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2,003 stories by "Scotty Zacher"

Review: In Pigeon House (Seanachai Theatre) by Scotty Zacher

Still, this world premier is successful despite these drawbacks. If you love great language and stellar performances, and want to see something less traditional, In Pigeon House will impress…

SOURCE: Chicago Theater Beat at 7:13pm on October 22, 2012

Review: Kinky Boots (Broadway in Chicago) by Scotty Zacher

A classic tale of acceptance gets a fresh coat of glitter in this fabulous Chicago premiere. *Kinky Boots* is the most grin-inducing musical since Hairspray! (read more...)

SOURCE: Chicago Theater Beat at 4:14pm on October 22, 2012

Review: Funeral Wedding: The Alvin Play (Strange Tree Group) by Scotty Zacher

There is a lot to love in Funeral Wedding: The Alvin Play. This fall, visit the Fishers' home for an old-fashion, homespun mystery cloaked in family secrets. (read more...)

SOURCE: Chicago Theater Beat at 10:57pm on October 21, 2012

Review: Trainspotting USA (Book and Lyrics Theatricals) by Scotty Zacher

Although Trainspotting USA sometimes gets a little off track, it never derails. With its evocative imagery, dark humor, and pertinent message, this train is definitely worth riding. (read m…

SOURCE: Chicago Theater Beat at 8:55pm on October 21, 2012

Review: Schweyk in the Second World War (Red Theater) by Scotty Zacher

The new Red Theater Company debuts with puppets, a band, and fourteen actors. It's an ambitious undertaking on such a small stage. And it's too much. (read more...)

SOURCE: Chicago Theater Beat at 6:55pm on October 20, 2012

Review: Reencuatros (Luna Negra Dance Theater) by Scotty Zacher

My feelings about Luna Negra as a company are mixed: I respect their work, but I don't fully get why they choose the pieces they do. As their season progresses, I look forward to solving thi…

SOURCE: Chicago Theater Beat at 4:09pm on October 20, 2012

Review: Broken Glass (Redtwist Theatre) by Scotty Zacher

If you are a fan of well-written dialogue and intensely drawn characters, and if you enjoy a good enigma, Redtwist's Broken Glass will not disappoint. (read more...)

SOURCE: Chicago Theater Beat at 3:05pm on October 20, 2012

Review: Honeybuns (Collaboraction) by Scotty Zacher

Dean Evans, as Honeybuns the clown, manages to shock, provoke and make us laugh - in shame. Evan's acerbic and sometimes caustic wit is made for the anthropomorphic character he has created…

SOURCE: Chicago Theater Beat at 6:01pm on October 18, 2012

Review: Pontypool (Strawdog Theatre) by Scotty Zacher

This is a thinking man's suspense thriller that has a lot of potential, and this production feels one treatment away from being a new suspense classic for the Halloween season. Setting chara…

SOURCE: Chicago Theater Beat at 3:54pm on October 18, 2012

Review: Squabbles (James Downing Theatre) by Scotty Zacher

*Squabbles* concludes with a final monologue overtly geared towards an older audience. Despite its shortcomings, this production has a good deal of fun and charm to offer, particularly for t…

SOURCE: Chicago Theater Beat at 2:11pm on October 18, 2012

Review: Someone Who'll Watch Over Me (Oak Park Festival Theatre) by Scotty Zacher

In the intimacy of the Madison Street Studio Theatre, this is riveting drama. Don't let the bleak subject matter keep you away. (read more...)

SOURCE: Chicago Theater Beat at 12:47pm on October 18, 2012

Review: Wake: A Folk Opera (The Whiskey Rebellion Theatre) by Scotty Zacher

Although the two actors have commendable voices, no moment really makes you empathize with the characters. Perhaps that is because this one-hour show does not give you an in-depth look at an…

SOURCE: Chicago Theater Beat at 5:21pm on October 17, 2012

Review: Simon Boccanegra (Lyric Opera of Chicago) by Scotty Zacher

With the Lyric Opera's tradition of excellence, one always anticipates being swept away by a world class singer. The delightful surprise here is that all four principles exceed all expectat…

SOURCE: Chicago Theater Beat at 6:15pm on October 16, 2012

Review: The Arsonists (Trap Door Theatre) by Scotty Zacher

No doubt, their latest production of The Arsonists is important, and impressive. But this bourgeois parable reimagined with European Clowning technique isn't all that enjoyable. (read more.…

SOURCE: Chicago Theater Beat at 5:11pm on October 16, 2012

Review: Assassins (Viaduct Theatre) by Scotty Zacher

Director Billy Pacholski has taken full advantage of the opportunity to add his own touches. The changes he makes around the edges " at the top and bottom of the show " are at best not impro…

SOURCE: Chicago Theater Beat at 9:37am on October 16, 2012

Review: Titus Andronicus (Right Brain Project) by Scotty Zacher

Young or sensitive patrons might not want to attend this production - The Right Brain Project uses a mix of substance, style, shock, and blood splatter to rattle even the most stoic theater-…

SOURCE: Chicago Theater Beat at 7:18pm on October 15, 2012

Review: Night Over Erzinga (Silk Road Rising) by Scotty Zacher

There is a poignant story here, but conservation is key. Night Over Erzinga branches too far out from the trunk. A little trimming will make for a solid, long-standing tree, and powerful st…

SOURCE: Chicago Theater Beat at 1:10am on October 15, 2012

Review: Chicago's Weird, Grandma (Barrel of Monkeys) by Scotty Zacher

If you are looking for a way to introduce your child to the delights of theater (and have some fun along the way yourself) this is a great production to start with. If you are looking for a …

SOURCE: Chicago Theater Beat at 8:14pm on October 14, 2012

Review: Black Watch (National Theatre of Scotland) by Scotty Zacher

Where Black Watch truly taps into its often galvanic power is in the final scene, when the men perform a series of maneuvers to the rhythms of Scottish music - a scene to stir the viscera, r…

SOURCE: Chicago Theater Beat at 6:25pm on October 14, 2012

Review: Harold and the Purple Crayon (Chicago Children's Theatre) by Scotty Zacher

Director Sean Graney channels his inner kid to captivate both children and parents. Bringing the whimsy, Joanna Iwanicka (puppets/prop designer) and Alison Siple (costume designer) clad the…

SOURCE: Chicago Theater Beat at 5:00pm on October 14, 2012

Review: The Altruists (Two Light Theatre) by Scotty Zacher

Most of the people in Playwright Nicky Silver's biting comedy purport to be people of social conscience; in reality they are a plague of parasitic hypocrites who denounce the flaws in others…

SOURCE: Chicago Theater Beat at 7:41pm on October 13, 2012

Review: Ruby Wilder (Tympanic Theatre) by Scotty Zacher

The tension on stage is palpable, and with only two rows of seats in Teatro Luna's Cabaret Studio you are almost thrust onto the stage itself. This bold play is not for the faint hearted. (r…

SOURCE: Chicago Theater Beat at 5:39pm on October 13, 2012

Review: The Life of Death (WildClaw Theatre) by Scotty Zacher

The juxtaposition of pleasing aesthetics and some very gruesome and disturbing images makes for an enjoyable evening. (read more....)

SOURCE: Chicago Theater Beat at 3:28pm on October 13, 2012

Review: Black n Blue Boys / Broken Men (Goodman Theatre and Berkeley Repertory Theatre) by Scotty Zacher

This all turns on Dael Orlandersmith's solo performance, and it's a wonder to behold. She disappears so completely into these boys, men, mothers, etc. that it's not hard to forget you're loo…

SOURCE: Chicago Theater Beat at 10:27pm on October 12, 2012

Review: One Name Only (Black Ensemble Theater) by Scotty Zacher

Black Ensemble Theater embraces its lovely, large new space with vibrant musical productions that elicit vivacious audience response. One Night Only follows this pattern, showcasing fabulous…

SOURCE: Chicago Theater Beat at 9:14pm on October 12, 2012
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