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2,003 stories by "Scotty Zacher"

Review: Momma's Boyz (Teatro Vista) by Scotty Zacher

Momma's Boyz is a triumph of the urban theatre genre. It is bold without being brash. It is emotional without being maudlin. It uses conventions like reverse chronology and magical realism w…

SOURCE: Chicago Theater Beat at 5:48pm on October 29, 2011

Review: The Sound of Music (Drury Lane) by Scotty Zacher

In two hours and forty minutes Director Rachel Rockwell's faithful and often impassioned revival (which borrows two songs from the celebrated film version) charms and convinces with every we…

SOURCE: Chicago Theater Beat at 9:04pm on October 28, 2011

Sanity Break: Halloween house lighting spectacular! by Scotty Zacher

Viral Video – Halloween light show This starts out slow – but really picks up when the faces on the house windows start singing along with the music! This Halloween light Youtube…

SOURCE: Chicago Theater Beat at 1:45pm on October 28, 2011

Review: A Behanding in Spokane (Profiles Theatre) by Scotty Zacher

The problem with Martin McDonaugh's work lies with the overall tone of the piece. Directed by Rick Snyder, Behanding is largely a one-note wonder, all shrill screaming and no emotional convi…

SOURCE: Chicago Theater Beat at 5:02pm on October 27, 2011

Review: The World Over (State Theatre of Chicago) by Scotty Zacher

Keith Bunin's epic play tells the story of Adam, a castaway on an island who latches on to the hope of a fairytale while seeking his lost kingdom of Gildaroy. On his journey he encounters pi…

SOURCE: Chicago Theater Beat at 8:27pm on October 26, 2011

Review: Woman School (Vintage Theater Collective) by Scotty Zacher

Women School is ginormous wigs, sauciness, really tight pants, and a great baguette beat down to boot. Highly Recommended.

SOURCE: Chicago Theater Beat at 9:15am on October 26, 2011

Review: The Elephant Man (Saint Sebastian Players) by Scotty Zacher

In Saint Sebastian Player's version of Elephant Man, not only is the character of John Merrick played without the use of makeup or prosthetics, it is played by Simina Contras, a Romanian act…

SOURCE: Chicago Theater Beat at 2:33pm on October 25, 2011

Review: Rabbit Hole (AstonRep Theatre Company) by Scotty Zacher

Though a few important moments fall short, Rabbit Hole's purposeful cast and stellar production elements display a passion for the strong and tender source material and a dedication to sprea…

SOURCE: Chicago Theater Beat at 10:05pm on October 24, 2011

Review: The 13 Clocks (Lifeline Theatre) by Scotty Zacher

This is a great show for children of all ages. It is funny on child and adult levels and so worth your time. As I said before: Lifeline is the platinum standard for children's theater. Baske…

SOURCE: Chicago Theater Beat at 2:00pm on October 24, 2011

Review: The Tempest (DreamLogic Theatreworks) by Scotty Zacher

Overall this production is best for those seeking new concepts of traditional Bard presentations. Director Scott McKinsey has made some bold choices that, for the most part, contribute to th…

SOURCE: Chicago Theater Beat at 12:37pm on October 24, 2011

Review: The Boy in Black (Chicago Fusion Theatre) by Scotty Zacher

Just when you think you know where the script is going, Playwright Tony Meneses takes the story in an unexpected direction. This piece is a refreshing change from the usual boy-meets-girl fa…

SOURCE: Chicago Theater Beat at 5:40pm on October 23, 2011

Review: Under the Blue Sky (Steep Theatre) by Scotty Zacher

Under the direction of Brad Akin, Under the Blue Sky changes like the weather. Involving 3 sets of teachers, David Eldridge's play is what happens when the chalk dust settles. Highly recomm…

SOURCE: Chicago Theater Beat at 4:25pm on October 23, 2011

Review: Between the Shadow and the Wall (Shadow and the Wall Productions) by Scotty Zacher

The press notes called this show a "dramatic psychological thriller," but bordering on 2.5 hours, this play cannot decide what it wants to be. While that confusion may accurately reflect the…

SOURCE: Chicago Theater Beat at 11:11pm on October 22, 2011

Review: From The Circle: Remembering Earth Through Folktales (Filament Theatre) by Scotty Zacher

Filament Theatre's new work is a beautiful lesson about nature and human nature. Check it out!

SOURCE: Chicago Theater Beat at 2:13pm on October 22, 2011

Review: Doyle and Debbie Show (Royal George Theatre) by Scotty Zacher

"Doyle And Debbie" is a satirists dream. Throughout, the cast skewers the ultra-conservative, religion-based politics of the Bible Belt. Creationists and the Tea Party might not see some of …

SOURCE: Chicago Theater Beat at 9:07am on October 21, 2011

Review: Dartmoor Prison (Goodman Theatre) by Scotty Zacher

As part of the Goodman Theatre's expanded New Stages Series, Carlyle Brown's Dartmoor Prison sounds promising. The 13-member cast is a multi-culti cherry picking of some of the city's best m…

SOURCE: Chicago Theater Beat at 11:52pm on October 20, 2011

Review: Pippin (Bohemian Theatre Ensemble) by Scotty Zacher

Pippin stumbles hardest in the finale number, when the Leading Player abruptly strips the production of its design elements, bringing up the lights, removing the chairs that comprise the set…

SOURCE: Chicago Theater Beat at 8:54pm on October 20, 2011

Review: Beauty of the Father (UrbanTheater Chicago) by Scotty Zacher

The plot of this UrbanTheater production is not extraordinarily riveting. As a character-based play, it's imperative that we hold compassion for the characters, but - though the production o…

SOURCE: Chicago Theater Beat at 12:07pm on October 20, 2011

Review: Bus Stop (Raven Theatre) by Scotty Zacher

Under the direction of JoAnn Montemurro, the road to self discovery is well-paced and natural. Raven Theatre creates a warm transformation in the midst of a blizzard. Recommended.

SOURCE: Chicago Theater Beat at 12:06am on October 20, 2011

Review: East of Berlin / The Russian Play (Signal Ensemble) by Scotty Zacher

                      East of Berlin and       The Russian Play  Writt…

SOURCE: Chicago Theater Beat at 8:17pm on October 19, 2011

Review: Don Quixote (Joffrey Ballet Chicago) by Scotty Zacher

The Joffrey's mastery of Yuri Possokhov's stunningly athletic choreography is simply a joy to behold. But Don Quixote transcends technique; it's also a flight of fancy, a noble fight for val…

SOURCE: Chicago Theater Beat at 5:58pm on October 19, 2011

Review: The Heart Is A Lonely Hunter (Steppenwolf) by Scotty Zacher

Awe-inspiring performances revolving around a shining beacon of a leading actor, deft staging and symbolic production values create a heartwrenching portrait of the isolated life. Highly rec…

SOURCE: Chicago Theater Beat at 3:13pm on October 19, 2011

Review: The People's Choice (Genesis Theatrical) by Scotty Zacher

Genesis Theatrical's new work, The People's Choice by Philip Pinkus, puts a satirical spotlight on the issues of the day; namely, the debt crisis and the politicking in our nation's capital …

SOURCE: Chicago Theater Beat at 4:03pm on October 18, 2011

Review: Mary Poppins (Broadway in Chicago) by Scotty Zacher

Disney's aggressively buoyant movie musicalization soars into Chicago with Cameron Mackintosh's all-singing, all-dancing tribute to P.J. Travers' wonder-working Victorian nanny. Recommended.

SOURCE: Chicago Theater Beat at 9:03am on October 18, 2011

Review: Pluto Is Listening (Infusion Theatre) by Scotty Zacher

Under the direction of Mitch Golob, the two person cast of Corrbette Pasko and Josh Hambrock energetically tackle this show, delving into the outer space chaos. The strong chemistry between …

SOURCE: Chicago Theater Beat at 1:54am on October 18, 2011
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