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2,003 stories by "Scotty Zacher"

Review: The City and The City (Lifeline Theatre) by Scotty Zacher

Lifeline's adaptation of China Mieville's masterful science fiction novel has grand hopes but is undone by a need for a much more explicit staging and tone. (read more...)

SOURCE: Chicago Theater Beat at 9:46pm on February 27, 2013

Review: From Doo Wop to Hip Hop (Black Ensemble Theater) by Scotty Zacher

The show winds up with a block party that gives us everything, including yes, a gospel-infused Charlie Pride, and each cast member has another chance to showcase his or her prodigious musica…

SOURCE: Chicago Theater Beat at 9:55pm on February 26, 2013

Review: Six Degrees of Separation (Eclectic Theatre) by Scotty Zacher

Eclectic is new to the Chicago theater scene. I went into Six Degrees, then, with a healthy amount of trepidation. Thanks to simple production values, a deep respect for the text and Julie P…

SOURCE: Chicago Theater Beat at 9:17pm on February 26, 2013

Review: Rich and Famous (Jackalope Theatre) by Scotty Zacher

Perhaps a trimmed script with more emphasis on pacing could heighten the message as well as the humor. As presented, this production contains some enjoyable elements, but the whole of it win…

SOURCE: Chicago Theater Beat at 11:37pm on February 25, 2013

Review: Improbable Frequency (Strawdog Theatre) by Scotty Zacher

Why did Strawdog choose this particular show out of every other available musical? I often ask myself some version of this question at the beginning of every show I review. In the case of Im…

SOURCE: Chicago Theater Beat at 11:18pm on February 25, 2013

Review: Speaking in Tongues (Interrobang Theatre Project) by Scotty Zacher

With Interrobang, you are in the hands of a talented group of people who tell it like it is. The play's complex characters are neither vilified nor put on a pedestal, making this a play wort…

SOURCE: Chicago Theater Beat at 6:35pm on February 25, 2013

Review: The Fall of the House of Usher (Chicago Opera Theater) by Scotty Zacher

Die-hard Philip Glass fans will enjoy this no doubt. *Usher* is Edgar Allan Poe's crowning achievement of his totality style, with every piece in the short work fitting together to push a la…

SOURCE: Chicago Theater Beat at 12:54am on February 25, 2013

Review: Short Shakespeare! Romeo and Juliet (Chicago Shakespeare Theater) by Scotty Zacher

This truncated version of Romeo and Juliet is not just for kids. For those wishing to try Shakespeare but who are intimidated by a commitment to a full-length production, this show is an exc…

SOURCE: Chicago Theater Beat at 2:34pm on February 24, 2013

Review: Cadre (Market Theatre of Johannesburg) by Scotty Zacher

Cadre was developed at Chicago Shakespeare Theater, and following its world premiere here will travel to the actors' homeland of South Africa and then on to Australia. It's a piece that's we…

SOURCE: Chicago Theater Beat at 6:39pm on February 23, 2013

Review: 25 Saints (Pine Box Theatre) by Scotty Zacher

25 Saints is a harsh, unsentimental look at those for whom survival is a victory, by any means necessary. By the end of this play, I was curled into a ball; later, I had nightmares " it was …

SOURCE: Chicago Theater Beat at 10:03pm on February 22, 2013

Review: A Soldier's Play (Raven Theatre) by Scotty Zacher

Just as the original off-Broadway production introduced the likes of Denzel Washington and Samuel L. Jackson to the theatre-going public, Raven's production showcases some fine actors we hop…

SOURCE: Chicago Theater Beat at 6:09pm on February 22, 2013

Review: Little Women (The James Downing Theatre) by Scotty Zacher

This production does a wonderful job capturing the endearing characters and heartwarming moments of the story, but it does come to the point of hysterics one too many times, making it over a…

SOURCE: Chicago Theater Beat at 9:50pm on February 21, 2013

Review: As You Like It " (re)discover theatre by Scotty Zacher

In the attempt for shock value, some characters take a hit or get obscured and that impacts the quality of the play. It is a valiant if uneven effort and I look forward to seeing what (re)di…

SOURCE: Chicago Theater Beat at 6:35pm on February 21, 2013

Review: Completeness (Theater Wit) by Scotty Zacher

Theater Wit's Midwest debut of Itamar Moses' newest work is a a true thinking nerd's romantic comedy, fearless in both its willingness to be unapologetically high-minded and an unblinking lo…

SOURCE: Chicago Theater Beat at 4:55pm on February 21, 2013

Review: City of Dreadful Night (The Den Theatre) by Scotty Zacher

This city plays out on Henry Behel's pitch-perfect noir set which, at one point, replicates Edward Hopper's masterpiece Nighthawks. Like that gorgeous painting, everyone in City of Dreadful …

SOURCE: Chicago Theater Beat at 9:49pm on February 20, 2013

Review: The Tempest (Accidental Shakespeare Company) by Scotty Zacher

There is an utter lack of cohesion among this Tempest cast. Many actors shout and scream, completely disregarding the tiny venue. The characterizations are all over the place, each actor app…

SOURCE: Chicago Theater Beat at 5:01pm on February 20, 2013

Review: Counterfeiters (Dog & Pony Theatre) by Scotty Zacher

The entire cast in this world premiere is a delight, and clearly is having as much fun as we are. Counterfeiters is less provocative social commentary than plain good fun, but who doesn't ne…

SOURCE: Chicago Theater Beat at 11:48am on February 20, 2013

Review: Oedipus Rex (The Arc Theatre) by Scotty Zacher

Despite minor flaws, this is a very well executed, creative, and entertaining piece of theater. The performances are overall excellent, and the intimate theater space is well used. (read mor…

SOURCE: Chicago Theater Beat at 11:07pm on February 19, 2013

Review: Julius Caesar (Chicago Shakespeare Theater) by Scotty Zacher

This is Julius Caesar that shouldn't be missed. This is one of those productions that lets Chicago theater fans see how lucky we are to have such a talent pool that we can populate a huge pr…

SOURCE: Chicago Theater Beat at 6:20pm on February 19, 2013

Review: Lefties (Saint Sebastian Players) by Scotty Zacher

The essences of this play is a father-son unable to communicate except through baseball. The relatable parent-child and parent-adult child is the thought-provoking stuff, and could be epic …

SOURCE: Chicago Theater Beat at 6:03pm on February 18, 2013

Review: American Legends (Joffrey Ballet) by Scotty Zacher

With their most exciting program in years, the Joffrey demonstrates how American choreographers can inspire amusement, tragedy, intelligence and lust in the span of two hours. It's enough to…

SOURCE: Chicago Theater Beat at 10:53pm on February 16, 2013

Review: Mo[u]rnin'. After. (Odradek Theatre) by Scotty Zacher

Packed almost to the breaking point, Mournin' After reigns itself in just enough to ensure that the personal becomes universal and the pathos is ever balanced with levity. At such a brisk pa…

SOURCE: Chicago Theater Beat at 6:08pm on February 16, 2013

Review: Lonesome Hollow (Idle Muse Theatre) by Scotty Zacher

Playwright Lee Blessing has spun a fascinating tale of political extremists. The premise is inconceivable and totally believable at the same time. It's uncomfortably powerful. (read more...)

SOURCE: Chicago Theater Beat at 11:50am on February 16, 2013

Reivew: The Dinner Party (Fear No Art Chicago) by Scotty Zacher

The Dinner Party makes a fun and tasty evening out at an affordable price, not so formal as a concert or theatrical event or so casual as dinner and drinks, but with elements of each. (read…

SOURCE: Chicago Theater Beat at 11:35pm on February 15, 2013

Review: Edith Piaf Onstage (Skylight Music Theatre) by Scotty Zacher

Edith Piaf comes to life onstage through the multi-faceted talents of Milwaukee veteran performer Leslie Fitzwater, who wrote and performs in this one actor show. Director Jim Butchart has k…

SOURCE: Chicago Theater Beat at 5:51pm on February 15, 2013
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