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2,003 stories by "Scotty Zacher"

Review: Girl You Know It's True (Pavement Group) by Scotty Zacher

              Girl You Know It's True  Written by Bixby Elliot   Directed by David Perez at Chopin Theatre, 1543 W.…

SOURCE: Chicago Theater Beat at 9:12pm on April 20, 2012

Review: Angels in America " Part One: Millennium Approaches (Court Theatre) by Scotty Zacher

Court Theatre and director Charles Newell have created a revelatory *Angels*, utterly fascinating for its entire running time, the sort of production that will be remembered years from now a…

SOURCE: Chicago Theater Beat at 9:02pm on April 19, 2012

Review: Angels in America"Part Two: Perestroika (Court Theatre) by Scotty Zacher

Tony Kushner has rewritten and added scenes to *Perestroika* since it last played Chicago in 1994, allowing for richer and more complete saga. Among superb performances, Hollis Resnik's port…

SOURCE: Chicago Theater Beat at 7:37pm on April 19, 2012

Review: Liberal Arts the Musical (Underscore Theatre) by Scotty Zacher

Though not for everyone, this world premiere musical has some good dialogue and lyrics, makes excellent use of the space available, and is generally entertaining. Recent college grads will f…

SOURCE: Chicago Theater Beat at 11:07am on April 19, 2012

Review: The March (Steppenwolf Theatre) by Scotty Zacher

At nearly 3 hours, Frank Galiti's civil war drama *The March* is a long haul. Epic in scope and cast size, we never learn about separate human dramas and their shared histories. There's lo…

SOURCE: Chicago Theater Beat at 9:42pm on April 18, 2012

Review: Fish Men (Teatro Vista @ Goodman Theatre) by Scotty Zacher

Cándido Tirado's *Fish Men* is mildly redeemed by some of its cast, particularly veteran Howard Witt. Other than that, this is work is galling in its glibness and love of its own conceit.…

SOURCE: Chicago Theater Beat at 6:26pm on April 17, 2012

Review: Motherhood the Musical (The Royal George Theatre) by Scotty Zacher

*Mommy the Musical* is entertaining, lighthearted, sincere, and funny, and anyone who's a parent will likely enjoy themselves. I was definitely entertained, and I don't even have kids! Reco…

SOURCE: Chicago Theater Beat at 12:02pm on April 17, 2012

Review: The Improv Play (Infusion Theatre) by Scotty Zacher

*The Improv Play* is a realistic portrayal to the plight of a Chicago actor: funny, dramatic, rewarding, demeaning. Randall Colburn's world premiere is a reminder of what each of these sixt…

SOURCE: Chicago Theater Beat at 9:14pm on April 16, 2012

Review: The Pirates of Penzance (Marriott Theatre) by Scotty Zacher

Director Dominic Missimi manages to embrace the spirit of joyful looniness without sacrificing the diabolically intricate and operatic harmonies within the score, which is a testimony to his…

SOURCE: Chicago Theater Beat at 11:45pm on April 15, 2012

Review: The Receptionist (Steep Theatre) by Scotty Zacher

Adam Bock's *The Receptionist* has several enjoyable elements, but it's difficult not to walk away from it slightly unsatisfied, since the main focus of the piece is the least compelling. Sl…

SOURCE: Chicago Theater Beat at 8:37pm on April 14, 2012

Review: The Butcher of Baraboo (A Red Orchid Theatre) by Scotty Zacher

Despite fine performances " not to mention Grant Sabin's ultra-realistic set " noone can save a play in which nothing feels at stake because nothing feels real. In the end, *The Butcher of B…

SOURCE: Chicago Theater Beat at 7:29pm on April 14, 2012

Review: We Are Proud to Present… (Victory Gardens) by Scotty Zacher

Jackie Sibblies Drury's new play *We Are Proud to Present…* isn't pretty. It is frightening. But at a time when social consciousness needs a rude awakening, it is essential. Highly Recomme…

SOURCE: Chicago Theater Beat at 5:26pm on April 14, 2012

Review: One Night Stand (CIMM Fest) by Scotty Zacher

An annual NYC occurence, the 24-Hour Musical project is just that - 4 15-minute musicals are created and performed in 24 hours. *One Night Stand* documents the 2011 Fest, whose cast included…

SOURCE: Chicago Theater Beat at 6:33pm on April 13, 2012

Review: Alvin Ailey American Dance Theater by Scotty Zacher

When Alvin Ailey American Dance Theater comes to Chicago, dance fans rejoice. But the magic of Ailey is its accessibility to all. Long after his death, Alvin Ailey's *Revelations* turns the…

SOURCE: Chicago Theater Beat at 2:46am on April 13, 2012

Review: After the Revolution (Next Theatre) by Scotty Zacher

Playwright Amy Herzog wrote a riveting story about the politics of family. With Kimberly Senior's poignant direction, the talented cast and design team show us the power of the family unity…

SOURCE: Chicago Theater Beat at 9:55pm on April 12, 2012

Review: Jersey Boys (Broadway in Chicago) by Scotty Zacher

*Jersey Boys* never shies from showing the price behind the chart busters. And when we hear the boyish Joseph Leo Bwarie's take on Frankie Valli's irrepressible and incandescent "Can't Take…

SOURCE: Chicago Theater Beat at 8:00pm on April 12, 2012

Review: Re-Spiced: A Silk Road Cabaret (Silk Road Rising) by Scotty Zacher

Aristic Director and creator Jamal Khoury has devised an evening of song and prose rooted in the vast, disparate geography and culture of the great Silk Road trade route, making for a though…

SOURCE: Chicago Theater Beat at 6:22pm on April 11, 2012

Review: The Rainmaker (Boho Theatre) by Scotty Zacher

Boho Theatre stages *The Rainmaker* in an intimate black box style. Director Stephen M. Genovese's compact staging smartly pushes focus toward the characters rather than the circumstances of…

SOURCE: Chicago Theater Beat at 2:59pm on April 10, 2012

Review: Doubt (AstonRep Theatre) by Scotty Zacher

While the opening night performance had its share of muddled lines, that barely distracted from the engrossing story and characters. The only certainty is that AstonRep's *Doubt* needs to be…

SOURCE: Chicago Theater Beat at 9:30pm on April 9, 2012

Review: Rick Bayless in Cascabel (Lookingglass Theatre) by Scotty Zacher

Rick Bayless in Cascabel is escapist fare, and an escape well-worth indulging in. It is a glorious party dish to dance to dessert. The piece succeeds in making food into theater, and making …

SOURCE: Chicago Theater Beat at 8:26pm on April 8, 2012

Review: As You Like It (Strangeloop Theatre) by Scotty Zacher

This adaptation has stuff to like. Strangeloop Theatre is having fun with Shakespeare through their good-natured approach to the classic. For those looking for a different Shakespeare take…

SOURCE: Chicago Theater Beat at 5:55pm on April 8, 2012

Review: Tunnel Rat (Genesis Theatricals) by Scotty Zacher

*Tunnel Rat* burrows along the surface. There is a story here and this talented cast commits to telling it. But it's just part of the story. To get a truer look at Ronnie Giles, Playwrigh…

SOURCE: Chicago Theater Beat at 2:35pm on April 8, 2012

Review: Chesapeake (Remy Bumppo Theatre) by Scotty Zacher

Directed by Shawn Douglass and anchored by a tour de force performance from Greg Matthew Anderson, Lee Blessing's *Chesapeake* is funny, philosophical, and as gripping as the jaws of a Chesa…

SOURCE: Chicago Theater Beat at 2:29pm on April 5, 2012

Review: Trash (Babes With Blades) by Scotty Zacher

Alison Dornheggen and Megan Schemmel are skilled actresses, and do their best with what little the script gives them. There's nothing wrong with a tragic story - but with absolutely no light…

SOURCE: Chicago Theater Beat at 9:49pm on April 4, 2012

Review: The Sweetest Swing in Baseball (Step Up Productions) by Scotty Zacher

Ultimately, this production of The Sweetest Swing in Baseball mirrors the playing career of Darryl Strawberry himself: While both are very good, we can't help but wonder how great they might…

SOURCE: Chicago Theater Beat at 6:20pm on April 2, 2012
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