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2,003 stories by "Scotty Zacher"

Review: Red (Goodman Theatre) by Scotty Zacher

In Goodman Theatre's much anticipated production of Red, we get a real sense of this tortured and fastidious progenitor Mark Rothka, stunningly played by Edward Gero. Highly recommended.

SOURCE: Chicago Theater Beat at 2:36pm on September 30, 2011

Review: Elling (Redtwist Theatre) by Scotty Zacher

Elling is a light and fanciful comedy. With a talented cast and a solid script, it's sure to entertain. For those looking to chase away those pre-winter blues, check out this play!

SOURCE: Chicago Theater Beat at 11:44pm on September 29, 2011

Review: Mourning Becomes Electra (Remy Bumppo) by Scotty Zacher

New Artistic Director Timothy Douglas opens the season with Eugene O'Neill's rarely-performed epic, smoldering more than igniting. Slightly recommended.

SOURCE: Chicago Theater Beat at 8:55pm on September 29, 2011

Review: The Amish Project (American Theater Company) by Scotty Zacher

Chicago's fall season offers a plethora of fantastic theatre options - it would be easy to overlook a little Amish show. And that would be a huge mistake. The Amish Project is unique, upli…

SOURCE: Chicago Theater Beat at 5:21pm on September 29, 2011

Review: Frat (Hatmaker Theatrical & The New Colony) by Scotty Zacher

Though slighly recommended, in Evan Linder's memoir of fraternity life, there is not much new exposed about the Greek system. What's billed as a comedy is more of a disturbing expose of of t…

SOURCE: Chicago Theater Beat at 2:41pm on September 29, 2011

Review: If You Give a Cat a Cupcake (Emerald City) by Scotty Zacher

Artistic Director Ernie Nolan's adaption of the children's book proves an energetic, tasty treat for the entire family. Recommended.

SOURCE: Chicago Theater Beat at 4:19pm on September 27, 2011

Review: Riff Raff (Mary-Arrchie Theatre) by Scotty Zacher

Mary-Arrchie Theatre's Riff Raff has nothing special to offer other than a strong performance from its lead actor, Eduardo Martinez. The plot is a drag, and the characters are disingenuous.

SOURCE: Chicago Theater Beat at 8:48am on September 26, 2011

Review: Kabulitis (Polarity Ensemble & Rasaka Theatre) by Scotty Zacher

Keith Anwar based Kabulitis on experiences of his American mother and Afghani father, and their attempt to promote secularism and modern thinking in the Afghanistan. Though full of strong m…

SOURCE: Chicago Theater Beat at 8:57pm on September 25, 2011

Review: The Real Thing (Writers' Theatre) by Scotty Zacher

In Writers' Theatre's successful production of The Real Thing, Director Michael Halberstam's perfectly modulated staging honors the complexities, contradictions, and consistency of Tom Stopp…

SOURCE: Chicago Theater Beat at 5:47pm on September 25, 2011

Review: In the Next Room….or the vibrator play (Victory Gardens) by Scotty Zacher

Sarah Ruhl's "In the Next Room or the vibrator play" is as much about what goes on between the ears as it is about what goes on between the legs. Which is to say it is every bit as wickedly …

SOURCE: Chicago Theater Beat at 3:43pm on September 25, 2011

Review: Faust (TheMASSIVE at Stage 773) by Scotty Zacher

TheMASSIVE's theatrical dance piece, "Faust" is a memorable and scintillating experience - uniquely exciting, arousing, and heartbreaking at the same time.

SOURCE: Chicago Theater Beat at 8:35pm on September 24, 2011

Review: Starting Here, Starting Now (Theo Ubique Cabaret Theatre) by Scotty Zacher

In only 24 songs and 90-minutes, the immensely entertaining musical revue Starting Here, Starting Now, offers a tender-tough inventory of love and the lonesome lack thereof. Highly recommen…

SOURCE: Chicago Theater Beat at 1:48pm on September 24, 2011

Review: Moby-Dick (The Building Stage) by Scotty Zacher

Moby-Dick takes an exciting novel and makes it inaccessible to those unfamiliar with the source material (and unbearably dull to boot). After multiple adaptions, perhaps it's time to hang up…

SOURCE: Chicago Theater Beat at 9:18am on September 23, 2011

Review: Love, Loss and What I Wore (Broadway in Chicago) by Scotty Zacher

If you liked "Menopause the Musical," you'll probably love this show. The two have much in common, primarily their ability to reduce complex, multi-layered subjects into lowest-common-denomi…

SOURCE: Chicago Theater Beat at 6:43pm on September 22, 2011

Review: Spunk (Court Theatre) by Scotty Zacher

The essence of Spunk is in its details: the magnificent approach to storytelling is lifted to greater heights thanks to human stories, pleasing aesthetics, multifaceted actors and most of al…

SOURCE: Chicago Theater Beat at 12:21pm on September 21, 2011

Review: Clybourne Park (Steppenwolf Theatre) by Scotty Zacher

Playwright Bruce Norris has peened a brilliant, scathing examination of racism, with a pull-no-punches, bruising ability to tell a thrashing-good story. Highly recommended.

SOURCE: Chicago Theater Beat at 10:50am on September 21, 2011

Review: The Count of Monte Cristo (Lifeline Theatre) by Scotty Zacher

      The Count of Monte Cristo  Adapted by Christopher M. Walsh Based on book by Alexandre Dumas  Directed by Paul S. Holmquist at Lifeline Theatre, 6912 N. Gl…

SOURCE: Chicago Theater Beat at 9:13am on September 21, 2011

Review: Schoolhouse Rock Live! (TheatreBam Chicago) by Scotty Zacher

Director and creator Scott Ferguson has assembled a wonderful cast with great synergy. It feels like a real labor of love and reminiscence. Let the kids stay up later and go see it yourself!

SOURCE: Chicago Theater Beat at 7:05am on September 21, 2011

Review: Summer and Smoke (The Den Theatre) by Scotty Zacher

Though often inconsistent, Eve Rydberg's nearly flawless performance of Alma is a wonder to behold. It's hard to believe that Tennessee Williams would want Alma any other way.

SOURCE: Chicago Theater Beat at 3:25pm on September 20, 2011

Review: Yellowman (Greenetree Productions) by Scotty Zacher

Yellowman is an outstanding cultural and artistic accomplishment. Building off a strong script, Greenetree's talented actors and production crew give the work the treatment it deserves. High…

SOURCE: Chicago Theater Beat at 6:36pm on September 18, 2011

Review: My Fair Lady (Paramount Theatre) by Scotty Zacher

The special wonder holding this production's magic together is the scintillating chemistry between Andrea Prestinario's heart-hungry, dreamer Eliza and the tough-loving, logic-wielding Henry…

SOURCE: Chicago Theater Beat at 1:06am on September 18, 2011

Review: Barefoot in the Park (Chemically Imbalanced) by Scotty Zacher

Barefoot in the Park's bouncy narrative evokes a fond nostalgia for an era gone by, even for those who weren't born until decades later. Laughter never goes out of style - Recommended!

SOURCE: Chicago Theater Beat at 9:02pm on September 16, 2011

Review: Women Are Crazy Because Men Are A**holes (Cyur Studios) by Scotty Zacher

Low laughs, sly raunchiness make for a mostly gut-busting evening. Recommended.

SOURCE: Chicago Theater Beat at 1:46pm on September 16, 2011

Review: Be A Good Little Widow (Collaboraction) by Scotty Zacher

Playwright Bekah Brunstetter has penned a familiar tale, but this "Widow" grieves for lost potential. Slightly Recommended

SOURCE: Chicago Theater Beat at 9:11am on September 14, 2011

Review: The Pitmen Painters (TimeLine Theatre) by Scotty Zacher

After giving the world "Billy Elliot," Playwright Lee Hall pulls more innovation out of a coal mining town. "The Pitmen Painters" powerfully tells the real story of coalminers releasing thei…

SOURCE: Chicago Theater Beat at 12:55am on September 14, 2011
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