DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
2,003 stories by "Scotty Zacher"

Review: The Gacy Play (Sideshow Theatre) by Scotty Zacher

For The Gacy Play, Playwright Calamity West zeroes in on the early days of a serial killer, sort of a prequel to the bloody massacre in the distant future.

SOURCE: Chicago Theater Beat at 8:12pm on June 29, 2012

Review: Rain " A Tribute to the Beatles (Broadway in Chicago) by Scotty Zacher

What's most delightful about RAIN is the communal experience. Whether you're screaming along to *Revolution* or *Let It Be*, each audience member is entranced by the music's power. Highly Re…

SOURCE: Chicago Theater Beat at 11:08am on June 29, 2012

Review: The Night Larry Kramer Kissed Me (Pride Films and Plays) by Scotty Zacher

Though sometimes feeling dated, if viewed merely as a snapshot of another era and feel-good story of hope, this production is successful, and there are elements in it that everyone can appre…

SOURCE: Chicago Theater Beat at 8:28pm on June 22, 2012

Review: The Cousin from Nowhere (Chicago Folks Operetta) by Scotty Zacher

The Cousin From Nowhere is a highly stylized, immensely entertaining production; one that manages to deliver old world Viennese farce with artistry, stunning visuals, impressive choreography…

SOURCE: Chicago Theater Beat at 8:55am on June 21, 2012

Review: Life and Limb (Next Up 2012, Steppenwolf Theatre) by Scotty Zacher

Directed by Emily Ruth Campbell, Keith Reddin's play is baffling and inconsistent, a clunky mash-up of fantasy, farce and serious drama. Not Recommended.

SOURCE: Chicago Theater Beat at 8:58am on June 20, 2012

Review: Oh the Humanity! (The Gift Theatre) by Scotty Zacher

As presented, Oh, The Humanity! gets a lot done in an hour's time, and doesn't leave the audience wanting for laughs (or other exclamations). Recommended.

SOURCE: Chicago Theater Beat at 10:05pm on June 19, 2012

Review: Next Stop (Route 66 Theatre Company) by Scotty Zacher

In only 70-minutes, this world premiere collaboration of playwrights and composer Diana Lawrence, spins seven stories (at ten minutes a tale) about various Chicago hopers and dreamers. Highl…

SOURCE: Chicago Theater Beat at 3:28pm on June 19, 2012

Review: Wild (Kid Brooklyn Productions) by Scotty Zacher

Set in Chicago on a Lake Michigan beach, Crystal Skillman's *Wild* looks at the confusion and missteps of relationships which, in final analysis, come down to love and forgiveness.

SOURCE: Chicago Theater Beat at 1:45pm on June 19, 2012

Review: Eastland (Lookingglass Theatre) by Scotty Zacher

What has been created in this world premiere musical is a touching, ephemeral requiem for the hundreds of dreams that died the day the Eastland sunk in the Chicago River. Perhaps this musica…

SOURCE: Chicago Theater Beat at 10:26pm on June 18, 2012

Review: Floyd Collins (BoHo Theatre Ensemble) by Scotty Zacher

Director Peter Marston Sullivan should be proud of his cast, a crack team making the most of a so-so show. This overly long and inconsistent source material makes for an overall unremarkable…

SOURCE: Chicago Theater Beat at 8:31am on June 18, 2012

Review: Goodbye Cruel World (The Strange Tree Group) by Scotty Zacher

Goodbye Cruel World is a lively, romping mockery that makes for the perfect way to amuse yourself on a hot summer evening. Highly Recommended.

SOURCE: Chicago Theater Beat at 5:14pm on June 17, 2012

Review: Dancing Queen (Riverfront Theater) by Scotty Zacher

It's now officially time to give ABBA a rest. Not Recommended.

SOURCE: Chicago Theater Beat at 6:46pm on June 16, 2012

Review: Ruby Sunrise (Proud Kate Theater Project) by Scotty Zacher

What happens to a story over time when key elements are changed?

SOURCE: Chicago Theater Beat at 4:51pm on June 16, 2012

Review: Exit, Pursued by a Bear (Theatre Seven) by Scotty Zacher

Directed by Cassy Sanders, *Exit, Pursued by a Bear* begins with some degree of promise, but quickly descends to an evening of cliches, confusion and unbelievability. Not Recommended.

SOURCE: Chicago Theater Beat at 8:37pm on June 15, 2012

Review: The Circus Princess (Chicago Folks Operetta) by Scotty Zacher

Breathing new life into a lost or forgotten piece can be an empowering and affirming triumph. Or it can be The Circus Princess. Clocking in at over three hours and chock full of amateurish e…

SOURCE: Chicago Theater Beat at 8:59pm on June 14, 2012

Review: South of Settling (Steppenwolf Theatre " Next Up 2012) by Scotty Zacher

Adept ensemble crafts a believable family struggling to contend gracefully with difficult circumstances. Recommended.

SOURCE: Chicago Theater Beat at 12:09pm on June 14, 2012

Review: Time After Time (Theo Ubique Cabaret Theatre) by Scotty Zacher

Theo Ubique's newest production not only does justice to a great composer but to the art form of the American Song Book. Highly Recommended.

SOURCE: Chicago Theater Beat at 9:04am on June 13, 2012

Review: California Suite (Black Elephant Theatre) by Scotty Zacher

More a bundle of wisecracks preloaded into gag machine guns, these characters don't spring to life but for the effort of the actors. Die-hard Simon fans will most likely still enjoy this mor…

SOURCE: Chicago Theater Beat at 10:32pm on June 12, 2012

Review: The Rorsky Plays (Oracle Theatre) by Scotty Zacher

In Oracle Theatre's *The Rorsky Plays*, we end up with two one-act plays that are mostly devoid of timing, articulation or any real point. Not Recommended.

SOURCE: Chicago Theater Beat at 7:45pm on June 12, 2012

Review: The Blonde, the Brunette and the Vengeful Redhead (Writers' Theatre) by Scotty Zacher

Playwright Robert Hewett wrote an intricate one woman show. He uses seven different characters, all played by Deborah Staples, to narrate the story. Very entertaining and highly recommende…

SOURCE: Chicago Theater Beat at 11:57pm on June 11, 2012

Review: Hank Williams: Lost Highway (Filament Theatre Ensemble) by Scotty Zacher

As brought to life by Filament Theatre Ensemble, this production, as a labor of love, becomes a transportive musical experience exploring the life and music of that bard of the heartbroken b…

SOURCE: Chicago Theater Beat at 6:28pm on June 11, 2012

Review: State Street (City Lit Theatre) by Scotty Zacher

Instead of reaching State Street, this new musical instead only makes it to the intersection of cute and ordinary. Slightly Recommended.

SOURCE: Chicago Theater Beat at 10:56pm on June 10, 2012

Review: Gotham City (Chicago Dance Crash) by Scotty Zacher

Mark Hackman's story-through-dance of the underworld of Gotham City between sundown and sunrise is a tornado of anime and post-apocalypse America seen with a Kafkaesque lens. Highly Recommen…

SOURCE: Chicago Theater Beat at 8:08pm on June 9, 2012

Review: Immediate Family (Goodman Theatre) by Scotty Zacher

A perfect play for Pride Month, this labor of love by Chicago writer Paul Oakley Stovall examines, raucously and gently, the challenge of how one minority learns to cherish another. Highly R…

SOURCE: Chicago Theater Beat at 4:29pm on June 9, 2012

Review: Luna Nueva (Luna Negra Dance Theater) by Scotty Zacher

              Luna Nueva  Choreographed by Mónica Cervantes, Gustavo Ramírez Sansano and Diana Szeinblum at MCA Stage, …

SOURCE: Chicago Theater Beat at 2:14pm on June 9, 2012
« Previous 25   Page 58 of 81   Next 25 »