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2,003 stories by "Scotty Zacher"

Review: Thirty Thousand One (Pursuit Productions) by Scotty Zacher

This piece, telling the story of a myth called Thirty Thousand One, is equal parts dancing and acting. The dancing, in particluar, is gorgeous, often taking place with ethereal underwater m…

SOURCE: Chicago Theater Beat at 10:44pm on August 7, 2012

Review: Julius Caesar (Muse of Fire Theatre, Evanston) by Scotty Zacher

Muse of Fire's Julius Caesar effectively portrays the man behind the execution with thought-provoking and empathetic honesty.

SOURCE: Chicago Theater Beat at 4:27pm on August 7, 2012

Review: The Great American Trailer Park Musical (Kokandy Productions) by Scotty Zacher

Producer Scot T. Kokandy has gifted Chicago with a contagiously funny musical that, despite cracks in the not-so-enthralling storyline, takes you on a wild trashy ride. Highly Recommended.

SOURCE: Chicago Theater Beat at 4:56pm on August 6, 2012

Review: Symmetry Breaking (On The Spot Theatre) by Scotty Zacher

The premise of Symmetry Breaking is valiant. I like the homage to underappreciated female contributions to science. That said, this play does not work and will not work unless the writer/di…

SOURCE: Chicago Theater Beat at 10:06pm on August 5, 2012

Review: Sordid Lives (Ludicrous Theatre) by Scotty Zacher

Well bless your Southern heart, as you step into the world of iced tea, sexual intrigue, and cotton candy hair. *Sordid Lives* is a rip roaring comedy about life in small town Texas from De…

SOURCE: Chicago Theater Beat at 6:14pm on August 5, 2012

Review: Here Lies Henry (Interrobang Theatre Project) by Scotty Zacher

                Here Lies Henry  Written by Daniel MacIvor    Directed by Jeffry Stanton at Intuit, …

SOURCE: Chicago Theater Beat at 3:33pm on August 5, 2012

Review: The Taming of the Shrew (Chicago Shakespeare in the Parks) by Scotty Zacher

The cast of Chicago Shakespeare in the Park's *The Taming of the Shrew* is an olio of perfect timing and comic sense. With director Rachel Rockwell's exquisite staging, and the ambience of …

SOURCE: Chicago Theater Beat at 9:50pm on August 1, 2012

Review: Adrift (Polarity Ensemble Theatre, Azusa Productions) by Scotty Zacher

Adrift has a high-minded goal of charting the depths of the philosophically imponderable. It's disappointing, then, to see it moored in narratively muddy waters. Not Recommended.

SOURCE: Chicago Theater Beat at 3:16pm on August 1, 2012

Review: WTC View (Project 891 Theatre) by Scotty Zacher

There is a real danger for this subject to degrade into cheap melodrama, but *WTC View* never does. It offers a balanced perspective on serious emotional issues and even some good laughs, ma…

SOURCE: Chicago Theater Beat at 9:56pm on July 31, 2012

Review: Ah, Wilderness! (Eclipse Theatre) by Scotty Zacher

Though bumpy at times, the lighthearted romp is an all-American treat, and director Kevin Hagan highlights O'Neill's trademark existential melancholy while honoring the inherent folly of you…

SOURCE: Chicago Theater Beat at 7:57pm on July 31, 2012

Review: The Glass Menagerie (Redtwist Theatre) by Scotty Zacher

Even if you've seen the Williams' classic, one reason to catch Redtwist's revival is the exceptionally fine performance by Jacqueline Grandt in the role of matriarch Amanda. Recommended.

SOURCE: Chicago Theater Beat at 6:27pm on July 30, 2012

Review: The Monument (Idle Muse Theatre) by Scotty Zacher

*The Monument* is assembled with a lingering finish. It's hard to forget this show or the twisted humanity behind it. Recommended.

SOURCE: Chicago Theater Beat at 3:02pm on July 30, 2012

Review: Ren Faire! A Fistful of Ducats (Factory Theater) by Scotty Zacher

As the title suggests, this silly one-act is a clash of styles as much as outlooks. On one side you have zany jesters, on the other you have Wild West baddies. Inevitably, the escalating hos…

SOURCE: Chicago Theater Beat at 10:58pm on July 29, 2012

Review: How To Train Your Dragon Live Spectacular! (United Center) by Scotty Zacher

*How to Train Your Dragon* is a visual feast and a technical marvel. And because of the satisfying story, another generation is going to grow up loving dragons: not as an object to be slain …

SOURCE: Chicago Theater Beat at 3:15pm on July 29, 2012

Review: Alice in Wonderland (Emerald City Theatre) by Scotty Zacher

                Alice in Wonderland  Adapted and Directed by Ernie Nolan     Based on the books by L…

SOURCE: Chicago Theater Beat at 2:49pm on July 25, 2012

Review: Girls Night the Musical (Entertainment Events) by Scotty Zacher

Calling *Girls Night: The Musical* a piece of musical theater is generous; produced in the basement of The Club at 5 West, it has the look and feel of a bad night out in a club. With one-di…

SOURCE: Chicago Theater Beat at 9:13pm on July 24, 2012

Review: The American Plan (The Artistic Home) by Scotty Zacher

Richard Greenberg's compelling and psychologically astute *The American Plan*, astutely presented by Artistic Home, leaves one wondering if it's possible to separate the emotions of love and…

SOURCE: Chicago Theater Beat at 10:29pm on July 23, 2012

Review: The Dumb Waiter (TUTA Theatre Chicago) by Scotty Zacher

With the manner they conceive and execute their productions, TUTA is a leader in cutting edge Chicago theater, and this production of Pinter's *The Dumb Waiter* is no exception. Highly Recom…

SOURCE: Chicago Theater Beat at 5:25pm on July 23, 2012

Review: The Last Game (Wight Rabbit Productions) by Scotty Zacher

This production could have been daring in its violence, with possibility rising out of the ashes of destruction. Instead, *The Last Game* is safe, indecipherable and boring. Up your game, pl…

SOURCE: Chicago Theater Beat at 7:49pm on July 22, 2012

Review: Smartphones " A Pocket-Size Farce by Scotty Zacher

Funny and surreal, with just enough old-school intelligence and unabashed love of its progenitors, Smartphones asks for an hour of time to poke a little smart (but not smug) fun at our not-s…

SOURCE: Chicago Theater Beat at 4:51pm on July 22, 2012

Review: The Vortex (Dead Writer's Theatre Collective) by Scotty Zacher

Combine Noel Coward's signature witty repartee with beautiful costumes and Art Deco set design, and you have an evening of divinely decadent entertainment. Highly Recommended.

SOURCE: Chicago Theater Beat at 9:58pm on July 21, 2012

Review: Nickel History " The Nation of Heat (16th Street Theater and Firecat Projects) by Scotty Zacher

With *Nickel History*, Tony Fitzpatrick continues to entertain and develop as an artist. His personal growth is evident throughout his trilogy. This show might be my favorite of the trio. Hi…

SOURCE: Chicago Theater Beat at 6:40pm on July 20, 2012

Review: Butley (Hubris Productions) by Scotty Zacher

While this production does have its moments, overall it feels half-baked. Enthusiasts of Simon Gray might enjoy watching it, and the set design and costuming are satisfying, but when all is …

SOURCE: Chicago Theater Beat at 4:11pm on July 20, 2012

Review: Superior Donuts (Metropolis Performing Arts Centre) by Scotty Zacher

Mary-Arrchie Theatre remounts its successful production in Arlington Heights' Metropolis Arts Centre, and the results are the same - a great production of Tracy Letts' Steppenwolf-to-Broadwa…

SOURCE: Chicago Theater Beat at 9:49pm on July 19, 2012

Review: Kokkola (Akvavit Theatre) by Scotty Zacher

*Kokkola* is truly a unique and hilarious production, and shows how blessed Chicago is to have a theatre company that produces nothing but contemporary Nordic plays. Brave the unusual and t…

SOURCE: Chicago Theater Beat at 3:54pm on July 19, 2012
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