DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
2,003 stories by "Scotty Zacher"

Review: A Class Act (Porchlight Music Theatre) by Scotty Zacher

Despite boasting a strong and talented cast, "A Class Act" falters by never adequately delving into the intricacies of Edward Kleban's undeniable gifts and demons, instead presenting him as …

SOURCE: Chicago Theater Beat at 10:39pm on September 5, 2012

Review: The Pirates of Penzance (Tall Ship Windy) by Scotty Zacher

What makes this production unique is the fact that it is performed on a moving old time ship with actors weaving their way between seated audience members, and making direct contact with the…

SOURCE: Chicago Theater Beat at 4:49pm on September 5, 2012

Review: Dreamgirls (Marriott Theatre) by Scotty Zacher

Director/Choreographer Marc Robin keeps the action moving, rotating positions on the stage so that we stilll get to see shifting perspectives at various points, and it's to Robin's great cre…

SOURCE: Chicago Theater Beat at 5:54pm on September 4, 2012

Review: A Big Lebowski Burlesque (Vaudezilla) by Scotty Zacher

Every Vaudezilla show is prefaced by *Rollin' Out of Here Naked*, which teases that there is a touch of raunchiness. True-to-form, the humor is blue and there is definitely a naught vibe goi…

SOURCE: Chicago Theater Beat at 10:53pm on August 31, 2012

Review: 33 Variations (TimeLine Theatre) by Scotty Zacher

Through achingly natural dialogue, first-rate acting and a live piano score that underlies the many important moments, *33 Variations* runs the gamut of emotions from frustration to glory, l…

SOURCE: Chicago Theater Beat at 9:03pm on August 31, 2012

Review: Skin Tight (Cor Theatre) by Scotty Zacher

Playwright Gary Henderson has written a cliffnotes version of a marriage, extracting moments in the couple's life and introducing them in fragments. But understanding the actual story becom…

SOURCE: Chicago Theater Beat at 12:16pm on August 31, 2012

Review: Susan Swayne and the Bewildered Bride (Babes With Blades Theatre) by Scotty Zacher

This world premiere of Susan Swayne and the Bewildered Bride works on several dual levels. It's a mystery that also makes good use of dramatic irony, a farce that has some poignancy, and a f…

SOURCE: Chicago Theater Beat at 6:35pm on August 29, 2012

Review: EL Stories (Waltzing Mechanics) by Scotty Zacher

At just an hour, *EL Stories* tells a plethora of mini true tales from passengers on Chicago's trademark trains. With few exceptions, the vignettes follow the same path: A "normal" person's …

SOURCE: Chicago Theater Beat at 7:49pm on August 26, 2012

Review: Marvin's Room (Circle Theatre) by Scotty Zacher

*Marvin's Room* is an ambitious production, but Circle Theatre's interpretation leaves you scratching your head. The story plods through what should be important moments without ever reachi…

SOURCE: Chicago Theater Beat at 10:33pm on August 25, 2012

Review: Sweet and Sad (Profiles Theatre) by Scotty Zacher

No question, Director Joe Jahraus triggers very believable performances from this palpable family and their actor friend. But so many stories here don't connect to each other, the characters…

SOURCE: Chicago Theater Beat at 7:27pm on August 25, 2012

Review: pool (no water) " Vitalist Theatre by Scotty Zacher

With less flailing, this pool (no water) could dive into a strong riptide of emotion. Right now, it's just treading water with excessive movement. (read more....)

SOURCE: Chicago Theater Beat at 4:18pm on August 25, 2012

Review: Princes of Waco (Signal Ensemble Theatre) by Scotty Zacher

At first, playwright Robert Askins succeeds in flushing out an interesting but predictable story. But then Askins rolls out twists and turns in the *last* quarter. Director Bries Vannon del…

SOURCE: Chicago Theater Beat at 8:42pm on August 24, 2012

Review: Idomeneus (Sideshow Theatre) by Scotty Zacher

The show captivates upon arrival. Director Jonathan L. Green masterfully uses a multi-cultural and multi-generational ensemble to deliver the story --- in unison. The entire show is a well-o…

SOURCE: Chicago Theater Beat at 1:17pm on August 24, 2012

Review: Streeterville (Theatre-Hikes) by Scotty Zacher

For the past 11 years, Theatre-Hikes has pioneered a combination of… wait for it… theatre and hiking. With *Streeterville*, Theatre-Hikes presents a thoroughly enjoyable AND educationa…

SOURCE: Chicago Theater Beat at 10:10pm on August 22, 2012

Review: East of the Sun, West of the Moon (Coriolis Theater) by Scotty Zacher

Though strong musically, Coriolis Theatre's debut production *East of the Sun, West of the Moon* plays out like a first draft. With enough editing, the work could be brought to fruition. But…

SOURCE: Chicago Theater Beat at 10:07pm on August 21, 2012

Review: The Fall of the House of Usher (The Hypocrites) by Scotty Zacher

No doubt, Sean Graney's adaption and director of *The Fall of the House of Usher* is compelling in its innovative casting and chilling design. Having the actors alternate between parts, Gra…

SOURCE: Chicago Theater Beat at 9:29pm on August 20, 2012

Review: A Midsummer Night's Dream (Midsommer Flight) by Scotty Zacher

When done right, Dream is pure hedonistic fun " and Midsommer Flight does it right. Shakespeare's language sparkles in the night air, out of the mouths of a clever cast who relishes each syl…

SOURCE: Chicago Theater Beat at 10:37pm on August 19, 2012

Review: Crave (The Blind Owl Theatre) by Scotty Zacher

*Crave* is a demanding piece with an effect that ripples into the subconscious. Wading into these waters is not for the faint of heart. If you go in with an open mind and a willingness to gi…

SOURCE: Chicago Theater Beat at 8:24pm on August 17, 2012

Theater Thursday: Review: Sketchbook Reincarnate (Collaboraction) by Scotty Zacher

                Sketchbook Reincarnate  Flat Iron Arts Bldg., 1579 N. Milwaukee (map) thru July 15  |…

SOURCE: Chicago Theater Beat at 1:17pm on August 16, 2012

Review: The All-American Genderf*ck Cabaret (Pride Films and Plays) by Scotty Zacher

The All-American Genderfuck Cabaret serves up a panorama of different ways people approach sexual relationships and sexual identity. Director Tara Branham does an exemplary job in untanglin…

SOURCE: Chicago Theater Beat at 10:03pm on August 13, 2012

Review: All Kinds of Crazy (16th Street Theater) by Scotty Zacher

The rise and fall of Arlene Malinowski's depression is the centerpiece of her performance in her one-woman play, but it's surrounded by a detailed backdrop of family dynamics. There's revela…

SOURCE: Chicago Theater Beat at 9:37pm on August 12, 2012

Review: Man of La Mancha (Light Opera Works) by Scotty Zacher

With the strength of Hogenmiller's vision, the brilliant performances by Harms and Todd, and the strong vocal and orchestral readings of Mitch Leigh's rich score, this is a show that you def…

SOURCE: Chicago Theater Beat at 7:29pm on August 12, 2012

Review: Antigone (Cold Basement Dramatics) by Scotty Zacher

What this 5,000th (or so) adaptation of Antigone, gains in clarity and immediacy are countered by losses in grandeur and mystery. The adaptation tries to explain too much, and in a flat pros…

SOURCE: Chicago Theater Beat at 10:21pm on August 10, 2012

Review: Richard III (Oak Park Festival Theatre) by Scotty Zacher

A big challenge for the show is the less-than-ideal acoustics of Austin Gardens. Competing with planes, cicadas and the occasional siren, the cast is forced to deliver most of the text at to…

SOURCE: Chicago Theater Beat at 10:50pm on August 8, 2012

Review: Savage Land (Nothing Special Productions) by Scotty Zacher

There may be a good idea for a story somewhere deep within this jungle, if only those within could see the forest for all the trees.

SOURCE: Chicago Theater Beat at 9:26pm on August 8, 2012
« Previous 25   Page 55 of 81   Next 25 »