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2,003 stories by "Scotty Zacher"

Review: Long Day's Journey into Night (Eclipse Theatre) by Scotty Zacher

Powerful as it is in parts but never the huge whole, Eugene O'Neill's journey could use a little less day and a little more darkness. (read more....)

SOURCE: Chicago Theater Beat at 11:54pm on November 7, 2012

Review: Superior Donuts (Mary-Arrchie Theatre at Royal George Cabaret) by Scotty Zacher

The Royal George provides the intimate setting necessary to bring out the realism and humor of Tracy Letts' wonderfully authentic script about the friendship between a stagnant Uptown donut …

SOURCE: Chicago Theater Beat at 8:44pm on November 4, 2012

Review: The Quality of Life (The Den Theatre) by Scotty Zacher

In Jane Anderson's astonishing script, the characters unfold as artfully as the story. The beauty of Anderson's work is in taking apparently stock characters and giving them real voices and …

SOURCE: Chicago Theater Beat at 7:09pm on November 4, 2012

Review: Dragons (Ringling Brothers and Barnum & Bailey Circus) by Scotty Zacher

Even the most jaded circus-lover will find this fantasy fertile with bravado, clowns who are far more hilarious than irritating, and an Eastern-style packaging that makes this American genre…

SOURCE: Chicago Theater Beat at 4:21pm on November 4, 2012

Review: The Rover (20% Theatre Company) by Scotty Zacher

The Rover is a very frank story about class and sex. Playwright Aphra Behn writes openly about the inequality of women's roles in 17th-century Restoration society but gives an equal time to …

SOURCE: Chicago Theater Beat at 2:01pm on November 4, 2012

Review: 50th Anniversary Season Fall Program (Giordano Dance Chicago) by Scotty Zacher

Giordano Dance Chicago has begun a landmark season with a burst of vivacity. Each full company work showcases the ensemble's true cohesiveness and their playful but focused collective nature…

SOURCE: Chicago Theater Beat at 4:01pm on November 2, 2012

Review: Blackademics (MPAACT Theatre) by Scotty Zacher

Blackademics is recommend for its clever and revealing writing. The timeliness of the subject matter is perfect. The acting will keep you watching whether out of curiosity or intimate knowle…

SOURCE: Chicago Theater Beat at 9:58pm on November 1, 2012

Review: Down & Derby (The New Colony Theatre) by Scotty Zacher

Besides containing several standout performances, at its core Down & Derby is a really cool idea. But that idea is unfortunately not fully realized. With a tighter structure and more a…

SOURCE: Chicago Theater Beat at 7:58pm on November 1, 2012

Review: The Reckless Ruthless Brutal Charge of It, or The Train Play (Will Act For Food) by Scotty Zacher

This is an odd, interesting piece, and despite the sluggish feel to the center of the show, you may find it's worked its way into your head and provides thoughtful reflection long after the …

SOURCE: Chicago Theater Beat at 8:05pm on October 31, 2012

Review: Weekend Comedy (Oil Lamp Theater) by Scotty Zacher

First produced in 1985, Weekend Comedy now appears dated and trite. There's enough humor in the one-liners and verbal jousting, though, to make the play reasonably entertaining, despite the…

SOURCE: Chicago Theater Beat at 12:07am on October 30, 2012

Review: Pirate Bones (Lincoln Square Theatre) by Scotty Zacher

This production isn't too far from being quite compelling, but as currently constructed, you need to sift through some debris to uncover the hidden treasures of Pirate Bones. (read more...)

SOURCE: Chicago Theater Beat at 8:53pm on October 28, 2012

Review: QED (theatre4humanity) by Scotty Zacher

Despite moments that capture you, the play's tendency to drag takes away from this tribute to Richard Feynman. It is, however, a showcase for Rob Riley's talent. (read more....)

SOURCE: Chicago Theater Beat at 10:34pm on October 27, 2012

Review: Something Blue (Artemisia Theatre) by Scotty Zacher

I should have loved Something Blue. I like it when characters discuss their emotions. I find the creative process fascinating. I love Artemisia's mission to showcase female-driven work. And…

SOURCE: Chicago Theater Beat at 2:31pm on October 27, 2012

Review: Burn This (Shattered Globe) by Scotty Zacher

The lack of crucial chemistry largely dooms *Burn This*. Without the palpably sizzling sex (or threat thereof), this piece becomes a lengthy slog of dialogue that's neither meaningful nor pa…

SOURCE: Chicago Theater Beat at 9:43am on October 26, 2012

Review: Macbeth: As the Dust Settles (TheMASSIVE) by Scotty Zacher

Kudos to TheMASSIVE for providing a fresh new take on a story that has been retold thousands of times over the centuries. (read more...)

SOURCE: Chicago Theater Beat at 7:34pm on October 25, 2012

Review: Duck for President (Lifeline Theatre) by Scotty Zacher

An extremely witty, fast-paced script and catchy songs help tell the story of slacker Duck's increasingly burdensome struggles as he goes from leading the farm to running for governor and, f…

SOURCE: Chicago Theater Beat at 4:54pm on October 25, 2012

Review: Soul Sisters (Clockwise Theatre) by Scotty Zacher

Despite some flaws, Clockwise's Soul Sisters is a thought-provoking performance, well worth seeing. (read more...)

SOURCE: Chicago Theater Beat at 3:37pm on October 25, 2012

Review: God of Carnage (AstonRep Theatre) by Scotty Zacher

An eloquent blend of wit and despair, served with a side of mayhem. (read more...)

SOURCE: Chicago Theater Beat at 2:12pm on October 25, 2012

Review: The Opponent (A Red Orchid Theatre) by Scotty Zacher

Not much happens or is new here, but there's nothing wrong with a strong play reinforcing life's hard-won discoveries, especially when every minute rings as true as a fight bell. (read more…

SOURCE: Chicago Theater Beat at 12:32pm on October 25, 2012

Review: Human Landscapes (Joffrey Ballet Chicago) by Scotty Zacher

With three phenomenal pieces, the company's year is off to a promising start. From the yearning "Forgotten Land" to the abstract "Pretty BALLET" to the disturbing "The Green Table", Human La…

SOURCE: Chicago Theater Beat at 11:32am on October 25, 2012

Review: Wasteland (TimeLine Theatre) by Scotty Zacher

Playwright Susan Felder's skill lies in her ability to forge character links in a way that's both surprising and thick with tension. With only one actor onstage - and the other not seen but…

SOURCE: Chicago Theater Beat at 8:21pm on October 24, 2012

Review: One Thousand Pieces (Hubbard Street Dance Chicago) by Scotty Zacher

Whether reflected in mirrors or gliding through water with ecstatic longing, Hubbard Street's artistry is weightless yet completely grounded. No muscle isn't engaged and expressive, no spect…

SOURCE: Chicago Theater Beat at 11:38pm on October 23, 2012

Review: Professor Evil's Bedtime Stories for Zombies! (Fury Theatre) by Scotty Zacher

The cast is talented and well prepared. There is even some more-than-competent choreography. I enjoyed myself for an hour on an autumn afternoon and I recommend that you take the kids for so…

SOURCE: Chicago Theater Beat at 7:31pm on October 23, 2012

Review: The Dining Room (Saint Sebastian Players) by Scotty Zacher

Overall, the Saint Sebastian Players execute this challenging and unusual play remarkably well. The Dining Room depicts relationships that are both honest enough and comedic enough to supers…

SOURCE: Chicago Theater Beat at 5:28pm on October 23, 2012

Review: The Millionairess (ShawChicago) by Scotty Zacher

While the play mocks the 1%, the production unfortunatly mocks the 99% for $25 a pop. (read more...)

SOURCE: Chicago Theater Beat at 8:34pm on October 22, 2012
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