DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
2,003 stories by "Scotty Zacher"

Review: Scarrie (Hell in a Handbag Productions) by Scotty Zacher

In the making of a good parody, certain elements are indispensable: an iconic pop-culture subject, an irreverent love of that subject, intelligent writing, and lots of talent. Hell in a Hand…

SOURCE: Chicago Theater Beat at 12:34am on October 12, 2012

Review: Frankenstein (City Lit Theatre) by Scotty Zacher

Lacking the compelling mash-up of Romantic and Gothic that made the 18 y.o. Mary Shelley's sci-fi horror novel so compelling, this Frankenstein can't electrify its adaptation. (read more...)

SOURCE: Chicago Theater Beat at 10:25pm on October 11, 2012

Review: microcrisis (Next Act Theatre) by Scotty Zacher

In the highly capable hands of Milwaukee's Next Act Theatre's cast and crew, and veteran Milwaukee area director Edward Morgan, *microsisis* is as much modern-day history lesson as it is poi…

SOURCE: Chicago Theater Beat at 9:10pm on October 11, 2012

Review: Catholic Rep " Doubt / Agnes of God (American Theater Company) by Scotty Zacher

There are interesting psychological themes at play here, and it would be nice for the audience to have a little more time to consider them as they are taken on this thrill ride. But the repe…

SOURCE: Chicago Theater Beat at 7:01pm on October 11, 2012

Review: Fool's Tango (Theatre Zarko) by Scotty Zacher

Writer/Performer Michael Montenegro's puppet characters hold our attention and evoke more than simple laughter. It feels as if he has a good handle on the workings of the young mind. Fool's …

SOURCE: Chicago Theater Beat at 4:31pm on October 11, 2012

Review: Nightmare on Lincoln Avenue IV: Welcome to the Undead City (Corn Productions) by Scotty Zacher

The vignettes are the strongest part of the show - they are wacky and weird enough to be interesting, even when you aren't 100-percent sure what the writers are driving at. And what's Hallow…

SOURCE: Chicago Theater Beat at 3:33pm on October 11, 2012

Review: Bloody Bloody Andrew Jackson (Bailiwick Chicago) by Scotty Zacher

Bloody Bloody Andrew Jackson is like history reimagined by the cult 90's comedy troupe The State, with a bit of "South Park" and a pounding hard rock score. Thanks to an astounding cast and …

SOURCE: Chicago Theater Beat at 7:35pm on October 10, 2012

Review: Knuffle Bunny " a cautionary musical (Emerald City Theatre) by Scotty Zacher

In bringing "Knuffle Bunny: A Cautionary Tale" to the stage, Mo Willems also wrote the script and the songs, so the show is very true to Willems' original story. Though adults will enjoy thi…

SOURCE: Chicago Theater Beat at 6:00pm on October 9, 2012

Review: The Mistakes Madeline Made (LiveWire Chicago) by Scotty Zacher

The Mistakes Madeline Made  Written by Elizabeth Meriwether Directed by Krista D'Agostino Greenho…

SOURCE: Chicago Theater Beat at 4:45pm on October 9, 2012

Review: Elektra (Lyric Opera of Chicago) by Scotty Zacher

Elektra opens the Lyric's 58th Season on a ferocious note. The bloody showcase sets the tone for a killer season. (read more...)

SOURCE: Chicago Theater Beat at 2:28pm on October 9, 2012

Review: 44 Plays for 44 Presidents (The Neo-Futurists) by Scotty Zacher

44 Plays for 44 Presidents is a fun, sometimes touching and moving work that packs an enjoyable survey of American history into just two hours. (read more...)

SOURCE: Chicago Theater Beat at 1:07pm on October 9, 2012

Review: The Madness of Edgar Allan Poe " A Love Story (First Folio) by Scotty Zacher

First Folio Theatre's *Madness of Edgar Allan Poe*, a site-specific theater piece performed at the gorgeous 1920's Mayslake Peabody Estate, presents a stylized version of the relationship be…

SOURCE: Chicago Theater Beat at 9:33pm on October 8, 2012

Review: Neighborhood 3: Requisition of Doom (Strawdog Theatre) by Scotty Zacher

Just in time for Halloween, Neighborhood 3: Requisition of Doom is run-for-your-life terrifyingly surreal. (read more....)

SOURCE: Chicago Theater Beat at 8:06pm on October 8, 2012

Review: Musical of the Living Dead (Cowardly Scarecrow Theatre) by Scotty Zacher

They stomp around on stage with their usual demand for "Brains!" They try to eat the faces of those still alive. And all whil singing. Created by Marc Lewallen, Brad Younts and Mary Spray, t…

SOURCE: Chicago Theater Beat at 7:49pm on October 6, 2012

Review: Sea Marks (Metropolis Performing Arts Centre) by Scotty Zacher

Some plays are for the audience. Some are for the actors. Sea Marks, written by Gardner McKay, a one-time actor with a brief career in the 1960s TV series "Adventures in Paradise," falls in …

SOURCE: Chicago Theater Beat at 5:19pm on October 6, 2012

Review: Making Noise Quietly (Steep Theatre) by Scotty Zacher

In Steep Theatre's fall production, *Making Noise Quietly*, three chance meetings lead to a lingering aftermath - a triple play of naked humanity. (read more...)

SOURCE: Chicago Theater Beat at 3:55pm on October 6, 2012

Review: Sunday in the Park with George (Chicago Shakespeare Theater) by Scotty Zacher

Sondheim (music and lyrics) and book writer James Lapine craft a portrait of a tumultuous relationship between two people who belong together and love each other deeply but cannot sustain a …

SOURCE: Chicago Theater Beat at 5:24pm on October 5, 2012

Review: Freshly Fallen Snow (Chicago Dramatists) by Scotty Zacher

Though the subjett matter of M.E.H. Lewis' *Freshly Fallen Snow" is disturbing, the journey, like the comforting thought of snow, is quite beautiful. (read more...)

SOURCE: Chicago Theater Beat at 2:54pm on October 3, 2012

Review: KILL VIKTOR (New Millennium Theatre) by Scotty Zacher

Overall, KILL VIKTOR, Vol. 1&2 is a fun late night show for the Halloween season; a flashy, frenetic, decent comedy. (read more...)

SOURCE: Chicago Theater Beat at 2:27pm on October 3, 2012

Review: Metamorphoses (Lookingglass Theatre) by Scotty Zacher

Imaginatively staged, impressively physical, and rooted in the eternal, Metamorphoses can be forgiven for any small misgivings because Mary Zimmerman's staging is so remarkably audacious. (…

SOURCE: Chicago Theater Beat at 10:33pm on October 1, 2012

Review: The Strange Undoing of Prudencia Hart (Chicago Shakespeare) by Scotty Zacher

Ultimately, quibbles with script narrative and character development are more than atoned for with the euphoric vibe and laughter induced by the production. Audiences will love this portraya…

SOURCE: Chicago Theater Beat at 9:03pm on October 1, 2012

Review: Scheherazade (Realize Theatre Group) by Scotty Zacher

In their inaugural season, Realize Theatre Group had worthy goals in putting on this production of *Scheherazade* by Marisha Chamberlain, but they have bitten off a bigger piece than they co…

SOURCE: Chicago Theater Beat at 6:06pm on October 1, 2012

Review: Smokey Joe's Café (Theo Ubique Cabaret Theatre) by Scotty Zacher

With the cast's great voices expertly performing the songs of Jerry Leiber and Mike Stoller , along with the intimate space of the café and the energy behind the performances, No Exit Cafe …

SOURCE: Chicago Theater Beat at 4:56pm on October 1, 2012

Review: Good People (Steppenwolf Theatre) by Scotty Zacher

In an election year all about the economy (and when is it not really, all about the economy?), Steppenwolf's Good People strikes a deeply resonant chord that will hit oh-so-close to home whe…

SOURCE: Chicago Theater Beat at 8:06pm on September 30, 2012

Review: HooDoo Love (The Collective Theatre) by Scotty Zacher

The Collective Theatre took 15 years to mount a production " hopefully it won't be 15 more before the next one. HooDoo Love, directed by True Blood's Nelsan Ellis, may be disturbing in conte…

SOURCE: Chicago Theater Beat at 11:22am on September 30, 2012
« Previous 25   Page 52 of 81   Next 25 »