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2,003 stories by "Scotty Zacher"

Review: Silent Night of the Living Dead (New Millennium Theatre) by Scotty Zacher

New Millennium Theatre Company brings yet another film spoof to the stage, mutating the cult zombie movie with *Guess Who's Coming to Dinner?*. Though there are glimmers of hope in the begi…

SOURCE: Chicago Theater Beat at 8:06pm on December 18, 2011

Review: The Eight: Reindeer Monologues (Stage Left) by Scotty Zacher

If you're looking for an adult-themed, laugh-filled Christmas play, this is not it. The Eight: Reindeer Monologues is very heavy despite its good humor up top. Still, this is a solid product…

SOURCE: Chicago Theater Beat at 5:33pm on December 18, 2011

Review: Christmas in Chicago (The Fine Print Theatre) by Scotty Zacher

The writing is brilliant for this holiday review. Writers David Himmel and Patrick Kenney pull out the stops and could teach SNL exactly what is funny. Hopefully Fine Print will bring us a r…

SOURCE: Chicago Theater Beat at 3:20pm on December 18, 2011

Review: 2011 Winter Pageant (Redmoon Theatre) by Scotty Zacher

The production's "Teeny Lounge" and costumes is where the term "pageant" ends. Additionally, we're not sure what in this show actually has a connection to winter, let alone a pageant. But t…

SOURCE: Chicago Theater Beat at 8:55pm on December 17, 2011

Review: the word 'progress' on my mother's lips doesn't ring true (Trap Door Theatre) by Scotty Zacher

*progress* is certainly the most challenging piece of theater we've seen this season, both in the demands it makes on the actors, and the demands it makes on the audience to embrace the emot…

SOURCE: Chicago Theater Beat at 5:13pm on December 17, 2011

Review: Striking 12 (Boho Theatre) by Scotty Zacher

BoHo Theatre's production of this cabaret-style "anti-holiday" musical suffers from an inconsistent script, but benefits from a cast of multi-talented actor-musicians. Recommended.

SOURCE: Chicago Theater Beat at 12:41am on December 17, 2011

Review: Charles Dickens Begrudgingly… (The Building Stage) by Scotty Zacher

We have all seen multiple re-creations of *A Christmas Carol* in both movie and live formats, but The Building Stage offers us a chance to hear the tale from Charles Dickens himself. Blake …

SOURCE: Chicago Theater Beat at 8:39am on December 16, 2011

Review: A Christmas Story the Musical! (Chicago Theatre) by Scotty Zacher

*A Christmas Story the Musical!* is all about family, and this family is flawed AND lovable. Though sight lines are bad for side seats, the show ends up being a joyous holiday experience. …

SOURCE: Chicago Theater Beat at 7:26pm on December 15, 2011

Review: Opus (Redtwist Theatre) by Scotty Zacher

Playwright Michael Hollinger has composed a musical deconstruction. From the first note, his piece intrigues. Truly an ensemble piece, Brian Parry, John Ferrick, Michael Sherwin, Paul Dunck…

SOURCE: Chicago Theater Beat at 11:11pm on December 13, 2011

Review: A Very Sci-Fi Christmas (Chemically Imbalanced Theater) by Scotty Zacher

*Tech-Star of Wonder, Episode 27: The Worst Noel* is a partly improvised, partly scripted BYOB sci-fi holiday spoof. It's light fare, and at $12 could be a fun way to spend an evening out of…

SOURCE: Chicago Theater Beat at 2:57pm on December 13, 2011

Review: Rudolph the Red-Hosed Reindeer (Hell in a Handbag Productions) by Scotty Zacher

Rudolph is a transvestite. Santa is a perv. Mrs. Claus is a booze-hag. The elves are circuit slaves. This is not your normal Christmas story! Recommended.

SOURCE: Chicago Theater Beat at 8:44am on December 13, 2011

Review: The Nutcracker (Joffrey Ballet) by Scotty Zacher

The Joffrey's The Nutcracker is THE gift to share this season. As a date night, family time, or solo treat, this present is one-size-fits-all perfection!

SOURCE: Chicago Theater Beat at 4:40pm on December 12, 2011

Review: Penelope (Steppenwolf Theatre) by Scotty Zacher

The inherent issue with *Penelope* lies in Enda Walsh's script. While his writing is beautiful and poetic, the playwright is so in love with language itself that the dialogue tends to meande…

SOURCE: Chicago Theater Beat at 10:05pm on December 11, 2011

Review: Crossed (Teatro Luna) by Scotty Zacher

Teatro Luna's *Crossed* is a work in progress that shows great promise in communicate many of the identity issues American Latinas have when dealing with colliding cultures.

SOURCE: Chicago Theater Beat at 9:26pm on December 10, 2011

Review: A Christmas Carol: a silent bah-humbug (Silent Theatre) by Scotty Zacher

Silent Theatre Company has created a unique (and scary!) telling of the well-known Charles Dickens tale. If you're in the mood for an experiment of dark and silent proportions that pays off …

SOURCE: Chicago Theater Beat at 6:56pm on December 10, 2011

Review: Elizabeth Rex (Chicago Shakespeare Theatre) by Scotty Zacher

The late Timothy Findley's cerebral play *Elizabeth Rex* explores the collision of two worlds on an endless night, and Chicago Shakespeare's daring production combines flawless technical ele…

SOURCE: Chicago Theater Beat at 5:10pm on December 9, 2011

Review: The Magic Flute (Lyric Opera of Chicago) by Scotty Zacher

There's a reason The Magic Flute is such a well-known opera. And the Lyric is coming out to play in a big way with their Mozart musical merriment. Highly Recommended.

SOURCE: Chicago Theater Beat at 1:19am on December 9, 2011

Review: Hannukatz the Musical (National Pastime Theater) by Scotty Zacher

This is National Pastime Theatre's first annual production of Hannukatz The Musical, and there certainly is no other show like it during this holiday season. Once in a while a show comes alo…

SOURCE: Chicago Theater Beat at 6:12pm on December 8, 2011

Review: Donnie and Marie: Christmas in Chicago (Broadway in Chicago) by Scotty Zacher

              Donnie and Marie:        Christmas in Chicago  Written/Directed by Donny and Mari…

SOURCE: Chicago Theater Beat at 3:49pm on December 7, 2011

Review: The Annoyance Christmas Pageant (Annoyance Theatre) by Scotty Zacher

*The Annoyance Christmas Pageant* is strangely literal and almost disconcertingly reverent as it pays homage to two video Christmas classics - Charlie Brown and Rudolph. Every Yule the Annoy…

SOURCE: Chicago Theater Beat at 5:28pm on December 6, 2011

Review: The Christmas Miracle of Jonathan Toomey (Provision Theatre) by Scotty Zacher

Christmas is about Jesus and children. The new musical adaptation *The Christmas Miracle of Jonathan Toomey*, by David Gregory and Michael Mahler, focuses on both. Provision Theatre captures…

SOURCE: Chicago Theater Beat at 11:31am on December 6, 2011

Review: Spring Awakening (Griffin Theatre) by Scotty Zacher

Despite a few hiccups, Griffin Theatre Company's production of *Spring Awakening* " the first grown in Chicago - ultimately illuminates the show's strength: timeless teen angst with a catchy…

SOURCE: Chicago Theater Beat at 11:55pm on December 5, 2011

Review: St. Nicholas (Seanachai Theatre) by Scotty Zacher

Award-winning Playwright Conor McPherson penned this ode to theatre critics as a one man show. Under the direction of Matthew Miller, Steve Pickering gives a riveting first person account of…

SOURCE: Chicago Theater Beat at 8:42pm on December 4, 2011

Review: A Christmas Carol (Goodman Theatre) by Scotty Zacher

34 years relevant, this year's edition of Goodman Theatre's "cash cow" " a reverent revival of the classic 85-page Christmas gift to the world " resonates more than ever before, a parable al…

SOURCE: Chicago Theater Beat at 11:17am on December 4, 2011

Review: A Klingon Christmas Carol (CB Theatre) by Scotty Zacher

*A Klingon Christmas Carol*, performed entirely in the Klingon language (with English supertitles), is a fun twist on a classic holiday tale, detailed enough for the true blue Trekkie, but a…

SOURCE: Chicago Theater Beat at 2:58pm on December 3, 2011
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