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2,003 stories by "Scotty Zacher"

Review: The Book of Mormon (Broadway in Chicago) by Scotty Zacher

★★★★ Believe the hype: you'll ache from laughing! (read more...)

SOURCE: Chicago Theater Beat at 7:31pm on December 20, 2012

Review: War Horse (Broadway in Chicago) by Scotty Zacher

In nearly three spellbinding hours War Horse delivers indelible theater through pictures as much, if not more, than words. The cumulative effect resembles a rush of searing visions. (read m…

SOURCE: Chicago Theater Beat at 5:27pm on December 19, 2012

Review: Our Last Night on Earth (Collaboraction) by Scotty Zacher

This counts as theatre in the same way that a group of teenagers putting on a Murder Mystery party does. Mingled with the kind of idealistic earnestness normally seen in college students aft…

SOURCE: Chicago Theater Beat at 3:21pm on December 19, 2012

Review: The Glass Menagerie (Mary-Arrchie Theatre) by Scotty Zacher

Though Director Hans Fleischmann (who also plays Tom) loads his production with some ideas that are more distracting than productive, he deserves kudos for taking such a gutsy approach that …

SOURCE: Chicago Theater Beat at 4:45pm on December 18, 2012

Review: The Rockette's Radio City Christmas Spectacular (MSG Entertainment) by Scotty Zacher

At its heart of this show is the high-kicking, precision-dancing Rockettes, interchangeable parts with non-stop smiles and high-kicking gams, an American icon in action. (read more...)

SOURCE: Chicago Theater Beat at 10:29pm on December 17, 2012

Review: Our Perfect Holiday (Strangeloop Theatre) by Scotty Zacher

With some work on the script (including the removal of the sophomoric humor) and improved performances, this could be a much more enjoyable piece. (read more...)

SOURCE: Chicago Theater Beat at 10:44pm on December 15, 2012

Review: A Beer Carol (Drinking and Writing Theater) by Scotty Zacher

              A Beer Carol  Written and Directed by     Sean Benjamin and Steve Mosqueda Haymarket Pub & B…

SOURCE: Chicago Theater Beat at 4:43pm on December 15, 2012

Review: A Dirty '30s Christmas (Chemically Imbalanced Comedy) by Scotty Zacher

Despite a few problems, this rather unique show never gets dull. If you're looking for a quick, casual evening that leaves you with a smile on your face, give A Dirty '30s Christmas a try. …

SOURCE: Chicago Theater Beat at 11:46pm on December 14, 2012

Review: The Nutcracker (Joffrey Ballet Chicago) by Scotty Zacher

The Joffrey Ballet 's silver anniversary production boasts impressive casting, sweet choreography and appealing if staid visuals, a pleasurable holiday confection for all. (read more...)

SOURCE: Chicago Theater Beat at 10:02pm on December 14, 2012

Review: The Mikado (The Hypocrites) by Scotty Zacher

The Hypocrites have a strong talent pool, and Mikado displays several charming performances and production values. Even so, in the end, The Mikado comes off as being both messy and smug. (r…

SOURCE: Chicago Theater Beat at 4:14pm on December 14, 2012

Review: Over My Dead Body (Waltzing Mechanics) by Scotty Zacher

This is the story, adapted from live interviews, of how the City of Chicago relocated a cemetery to make room for a new O'Hare Airport runway. Though poignant, there's still a static, clutt…

SOURCE: Chicago Theater Beat at 5:41pm on December 13, 2012

Review: Tidings of Tap (Chicago Tap Theatre) by Scotty Zacher

Tidings of Tap's numbers are not only precisely danced, but well thought-out: the music provides a delightful underscore to the steps, in such exciting bits as "Carol of the Bells" and Beatc…

SOURCE: Chicago Theater Beat at 12:57pm on December 13, 2012

Review: Lula del Ray (Manual Cinema) by Scotty Zacher

Lula del Ray is a sad and soulful coming-of-age story of young Lula growing up in rural mid-century America who runs away to the city. Though the plotline might seem a bit trite, but the way…

SOURCE: Chicago Theater Beat at 6:31pm on December 12, 2012

Review: The Pirates of Penzance (The Hypocrites) by Scotty Zacher

The genius of the costuming, the staging, the lighting, the entire feel of the show is that Sean Graney and Co. have clearly devoted much time and consideration to every detail to deliberate…

SOURCE: Chicago Theater Beat at 4:53pm on December 12, 2012

Review: Rudolph the Red-Hosed Reindeer (Hell in a Handbag Productions) by Scotty Zacher

For the 15th year, Hell In a Handbag Productions riffs on the Rankin-Bass franchise, using the time-honored message of Rudolph (be yourself), updating it for a more adult audience. Case in…

SOURCE: Chicago Theater Beat at 9:08pm on December 11, 2012

Review: The Other Cinderella (Black Ensemble Theatre) by Scotty Zacher

This trip through the Land of Other is a great way to spend an evening. The music is stellar, the dance moves are smooth, and the laughs are steady running. It's another family treat for the…

SOURCE: Chicago Theater Beat at 6:25pm on December 10, 2012

Review: We Three Lizas (About Face Theatre) by Scotty Zacher

Though not a flawless production by any means, We Three Lizas is a snarky yet loving alternative to saccharine Christmas sap " and a big, high-heeled step forward. Perfect glitter-filled ca…

SOURCE: Chicago Theater Beat at 12:43am on December 10, 2012

Review: Hansel und Gretel (Lyric Opera Chicago) by Scotty Zacher

Engelbert Humperdinck's *Hansel und Gretel* is a perfect pick for children and adults or opera newbies and subscribers. The happily ever-after starts at the overture and plays straight thro…

SOURCE: Chicago Theater Beat at 6:52pm on December 9, 2012

Review: Winter Series (Hubbard Street Dance Chicago) by Scotty Zacher

Even as my eyes are welling up at the pure beauty in front of me, I can't look away. And when the lights come up after curtain call, I want to stay under the spell. As a company, Hubbard Str…

SOURCE: Chicago Theater Beat at 12:14am on December 9, 2012

Review: A Klingon Christmas Carol (Commedia Beauregard) by Scotty Zacher

If you find your heart a little Humbugged this holiday because ComicCon is still five months away, grab your mek'leth, eat some Rokeg blood pie, and transport yourself over to this endearing…

SOURCE: Chicago Theater Beat at 5:56pm on December 8, 2012

Review: It's a Wonderful Life: The Radio Play (American Theater Company) by Scotty Zacher

Despite minor issues, fans will appreciate this engaging 90-minute adaptation, which faithfully tells the story of one man's unique opportunity to see how his seemingly ordinary, unexciting …

SOURCE: Chicago Theater Beat at 3:17pm on December 8, 2012

Review: The Shadow Box (rebekah theatre project) by Scotty Zacher

As an inaugural outing, Rebekah Theatre Project has chosen an ambitious work both in scope and tone, and is largely rewarded for the effort.

SOURCE: Chicago Theater Beat at 4:51pm on December 7, 2012

Review: Charles Dickens Begrudgingly Performs 'A Christmas Carol.' Again. (The Building Stage) by Scotty Zacher

Blake Montgomery, as Charles Dickens, makes a charming host and keeps us smiling up until he lets the emotions of the story take over, where he reels us into the tale's charms most effective…

SOURCE: Chicago Theater Beat at 11:45pm on December 6, 2012

Review: The Feast of Saint McGonagall (The Plagiarists) by Scotty Zacher

William Topaz McGonagall dedicated his life to the art of poetry. Unfortunately, dedication does not always equal talent. However, his lack of talent was apparent to everybody but him. The P…

SOURCE: Chicago Theater Beat at 9:59pm on December 6, 2012

Review: Dr. Seuss' How the Grinch Stole Christmas! The Musical (Broadway in Chicago) by Scotty Zacher

Warning: This show may cause hearts to grow three times their normal size. Side effects include holding hands in the streets and singing. Who likes the Grinch? The Who's like Grinch. Me …

SOURCE: Chicago Theater Beat at 5:33pm on December 6, 2012
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