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2,003 stories by "Scotty Zacher"

Review: Ask Aunt Susan (Goodman Theatre) by Scotty Zacher

The final offering in the 2011 New Stages Amplified, *Ask Aunt Susan* tells the story of a popular advice blogger, Susan, that's reall a dude! An interesting concept, *Ask Aunt Susan* makes…

SOURCE: Chicago Theater Beat at 11:27am on November 15, 2011

Review: Red Light Winter (Mary-Arrchie Theatre) by Scotty Zacher

One of playwright Adam Rapp's major strengths lies in piecing together small, ordinary moments until they've accumulated into a gasp-inducing conclusion. He does this with Red Light Winter, …

SOURCE: Chicago Theater Beat at 10:24am on November 15, 2011

Review: Reservoir Dogs (Roundhouse Productions) by Scotty Zacher

Roundhouse Productions has added another fantastic restaging of an action centered piece written for the screen to an impressive resume. The people that brought us Point Break Live! (our rev…

SOURCE: Chicago Theater Beat at 9:05am on November 15, 2011

Review: An Interrogation Primer (Side Project Theatre) by Scotty Zacher

What's most chilling about *An Interrogation Primer* is its truth. Writer Michael Nowacki served in the military for 16 years, with his last years as an interrogator. He knows of which he sp…

SOURCE: Chicago Theater Beat at 7:16pm on November 14, 2011

Review: Cities of Light (Piven Theatre) by Scotty Zacher

The idea of the show is to introduce some and reacquainting others with Jewish-influenced cabaret of the time period. In theory, it sounds like a lovely evening. In practice, some of the s…

SOURCE: Chicago Theater Beat at 10:29pm on November 13, 2011

Review: A Bright New Boise (LiveWire Chicago) by Scotty Zacher

A fair-minded analysis of what draws lost souls to extreme religion and the delicacy of connection, A Bright New Boise provokes and saddens with little relief. Earnest performances and an ey…

SOURCE: Chicago Theater Beat at 7:32pm on November 13, 2011

Review: Maestro, The Art of Leonard Bernstein (Royal George Theatre) by Scotty Zacher

Hershey Felder's take on Leonard Bernstein is little short of magnificent. It's not just that Felder is a musician of exquisite technique and powerful emotional resonance. He's blessed with …

SOURCE: Chicago Theater Beat at 10:29am on November 13, 2011

Review: Space Wars: The Panto! (Piccolo Theatre) by Scotty Zacher

              Space Wars: The Panto!  Written by Jessica Puller   Directed by Nicole Keating   Evanston A…

SOURCE: Chicago Theater Beat at 10:38pm on November 12, 2011

Review: Improv Gladiators (The Cornservatory) by Scotty Zacher

Season 14 of Improv Gladiators at The Cornservatory is an improv contest where Chicago troupes compete against each other and the Gladiators in a tournament that ends with semi-finals and gr…

SOURCE: Chicago Theater Beat at 1:30pm on November 12, 2011

Review: Assisted Living (Profiles Theatre) by Scotty Zacher

Playwright Deirdre O'Connor's tale is relatable, but O'Connor's Lifetime movie-esque play is more stagnant than interesting. Nonethless, the ensemble, under Joe Jahraus' direction, do embra…

SOURCE: Chicago Theater Beat at 12:27am on November 12, 2011

Review: twentyone (Side Project Theatre) by Scotty Zacher

Brett Neveu's *twentyone* reminds us that the best part about being 21 is turning 21. After that, it's just a year fraught with superfluous emotional turmoil and raging hormones. And though …

SOURCE: Chicago Theater Beat at 8:37am on November 11, 2011

Review: Our Leading Lady (Project 891 Theatre) by Scotty Zacher

Charles Busch's "Our Leading Lady" is an unusual and unexpectedly funny play, light-hearted and yet historically provocative, pulled off with a wry smile and a wink. If nothing else I'd go b…

SOURCE: Chicago Theater Beat at 8:38pm on November 10, 2011

Review: Boris Godunov (Lyric Opera of Chicago) by Scotty Zacher

Not to be confused with a chick-flick, Boris Godunov is a man's man's opera. There are no star-crossed lovers. No ripped-bodice romance. The ambiance oozes sweaty battlefield triumph and def…

SOURCE: Chicago Theater Beat at 8:37am on November 10, 2011

Review: Rock of Ages (Broadway in Chicago) by Scotty Zacher

Rock of Ages' combination of implausible plot and unsinkable songs goes over the top so often it wears you down enough to enjoy it. Just put your brain in sleeper mode, and sway away with th…

SOURCE: Chicago Theater Beat at 11:20pm on November 9, 2011

Review: All the Girls Love Bobby Kennedy (Point of Contention) by Scotty Zacher

Point of Contention's All the Girls Love Bobby Kennedy transports the audience back to 1960's and motivates them to change the world just as the characters in the play. This show is perfect …

SOURCE: Chicago Theater Beat at 6:19pm on November 9, 2011

Steppenwolf Theatre's First Look Repertory: Want by Scotty Zacher

Playwright Zayd Dohrn penned a therapeutic quest for happiness without substance. Though a few characters still need to be fleshed out, overall it's a thoughtful and entertaining story.

SOURCE: Chicago Theater Beat at 6:48pm on November 8, 2011

Review: Goodnight Moon (Chicago Children's Theatre) by Scotty Zacher

Chicago Children's Theatre's production of Goodnight Moon: The Musical stays faithful to the book's core themes of security and comfort in the moments before sleep, using lively music, chore…

SOURCE: Chicago Theater Beat at 8:44am on November 8, 2011

Review: The House of Yes (20% Theatre Company) by Scotty Zacher

This show is a disturbing, dark comedy riddled with taboo. To enjoy the show, you'll need to come broad minded and check your prudish self at the door. But it will be worth the effort! Reco…

SOURCE: Chicago Theater Beat at 8:17pm on November 7, 2011

Review: Walk Two Moons (Adventure Stage Chicago) by Scotty Zacher

The best children's theatre takes its young audience's experiences seriously. Flawlessly adapted from strong source material, Walk Two Moons doesn't talk down to its viewers. It challenges t…

SOURCE: Chicago Theater Beat at 7:49pm on November 6, 2011

Review: Maple and Vine (Next Theatre) by Scotty Zacher

This Next Theatre production lacks the poetic simplicity of Kurt Vonnegut and instead gives us an intriguing concept that is executed in a fairly dull and outlandish manner.

SOURCE: Chicago Theater Beat at 12:28am on November 6, 2011

Review: Cloud 9 (Gift Theatre) by Scotty Zacher

This competent and well-paced Cloud 9 is ambiguous where it should be, never reaching beyond the grasp of what can be said about relationships, and emphatic where it counts. Highly Recommend…

SOURCE: Chicago Theater Beat at 7:01pm on November 5, 2011

Review: White Christmas (Marriott Theatre) by Scotty Zacher

No question, this holiday chestnut is unashamedly old-fashioned, aggressively nostalgic, and filled with postwar optimism. How can it not be when it's filled with Berlin's intoxicating music…

SOURCE: Chicago Theater Beat at 3:15pm on November 5, 2011

Review: The Game Show Show…And Stuff! (British Stage Company) by Scotty Zacher

Unlike past productions of this show produced at The Metro and Strawdog, The Game Show Show's new home at the Mercury Theater is the wrong venue for such a funny show. So if you are plannin…

SOURCE: Chicago Theater Beat at 8:29pm on November 4, 2011

Review: Or (Caffeine Theatre) by Scotty Zacher

Caffeine Theatre's Midwest premiere of "Or" is the perfect theatrical outing. A fun-lusting, writer's dream AND a high-spirited, sexy actors' romp - it's definitely worth seeing. Highly reco…

SOURCE: Chicago Theater Beat at 9:08am on November 1, 2011

Review: Sizzle: A Global Warming Comedy (New Suit Theatre) by Scotty Zacher

Sizzle is indeed a comedy; a dark one. The humor is understated enough for the hip environmental hipster to chuckle derisively and laugh-out-loud enough for me to call it a comedy. This play…

SOURCE: Chicago Theater Beat at 10:35pm on October 31, 2011
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