOURCE: DC Theatre Scene at 6:07am on July 11, 2015
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