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2,003 stories by "Scotty Zacher"

Review: Little Shop of Horrors (Theatre at the Center) by Scotty Zacher

Theatre at the Center's *Little Shop of Horrors* is a fine show, with a couple of skeevy cultural choices mixed in. Side note: the theater's Audrey II is from the original Broadway productio…

SOURCE: Chicago Theater Beat at 9:14pm on July 18, 2012

Review: The Merchant of Venice (First Folio Theatre) by Scotty Zacher

First Folio gives an excellent production, and rather than playing down the vicious attacks on Shylock's Jewish faith and ethnicity, the company illuminates the ignorance and forced supremac…

SOURCE: Chicago Theater Beat at 1:15pm on July 18, 2012

Review: Salt of the Earth (Ka-Tet Theatre) by Scotty Zacher

Salt of the Earth works well as a slice-of-life documentary on Yorkshire culture a generation or two ago. As an actual narrative, it leaves much to be desired. Slightly Recommended.

SOURCE: Chicago Theater Beat at 1:29pm on July 17, 2012

Review: Bristol Renaissance Faire by Scotty Zacher

It's a gala jubilee, worthy of an empress, let alone a queen, with multitudes of perfectly orchestrated slices of Renaissance life in this gorgeous blast from the past. Recommended.

SOURCE: Chicago Theater Beat at 4:24pm on July 16, 2012

Review: A Scent of Flowers (Backstage Theatre) by Scotty Zacher

Director Matthew Reeder fell in love with the underappreciated British playwright James Saunders' 1965 three-act A Scent of Flowers, and it's requited: You feel his devotion returned in almo…

SOURCE: Chicago Theater Beat at 6:08pm on July 15, 2012

Review: Moment (Steep Theatre) by Scotty Zacher

Under Jonathan Berry's direction, Deirdre Kinahan's pitch-perfect natural dialogue is done justice through exquisite timing and delivery. Steep Theatre production is a moment you should not…

SOURCE: Chicago Theater Beat at 7:09pm on July 14, 2012

Review: The 39 Steps (Drury Lane Theatre) by Scotty Zacher

Drury Lane's *The 39 Steps* is certainly loaded with award-winning actors, but unfortunatley strong performances do not overcome this production's shallow plot, schlocky script and overdone …

SOURCE: Chicago Theater Beat at 9:10am on July 14, 2012

Review: Gruesome Playground Injuries (Rasaka Theatre) by Scotty Zacher

Beautifully touching and full of realistic denouement, Rasaka Theatre's production highlights a childhood bond that melds into a deep adult friendship forged through personal tragedy. Recom…

SOURCE: Chicago Theater Beat at 4:58pm on July 13, 2012

Review: Three Sisters (Steppenwolf Theatre) by Scotty Zacher

I've seen over a dozen *Three Sisters*, but never has the final scene of the sisters' solidarity after all the suffering registered so hard, a cumulative effect of 150 minutes of searing tru…

SOURCE: Chicago Theater Beat at 6:19pm on July 12, 2012

Review: Oedipus el Rey (Victory Gardens Theater) by Scotty Zacher

Chay Yew is the best thing that's happened to Chicago theater in years. His first complete year as Artistic Director of Victory Gardens has been nothing short of electrifying, with *Oedipus …

SOURCE: Chicago Theater Beat at 10:04pm on July 11, 2012

Review: A Steady Rain (Chicago Commercial Collective) by Scotty Zacher

Playwright Keith Huff masterfully penned an intricately woven tale of Chicago police corruption. Not everything in life is absolute. But we do know for certainty that you should absolutely …

SOURCE: Chicago Theater Beat at 5:45pm on July 11, 2012

Review: Common Hatred (Ruckus Theater) by Scotty Zacher

Karie Miller directs *Common Hatred* with precision and a light touch. The actors are in sync, hitting the tempo perfectly, creating an emotional ride of recognition and remembrance. Highly …

SOURCE: Chicago Theater Beat at 4:43pm on July 10, 2012

Review: Crowns (Goodman Theatre) by Scotty Zacher

Goodman Theatre's *Crowns* wears many hats in this poignant yet joyous journey to self-discovery. Highly Recommended.

SOURCE: Chicago Theater Beat at 3:12pm on July 10, 2012

Review: As You Like It (Spectralia Theatre) by Scotty Zacher

*As You Like It* is far from a perfect production, but hopefully Spectralia Theatre is open to feedback on taking their productions to a more polished level. Because free access to a comedy …

SOURCE: Chicago Theater Beat at 4:47pm on July 9, 2012

Review: Disney's Beauty and the Beast (Chicago Shakespeare) by Scotty Zacher

Rachel Rockwell's flawless staging of this family favorite is a wonderful way for families to beat the Chicago heat this summer. From the first bonjour to the final bow, Chicago Shakespeare …

SOURCE: Chicago Theater Beat at 2:01pm on July 9, 2012

Review: Electra (Mary-Arrchie Theatre) by Scotty Zacher

Grafting ancient Greek tragedy on country rock, director Sonja Moser's sassy, two-hour, song-laden revival of Euripides' tale of a brother and sister's revenge on the mother who murdered the…

SOURCE: Chicago Theater Beat at 10:32pm on July 8, 2012

Review: Love Thy Neighbor…Till It Hurts (16th Street Theater) by Scotty Zacher

Writer and performer Julie Ganey lifts everyday experiences to the level of art, bringing the audience along into the common yet lyrical occurences of her family's experiences in Rogers Park.

SOURCE: Chicago Theater Beat at 5:59pm on July 8, 2012

Review: Living Canvas Eureka! (National Pastime Theater) by Scotty Zacher

NPT's new space provides the perfect spot for the 15 beautiful (naked) bodies involved in *Living Canvas: Eureka!*, an integral part of the annual Naked July Festival.

SOURCE: Chicago Theater Beat at 7:31pm on July 5, 2012

Review: References to Salvador Dali Make Me Hot (National Pastime Theater) by Scotty Zacher

In Jose Rivera's work, lines between dream and reality are blurred and intertwined like a Dali painting. Director Keely Haddad-Null keeps the surreal subtle enough to where we aren't always …

SOURCE: Chicago Theater Beat at 3:43pm on July 4, 2012

Review: Richmond Jim (Pride Films and Plays) by Scotty Zacher

This classic is a rarity - penned after Stonewall but before the AIDS epidemic, Cal Yeomans' play chronicles the gay sexual revolution of the 70's like no other.

SOURCE: Chicago Theater Beat at 8:31pm on July 3, 2012

Review: Predator the Musical 2.0 (Roundhouse Productions) by Scotty Zacher

In this funnier-than-expected production, Roundhouse reboots their original production, taking the movie's plot and grafting it with some now infamous Zucker-Abrahams-Zucker comedy (the crea…

SOURCE: Chicago Theater Beat at 6:19pm on July 1, 2012

Review: The Lover (Soul Theatre) by Scotty Zacher

In Harold Pinter's *The Lover*, we are invited into the intimate workings of a marriage now on the rocks. Or is it?

SOURCE: Chicago Theater Beat at 4:27pm on June 30, 2012

Review: Dralion (Cirque du Soleil) by Scotty Zacher

              Dralion Written by Gilles Ste-Croix Directed by Guy Caron at United Center, 1901 W. Madison (map) thru July 1  …

SOURCE: Chicago Theater Beat at 1:56pm on June 30, 2012

Review: Hero the Musical (Marriott Theatre) by Scotty Zacher

Like so many movies and even theatre of late, *Hero* is a cautionary parable with a traditional (read: conservative) solution for men left awash in the state between teenagerdom and adulthoo…

SOURCE: Chicago Theater Beat at 11:54am on June 30, 2012

Review: We're All in this Room Together (Second City e.t.c.) by Scotty Zacher

The humor in Second City e.t.c's 36th review, as always, is based on the shock of recognition: We see our own inappropriate moments magnified into satire. And only 2nd City can do it with su…

SOURCE: Chicago Theater Beat at 9:34pm on June 29, 2012
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