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2,003 stories by "Scotty Zacher"

Review: Minsk, 2011: A Reply to Kathy Acker (Belarus Free Theatre @ Chicago Shakespeare) by Scotty Zacher

              Minsk, 2011:      A Reply to Kathy Acker  Written by Natalia Kaliada and Nicolai Khalezin D…

SOURCE: Chicago Theater Beat at 5:15pm on January 31, 2013

Review: Skylight (Court Theatre) by Scotty Zacher

In the end, David Hare's play feels like a carefully scripted rhetoric competition. The performances may be well wrought, but Skylight has a very small window of actual drama. (read more...)

SOURCE: Chicago Theater Beat at 9:54pm on January 30, 2013

Review: Leaves, Trees, Forest (MPAACT) by Scotty Zacher

A range of entirely unsympathetic characters pay little mind to him anyway in a production that, like its central character, has a lofty idea but ditches the hope and goes right for audacity…

SOURCE: Chicago Theater Beat at 9:16pm on January 30, 2013

Review: Happy Now? (Shattered Globe Theatre) by Scotty Zacher

While disillusionment by realized dreams, or marriages straining to survive with stress are not novel themes, what's refreshing about Lucinda Coxon's script is that she doesn't wrap it up wi…

SOURCE: Chicago Theater Beat at 4:35pm on January 30, 2013

Review: There's a Girl in My Soup (Metropolis Performing Arts Centre) by Scotty Zacher

Although there's nothing majorly wrong with this production, with so little merit to the script, I can't help but wonder why Metropolis didn't turn its talents to a more worthy project. (rea…

SOURCE: Chicago Theater Beat at 3:17pm on January 30, 2013

Review: The Music Man (Paramount Theatre) by Scotty Zacher

Definitely worth heading out to Aurora for! Director Rachel Rockwell's choreography excels throughout, but "Seventy Six Trombones" especially delights. Music Director Michael Mahler and his …

SOURCE: Chicago Theater Beat at 12:07pm on January 30, 2013

Review: The Whipping Man (Northlight Theatre) by Scotty Zacher

I highly recommend that this play be seen by students to get the real deal of slavery and perhaps some new revelations on America's most shameful past. This is not revisionist history. The W…

SOURCE: Chicago Theater Beat at 10:31pm on January 27, 2013

Review: Now and Forever: The Music of Andrew Lloyd Webber (Marriott Theatre) by Scotty Zacher

Directed by Marc Robin and conceived by Robin and Aaron Thielen, Now and Forever: The Music of Andrew Lloyd Webber is a stunner of a show packed with bravura vocals, thrilling choreography a…

SOURCE: Chicago Theater Beat at 3:20pm on January 27, 2013

Review: Luther (Steep Theatre) by Scotty Zacher

Luther wants to show a target audience of do-gooders what happens when do-gooding goes too far. As a satire, it fails. As a display of gratuitous puppetry, unnecessary choreography and flat-…

SOURCE: Chicago Theater Beat at 5:32pm on January 26, 2013

Review: Concerning Strange Devices from the Distant West (TimeLine Theatre) by Scotty Zacher

TimeLine Theatre Company's engrossing drama and five supple players deliver impressionistic variations on the myriad facets of recollections and recovery. (read more...)

SOURCE: Chicago Theater Beat at 5:10pm on January 25, 2013

Review: Other Desert Cities (Goodman Theatre) by Scotty Zacher

It's fascinating to watch a family fall, and Other Desert Cities dishes dirt with aplomb. The Wyeth family are successful, wealthy and very real in their neuroses. I caught that. I loved it…

SOURCE: Chicago Theater Beat at 11:29pm on January 24, 2013

Review: La Boheme (Lyric Opera of Chicago) by Scotty Zacher

If you've never seen La Bohème, you should see this production. It'll make you an opera lover (and maybe a better lover). If you've seen it before, you should revisit this La Bohème. It…

SOURCE: Chicago Theater Beat at 7:01pm on January 24, 2013

Review: Stadium Devildare (Red Tape Theatre) by Scotty Zacher

The single biggest drawback to being a reviewer is that you have a professional obligation to see a show through, even when you desperately want to walk out. Such was my fate with Stadium De…

SOURCE: Chicago Theater Beat at 4:44pm on January 24, 2013

Review: A Grand Night for Singing (Mercury Theater) by Scotty Zacher

Playfully appropriate choreography by director Kevin Bellie give another layer of life to these numbers, which sometimes suffer from the subdued design. No set changes or elaborate costumes …

SOURCE: Chicago Theater Beat at 12:10am on January 24, 2013

Review: When the Rain Stops (Circle Theatre) by Scotty Zacher

"Rain" is not always easy to follow, and makes demands of its audience, but it also rewards us well for our patience. Its intellectual challenge and refusal to be predictable are what's most…

SOURCE: Chicago Theater Beat at 9:34pm on January 23, 2013

Review: Boy Gets Girl (Raven Theatre) by Scotty Zacher

Noted Chicago playwright Rebecca Gilman's spot-on script uses clever but realistic dialogue to the fullest, exploring not only the crime of stalking itself but the fraught issues it raises: …

SOURCE: Chicago Theater Beat at 4:57pm on January 23, 2013

Review: Beautiful Thing (Pride Films and Plays) by Scotty Zacher

Director John Nasca does an exemplary job in bringing to stage this teenage-boys-come-to-grips-with-their-orientation-and-fall-in-love story. Let's just hope that this play will remain a cla…

SOURCE: Chicago Theater Beat at 12:40pm on January 23, 2013

Review: Waiting for Godot (The Mammals) by Scotty Zacher

Ultimately, this production of Waiting for Godot succeeds in staying true to Beckett's honest but dark vision but also makes it accessible. If you feel a need to ponder the absurdity of our…

SOURCE: Chicago Theater Beat at 6:30pm on January 22, 2013

Review: Accidental Death of an Anarchist (Oracle Theatre) by Scotty Zacher

Oracle Theatre is one of my favorite theatres in town. I usually love all their artistic choices. I didn't love this. I didn't even like it. Accidental Death of an Anarchist is no acciden…

SOURCE: Chicago Theater Beat at 4:16pm on January 22, 2013

Review: Bud, Not Buddy (Chicago Children's Theatre) by Scotty Zacher

There is definitely precious *aha* and *awwww* moments in this heartfels play. I'm completely ready to continue my joyful weeping for the next few chapters of Bud's life. (read more...)

SOURCE: Chicago Theater Beat at 3:05pm on January 21, 2013

Review: Mummenschanz (Harris Theater) by Scotty Zacher

It's extremely difficult to describe a show where four performers transform into approximately two dozen different beings throughout the night. A yellow, worm-like creature slinks across the…

SOURCE: Chicago Theater Beat at 6:29pm on January 20, 2013

Review: The Letters (Writers' Theatre) by Scotty Zacher

In this two-actor play, produced in Writers' intimate back-of-the-bookstore theater, directed by Kimberly Senior, Kate Fry and Mark L. Montgomery create a tension-filled, paranoia-tinged Col…

SOURCE: Chicago Theater Beat at 12:56pm on January 20, 2013

Review: Lady M. (Side Project Theatre) by Scotty Zacher

With this Shakespeare adaption, one feels less ambivalence toward Lady Macbeth. Where once I interpreted her as a pawn of the patriarchy, she is given more power of choice in Lady M., and it…

SOURCE: Chicago Theater Beat at 6:11pm on January 19, 2013

Review: American Wee-Pie (Rivendell Theatre) by Scotty Zacher

At first glance, it seems that Rivendell, with a mission dedicated to the work of female theatrical artists, has chosen an antithetical play which features twice as many male characters as f…

SOURCE: Chicago Theater Beat at 4:32pm on January 19, 2013

Review: Three Viewings (Oil Lamp Theater) by Scotty Zacher

Put this one on your "don't miss list." Yes, it's worth schlepping out to Glenview from the city for. Go early to mingle in Oil Lamp's comfortable lobby-bar area, where Executive and Artisti…

SOURCE: Chicago Theater Beat at 6:58pm on January 17, 2013
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