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2,003 stories by "Scotty Zacher"

Review: Grease (Paramount Theatre) by Scotty Zacher

Fans of Grease should like this rendition, despite its dissonance. But, considering the neutering of the original gritty Chicago production into this present-day saccharine version, don't lo…

SOURCE: Chicago Theater Beat at 3:28pm on September 18, 2012

Review: The Spitfire Grill (Boho Theatre Ensemble) by Scotty Zacher

Apart from the charms of the material, the skill of these performers " most of whom are relatively new to Chicago stages or have not had such significant parts before " is reason enough to s…

SOURCE: Chicago Theater Beat at 10:32pm on September 17, 2012

Review: The Woman in White (Lifeline Theatre) by Scotty Zacher

The marital team of Robert (adapter) and Elise Kauzlaric (director) bring this gothic thriller, penned by Wilkie Collins, to the stage. Robert masterfully condenses the plethora of informat…

SOURCE: Chicago Theater Beat at 7:26pm on September 17, 2012

Review: Xanadu (Drury Lane Theatre) by Scotty Zacher

The line between fun parody and eye-rolling indulgence is as fine as a strand of permed hair, but director/choreographer Rachel Rockwell walks it with aplomb. With a lesser director, Xanadu …

SOURCE: Chicago Theater Beat at 5:55pm on September 17, 2012

Review: Tusk Tusk (Piven Theatre Workshop) by Scotty Zacher

Despite the script's shortcomings, this production holds some commendable elements, including the young cast, the excellent English accents (kudos to dialect coach Kate Devore), Chad Bianchi…

SOURCE: Chicago Theater Beat at 4:28pm on September 16, 2012

Review: Wrong Mountain (Rare Terra Theatre) by Scotty Zacher

Despite soliloquies that run too long and are often redundant, Wrong Mountain provides a poignant view of a life's work from a different vantage point. This show would be an especially powe…

SOURCE: Chicago Theater Beat at 4:10pm on September 15, 2012

Review: The North Star (Chemically Imbalanced Comedy) by Scotty Zacher

It's ironic that a show named for the greatest compass point in the sky would lose its direction so completely. If I had to guess, I'd say *The North Star* is about how tragedy can be a grea…

SOURCE: Chicago Theater Beat at 11:31pm on September 14, 2012

Review: Six Dead Queens and an Inflatable Henry (Piccolo Theatre) by Scotty Zacher

Though the resolution of *Six Dead Queens" is merely satisfactory, the production is more about bringing these six historical figures to life in an entertaining romp. You will definitely lea…

SOURCE: Chicago Theater Beat at 9:58pm on September 14, 2012

Review: The Iron Stag King, Part I (The House Theatre) by Scotty Zacher

Director Nathan Allen has pulled together a magical story out of his and co-author Chris Mathews' imaginations, and this first installment of the Iron Stag King trilogy ensures an entertaini…

SOURCE: Chicago Theater Beat at 7:54pm on September 14, 2012

Review: Venus Envy (Viable Theatre) by Scotty Zacher

The concept is promising enough - a look at a world where women are in charge and men are mere sex objects. Unfortunately, Playwright Vincent Truman ensures that there is no room for nuance…

SOURCE: Chicago Theater Beat at 2:54pm on September 13, 2012

Review: The Tempest (Theatre-Hikes) by Scotty Zacher

With effective but minimal props, and Yonit Olshan's eye-catching costumes (not to mention the splendid backdrop of the Morton Arboretum), a grassy swale and a stand of trees can become such…

SOURCE: Chicago Theater Beat at 2:18pm on September 13, 2012

Review: Iphigenia 2.0 (Next Theatre) by Scotty Zacher

Playwright Charles Mee adapted this Greek tragedy into a contemporary tale. But instead of pulling us into the centuries-old tale, Director David Kersnar keeps us disengaged with his circus…

SOURCE: Chicago Theater Beat at 6:52pm on September 12, 2012

Review: Blagojevich, Blagojevich! (Athenaeum Theatre) by Scotty Zacher

                Blagojevich, Blagojevich!  Written by Michael K. Feinstein Directed by Clayton Fox Athenaeum Theatr…

SOURCE: Chicago Theater Beat at 5:14pm on September 12, 2012

Review: Better (Bartleby Productions) by Scotty Zacher

This play's second to last scene, portraying sibling loyalty, is awkwardly sweet and touching. If only *Better* had more scenes like this " polished in their sense of reality " one would not…

SOURCE: Chicago Theater Beat at 10:04pm on September 11, 2012

Review: WRENS (Rivendell Theatre) by Scotty Zacher

Playwright Anne McGravie penned this semi-autobiographical salute to her two year stint in the WRENS. Director Karen Kessler superbly shapes the seven talented actors giving each their own …

SOURCE: Chicago Theater Beat at 8:33pm on September 11, 2012

Review: AnneePocalypse! (Hubris Productions) by Scotty Zacher

                AnneePocalypse!  Written by Jason Dabrowski, Calidonia Olivares       …

SOURCE: Chicago Theater Beat at 4:10pm on September 11, 2012

Review: Commedia King John (Chicago dell'Arte) by Scotty Zacher

In keeping with the commedia style, Chicago dell'Arte took a basic script, inserted character types, and employed improvisation to flesh everything out. With *Commedia King John*, the result…

SOURCE: Chicago Theater Beat at 9:55pm on September 10, 2012

Review: Shaw vs. Chesterton " The Debate (Provision Theater) by Scotty Zacher

Based on actual exchanges between the George Bernard Shaw and journalist GK Chesterton, Though this talk-heavy format may not appeal to everyone, this adaptation by Timothy Gregory is an int…

SOURCE: Chicago Theater Beat at 5:24pm on September 10, 2012

Review: Illegal Use of Hands (American Blues Theater) by Scotty Zacher

Though billed as a dark comedy, the play is not clearly defined. There are some chuckle-worthy moments, but primarily it's just sad. The lead protagonist is so abrupt and overbearing that th…

SOURCE: Chicago Theater Beat at 1:25pm on September 10, 2012

Review: Impenetrable (Stage Left Theatre) by Scotty Zacher

There's so much to Impenetrable that it's difficult to do it justice. Men as well as women come under the microscope here: Playwright Mia McCulllough digs far more than skin deep into the wh…

SOURCE: Chicago Theater Beat at 6:18pm on September 9, 2012

Review: Spirits to Enforce (Abraham Werewolf at Studio BE) by Scotty Zacher

This show is amazing! It's like "The Tempest" fell into a vat of toxic waste and now has the power to make us laugh... really hard. Spirits to Enforce is art to enchant!

SOURCE: Chicago Theater Beat at 10:54pm on September 8, 2012

Review: What Was Mine To Do (Strangeloop Theatre) by Scotty Zacher

At over 2 hours with intermission, the script does need some cutting and tightening. To its credit, however, the show's wonderful performances and commitment to character had me wanting to b…

SOURCE: Chicago Theater Beat at 8:46pm on September 8, 2012

Review: Cymbeline (The RIFF Collective) by Scotty Zacher

Despite the hodge-podge nature of the script, there are some interesting themes in play that come out well in this production. It's a very bold attempt at resurrecting a rarely-seen Shakespe…

SOURCE: Chicago Theater Beat at 10:54pm on September 7, 2012

Review: The Last Five Years (Another Production Company) by Scotty Zacher

Thought to be based on Jason Robert Brown's real-life failed marriage to Theresa O'Neill, *The Last Five Years* is an alternately touching, funny, and compelling work to behold. (read more…

SOURCE: Chicago Theater Beat at 9:32pm on September 7, 2012

Review: After (Profiles Theatre) by Scotty Zacher

In just 90 minutes this concentrated drama nails the plight of an exonerated prisoner now facing his fears of freedom"and the ugly fact that 17 years of his life were lost behind bars becaus…

SOURCE: Chicago Theater Beat at 8:30pm on September 7, 2012
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