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2,003 stories by "Scotty Zacher"

Review: Seascape (Remy Bumppo Theatre) by Scotty Zacher

Playwright Edward Albee is deftly skilled at painting the poignant differences between the still very-much-in-love husband and wife. And Director Nick Sandys elicits moving performances from…

SOURCE: Chicago Theater Beat at 6:58pm on September 28, 2012

Review: Godspell (The Brown Paper Box Company) by Scotty Zacher

Brown Paper Box's version of this 70s musical is unpolished as far as production values, but not a bad way to see (and hear) some of the most memorable songs in American musical theater. Fan…

SOURCE: Chicago Theater Beat at 9:59pm on September 27, 2012

Review: Hot 'N' Throbbing (Interrobang Theatre Project) by Scotty Zacher

With all the hoopla over *50 Shades of Grey*, this play puts a different perspective on what could be called sexual empowerment and taking control. We recommend this production for those wh…

SOURCE: Chicago Theater Beat at 4:52pm on September 27, 2012

Review: Male Order Brides (Quest Theatre Ensemble) by Scotty Zacher

This production is a gleeful blend of old silent films with dashing heroes and lovelorn heroines with a fine comic touch from the villain and villainess. And because tickets are free, it's …

SOURCE: Chicago Theater Beat at 2:53pm on September 27, 2012

Review: The Seven (The Neapolitans) by Scotty Zacher

For centuries, the seven deadly sins have inspired artists of all disciplines. In keeping with that grand tradition, The Neapolitans are hosting a festival of plays devoted to the explorati…

SOURCE: Chicago Theater Beat at 8:28pm on September 26, 2012

Review: Equivocation (Victory Gardens Theater) by Scotty Zacher

Under the effective direction of Sean Graney, the multi-dimensional story is staged to perfection. The talented ensemble assume multiple roles in this dramatic political intrigue meshed in s…

SOURCE: Chicago Theater Beat at 6:08pm on September 26, 2012

Review: Don't Give That Beast a Name (The Mammals) by Scotty Zacher

The show is a visual and aural pleasure. John Wilson's creative and flexible set design combined with Mike Smith's rich lighting allow for the perfect ambience to tell this mesmerizing tale.…

SOURCE: Chicago Theater Beat at 7:02pm on September 25, 2012

Review: Avenue Q (NightBlue Theater) by Scotty Zacher

Unfortunately, NightBlue's Avenue Q is unevenly paved, leading to a bumpy run rather than a smooth stroll, the main issue being director David E. Walters' blocking. (read more...)

SOURCE: Chicago Theater Beat at 6:16pm on September 25, 2012

Review: The Skriker (Red Tape Theatre) by Scotty Zacher

In *The Skriker*, Playwright Caryl Churchill perfectly illustrates consumer culture on overload, while Eric Hoff's promenade style direction is perfectly controlled chaos culminating in a st…

SOURCE: Chicago Theater Beat at 4:43pm on September 25, 2012

Review: They Call Me Mr. Fry (School Teacher Productions) by Scotty Zacher

                They Call Me Mr. Fry  Written by Jack Fry Directed by Jeff Michalski at Stage 773, 1225 W. Belmont …

SOURCE: Chicago Theater Beat at 3:06pm on September 25, 2012

Review: Sweet Bird of Youth (Goodman Theatre) by Scotty Zacher

Though hobbled by a second act that seems as out of control as Tennessee Williams was at the time he wrote it, David Cromer's Goodman Theatre staging draws strength from the quieter despair,…

SOURCE: Chicago Theater Beat at 12:12am on September 25, 2012

Review: Assassins (Milwaukee Repertory Theater) by Scotty Zacher

The Milwaukee Repertory Theater has kicked off its new season with a production that dazzles (especially Todd Edward Ivins' set design) as well as provokes long after the "shots have been fi…

SOURCE: Chicago Theater Beat at 9:42pm on September 24, 2012

Review: Woody Sez (Northlight Theatre) by Scotty Zacher

In 90 minutes devisor/music director David M. Lutken plays Woody with communal charisma; getting abundant help from the voices and musicianship of the equally versatile Darcie Deaville, Hele…

SOURCE: Chicago Theater Beat at 4:16pm on September 24, 2012

Review: Hobo Camp (J.M. Productions) by Scotty Zacher

Hobo Camp is an improvisational hybrid. The performers combine long-form improvisation with scene work, poetry, music, and more. Unfortunately there seems to be too many hobos in the kitch…

SOURCE: Chicago Theater Beat at 10:13pm on September 23, 2012

Review: I Love Lucy Live on Stage (Broadway Playhouse) by Scotty Zacher

*I Love Lucy Live on Stage* is a warm hug of escapist pleasure almost anyone can enjoy, and while there are no shortage of ways to watch the original, seeing this ode live is another great w…

SOURCE: Chicago Theater Beat at 8:35pm on September 23, 2012

Review: Geography of a Horse Dreamer (Mary-Arrchie Theatre) by Scotty Zacher

Like many of Sam Shepard's plays, this is not one to shoot for easy laughs, and it seems at times that director Carlo Lorenzo Garcia doesn't know whether to make *Horse Dreamer* funny or dar…

SOURCE: Chicago Theater Beat at 5:00pm on September 23, 2012

Review: Dearly Departed (Circle Theatre) by Scotty Zacher

The death and funeral of a family patriarch would seem to be a dark subject for comedy, but *Dearly Departed* manages to be both lighthearted and moving, as well as extremely funny. What a S…

SOURCE: Chicago Theater Beat at 10:17pm on September 22, 2012

Review: Dirty (The Gift Theatre) by Scotty Zacher

But make no mistake, *Dirty* - by Jeff Award nominated playwright Andrew Hindreaker - is a show that you should not hesitate to see, as it is incredibly prescient in its understanding of peo…

SOURCE: Chicago Theater Beat at 2:58pm on September 22, 2012

Review: The Big Knife (Raven Theatre) by Scotty Zacher

Though Playwright Clifford Odets's points are too flatly stated and his characters too cardboard, as a period piece *The Big Knife* has a noirish appeal that's some fun if that's what you're…

SOURCE: Chicago Theater Beat at 7:16pm on September 21, 2012

Review: Hamlet (Writers' Theatre) by Scotty Zacher

I've seen three movie versions of Hamlet, and at least seven stages versions of Hamlet, including two last year. I've never seen anything like *this* Hamlet. Writers' Hamlet is crazy-great!…

SOURCE: Chicago Theater Beat at 1:45pm on September 21, 2012

Review: 42nd Street (Theatre at the Center) by Scotty Zacher

Go see this show. This is a step back into the time when Broadway was at its best and when the magic of the theater seemed real. 42nd Street is definitely worth the trip to Mighty Munster! …

SOURCE: Chicago Theater Beat at 5:26pm on September 20, 2012

Review: Jitney (Court Theatre) by Scotty Zacher

Longing and connection form a nexus that underpins the whole of *Jitney*, the story of a tight-knit community struggling to maintain and make ends meet without getting obliterated by forces …

SOURCE: Chicago Theater Beat at 8:05pm on September 19, 2012

Review: The Sound of Music (Chamber Opera Chicago) by Scotty Zacher

The Sound of Music is a universally-beloved musical. Chamber Opera Chicago's production is a prime example, however, of how one performance can taint two and a half hours of enjoyment. (rea…

SOURCE: Chicago Theater Beat at 4:14pm on September 19, 2012

Review: The Magic Flute (Chicago Opera Theater) by Scotty Zacher

In this non-traditional production, Chicago Opera Theater succeeds in creating an experience that appeals to all operagoers, whether it's a newcomer learning how to keep up with the supertit…

SOURCE: Chicago Theater Beat at 1:16pm on September 19, 2012

Review: Barnstormers (Drinking & Writing Theatre) by Scotty Zacher

Bring a sharp ear and be prepared to learn some cool stuff while watching Barnstormers. The lines are rapid fire and appeal to the trivia lover. And as you're already in a brewery, grab a b…

SOURCE: Chicago Theater Beat at 5:49pm on September 18, 2012
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