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2,003 stories by "Scotty Zacher"

Review: L-VIS Live! (Victory Gardens Theater) by Scotty Zacher

In little more than an hour, Chicago performer Kevin Coval conjures up a raw craving that earns its audience. Part os Victory Gardens' "Fresh Squeezed" Series, Coval's performance build like…

SOURCE: Chicago Theater Beat at 7:59pm on March 31, 2012

Review: Pippin (Music Theatre Company) by Scotty Zacher

Jessica Redish's choreography is astounding " the sure highlight of the production. When the Pippin ensemble dances, the audience murmurs appreciation between moments of utter awe. If only …

SOURCE: Chicago Theater Beat at 5:12pm on March 31, 2012

Review: The Gospels of Childhood Triptych (Teatr ZAR) by Scotty Zacher

Challenging, nervy and above all, beautiful, *Gospels of Childhood Triptych* is a stunning performance piece of sweeping thematic grandeur and affecting personal closeness. Highly Recommend…

SOURCE: Chicago Theater Beat at 11:54am on March 31, 2012

Review: Fucking A (Urban Theater Chicago) by Scotty Zacher

*Fucking A* is perhaps the most theatrically truthful exploration of the seeds of violence and of women's participation as both victims and perpetrators that I have seen. Whomever you take t…

SOURCE: Chicago Theater Beat at 5:36pm on March 30, 2012

Review: The Last Duck (Jackalope Theatre) by Scotty Zacher

*Last Duck* possesses the kind of character exploration that only happens when there are no other distractions. And just when it seems this is going to be about friendships forged in the fu…

SOURCE: Chicago Theater Beat at 4:39pm on March 29, 2012

Review: Tom Jones (Polarity Ensemble) by Scotty Zacher

*Tom Jones* is an epic story, and it takes over two and a half hours to see it through to the end. The fact that Polarity Ensemble Theatre is able to perform it in a small space wth limited …

SOURCE: Chicago Theater Beat at 1:36pm on March 29, 2012

Review: Absolute Hell (The Gift Theatre) by Scotty Zacher

It's a rare treat to see a true ensemble piece with strong character development and intelligent dialogue, and rarer to see one as superb as *Absolute Hell*. The Gift Theatre should be comme…

SOURCE: Chicago Theater Beat at 6:37pm on March 28, 2012

Review: Freud's Last Session (Mercury Theater) by Scotty Zacher

Taken as it is, *Freud's Last Session* is a simple, luminous one-act that will do more to engender respect for titanic differences than it will to spark any new revelations. And throughout t…

SOURCE: Chicago Theater Beat at 6:17pm on March 27, 2012

Review: Naked Mole Rat Gets Dressed (Lifeline Theatre) by Scotty Zacher

This world-premiere children's musical, based on the book by Mo Willems, is a lively, family outing. The *clothes optional* show is a perfect fit! Highly Recommended.

SOURCE: Chicago Theater Beat at 3:11pm on March 27, 2012

Review: The Giver (Adventure Stage Chicago) by Scotty Zacher

Though it doesn't reach the book's powerful highs and lows, Adventure Stage Chicago's production serves as an excellent jumping-off point for kids to ponder the vital importance of emotion a…

SOURCE: Chicago Theater Beat at 2:00pm on March 27, 2012

Review: A Moon for the Misbegotten (Seanachai Theatre) by Scotty Zacher

Is it timeless or dated? Some of the content will always be relevant, but drinking to oblivion went out in the 80's. Despite this, director Kevin Theis and Seanachai Theatre do a masterful…

SOURCE: Chicago Theater Beat at 5:42pm on March 26, 2012

Review: The House of Yes (Hubris Productions) by Scotty Zacher

Though defeated by the staging's tepid tempo, a strong cast do all they can to turn easy targets into cunning stereotypes. Inevitably their hard work gets wrecked by a play that seems to liv…

SOURCE: Chicago Theater Beat at 12:06am on March 26, 2012

Review: An Adult Evening of Shel Silverstein (Devil's Thumb Productions) by Scotty Zacher

Sightly tweaked to update the content for modern audiences, *An Adult Evening of Shel Silverstein* is a fun diversion for the beginning of an adult night on the town. Recommended.

SOURCE: Chicago Theater Beat at 7:56pm on March 25, 2012

Review: The Sea (Theatre Mir) by Scotty Zacher

Even Jonathan Berry's intrepid staging can't overcome the fact that *The Sea* can't both mock its characters and scare its audiences at the same time. Though the show ends with some (sorta) …

SOURCE: Chicago Theater Beat at 7:46pm on March 24, 2012

Black Playwrights Initiative " A Retrospective by Scotty Zacher

The Black Playwrights Initiative was formed to provide new works for the venerable Black Ensemble Theater (BET). The festival, the Initiative, and BET are from the heart and soul of BET foun…

SOURCE: Chicago Theater Beat at 5:13pm on March 24, 2012

Review: Bard Fiction (Commedia Beauregard) by Scotty Zacher

*Bard Fiction* is definitely a comic gem that should not be missed. Commedia Beauregard blends Quentin Tarantino and the Bard himself, and there are more similarities than you'd ever imagine…

SOURCE: Chicago Theater Beat at 1:19pm on March 24, 2012

Review: The Oxford Roof Climber's Rebellion (Caffeine Theatre) by Scotty Zacher

At a fast-paced 105 minutes, Stephen Massicotte's *Oxford Roof Climber's Rebellion* is an utterly absorbing look into the minds of two very different but equally brilliant men, the lifelong …

SOURCE: Chicago Theater Beat at 8:59pm on March 23, 2012

Review: GRAPHOMANIA (Plasticene) by Scotty Zacher

GRAPHOMANIA represents the best possible results of performers at play: an intriguingly ambiguous story experimenting with shadow, light, sound and movement. Fare the well, Plasticene. We wi…

SOURCE: Chicago Theater Beat at 8:41am on March 23, 2012

Review: Tea and Sympathy (The Artistic Home) by Scotty Zacher

In the hands of The Artistic Home and director David New, *Tea and Sympathy* becomes a nuanced story in capable hands; it is neither heavy-handed nor saccharine, and raises questions that ar…

SOURCE: Chicago Theater Beat at 12:28am on March 22, 2012

Review: Beyond the Horizon (Eclipse Theatre) by Scotty Zacher

Purlitzer Prize-winning *Beyond the Horizon* is one of Eugene O'Neill's lesser performed pieces due script challenges, but Eclipse Theatre has taken this play off the shelf and onto the stag…

SOURCE: Chicago Theater Beat at 6:30pm on March 21, 2012

Review: The Cherry Orchard (Piccolo Theatre) by Scotty Zacher

True to form, Piccolo Theatre uses their limited space in typically creative fashion; using both front and back entry points to the theater as part of the stage space. Amy Gorelow, Berner Ta…

SOURCE: Chicago Theater Beat at 6:39pm on March 20, 2012

Review: Ten Chimneys (Northlight Theatre) by Scotty Zacher

Less a finished plot than a set of dramatized calling cards, Northlight's *Ten Chimneys* delivers an intimate inside look at the private lives of America's First Couple of the theater, Alfre…

SOURCE: Chicago Theater Beat at 7:43pm on March 18, 2012

Review: MeTube (Collaboraction) by Scotty Zacher

*MeTube* tells the story of YouTube beatbox sensation Yuri Lane's internet stardom, and the ramifications and consequences after the notoriety. But while the performer and production values …

SOURCE: Chicago Theater Beat at 5:27pm on March 18, 2012

Review: Best Musical! A Completely Improvised Musical Comedy (Porchlight Music Theatre) by Scotty Zacher

Second City veteran Matthew Loren Cohen has devised a build-your-own-adventure improv musical. This show is just fun! Every Wednesday, the antics will be fresh pickings, and the abilities o…

SOURCE: Chicago Theater Beat at 7:34pm on March 17, 2012

Review: Falling: A Wake (Rivendell Theatre Ensemble) by Scotty Zacher

Gary Kirkham's *Falling: A Wake* is a powerful day-in-the-life of a couple, and it takes a crash to help the spouses feel. Director Victoria Deiorio does such a wonderful job turning a trag…

SOURCE: Chicago Theater Beat at 5:39pm on March 17, 2012
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