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2,003 stories by "Scotty Zacher"

Review: Spring Series (Hubbard Street Dance + LINES Ballet) by Scotty Zacher

Lauren Whalen reviews: Going above and beyond the challenges that would make a lesser company squirm, Hubbard Street's passion, coupled with King and Cerrudo's radiant choreography, results …

SOURCE: Chicago Theater Beat at 11:32pm on March 15, 2013

Review: Art (The Parlor Room Players) by Scotty Zacher

This witty and pithy script explores the fragmented relationship between three men who have been friends for 15 years, and Parlor Room Players' production does justice to the clever script, …

SOURCE: Chicago Theater Beat at 4:03pm on March 15, 2013

Review: Fiddler on the Roof (Paramount Theatre) by Scotty Zacher

Mekhaye, in Yiddish, means something that gives zest to life, a very great pleasure, and Paramount Theatre's production of Fiddler on the Roof qualifies on all counts.

SOURCE: Chicago Theater Beat at 5:33pm on March 14, 2013

Review: Alvin Ailey American Dance Theater (Auditorium Theatre) by Scotty Zacher

At many dance performances, the audience is restrained. Not so with Alvin Ailey: it's a party. Spectators hoot and holler, unable to contain their exuberance. They know they're in the same r…

SOURCE: Chicago Theater Beat at 12:56am on March 14, 2013

Review: Brewed (The Ruckus & Tympanic Theatre) by Scotty Zacher

With strong performances and an intricately detailed stage setting, it is easy to accept the rather fantastical world that the play inhabits, making it an entertaining show overall, albeit w…

SOURCE: Chicago Theater Beat at 11:54pm on March 13, 2013

Review: Aspects of Love (Theo Ubique Cabaret Theatre) by Scotty Zacher

Since it's troubled beginnings, *Aspects of Love* has suffered from melodramatic overkill. But as witnessed, if there's any theater that can make silk from a sow's ear, it's Theo Ubique Cab…

SOURCE: Chicago Theater Beat at 12:40am on March 13, 2013

Review: The People's Passion Play (Quest Theatre Ensemble) by Scotty Zacher

This is not a play about religious doctrine, but instead about the way our beliefs inform our behavior - and Quest has pulled out the puppetry stops to entertain and educate us through story…

SOURCE: Chicago Theater Beat at 5:46pm on March 12, 2013

Review: Coriolanus (The Hypocrites) by Scotty Zacher

Coriolanus is full-throttle, action-driven theatre. It's like the video game "Call of Duty" but written by Shakespeare. (read more...)

SOURCE: Chicago Theater Beat at 10:55pm on March 11, 2013

Review: Vigils (The Gift Theatre) by Scotty Zacher

Don't stay at home, wallowing in the past. Take a cue from the play's theme and venture out to Jefferson Park for this wonderful theatrical experience. (read more...)

SOURCE: Chicago Theater Beat at 8:12pm on March 11, 2013

Review: Analog (The Neo-Futurists) by Scotty Zacher

Overall, though, Analog is a breathtakingly unusual, wonderfully and cleverly written, solidly entertaining piece that will get in your head and stay there. (read more...)

SOURCE: Chicago Theater Beat at 12:46am on March 11, 2013

Review: The Bear Suit of Happiness (The New Colony) by Scotty Zacher

If The Bear Suit of Happiness shed a few furry layers, it would definitely bear more happiness. (read more...)

SOURCE: Chicago Theater Beat at 9:01pm on March 10, 2013

Review: Matryoshka (The Plagiarists) by Scotty Zacher

When they're not screaming, the cast of nine women and one guy tear into this tissue of fiction as if it really matters. It doesn't. By the end, Matryoshka is an exercise in futility as much…

SOURCE: Chicago Theater Beat at 1:13am on March 10, 2013

Review: See What I Wanna See (Bailiwick Chicago, Garage Rep 2013) by Scotty Zacher

See What I Wanna See " a brilliantly colloquial title for this sharp thinking person's musical " is as smart and entertaining as it is artistic and serious. (read more...)

SOURCE: Chicago Theater Beat at 6:01pm on March 8, 2013

Review: Becky's New Car (Steel Beam Theatre) by Scotty Zacher

Patricia Finn-Morris is simply marvelous in the title role of Steel Beam Theatre's newest production. The 2008 comedy by Steven Dietz follows the inner yearnings of middle-aged Becky that, a…

SOURCE: Chicago Theater Beat at 3:18pm on March 8, 2013

Review: Gjenganger (Akvavit Theatre) by Scotty Zacher

Gjenganger deserves praise for the ambitiousness of its undertaking, particularly for a relatively young theatre company. It delves into an array of human conditions in an honest, thought-pr…

SOURCE: Chicago Theater Beat at 12:44am on March 8, 2013

Review: Really Rosie (A-Squared Theatre Workshop) by Scotty Zacher

This is more of a songfest, and the songs, by acclaimed songwriter Carole King, with lyrics by children's author Maurice Sendak, are fabulous, as well as loads of fun. (read more...)

SOURCE: Chicago Theater Beat at 9:07pm on March 7, 2013

Review: A Shot in the Dark (The Den Theatre) by Scotty Zacher

Director Kris Kontour gets the pacing right in the fun French farce. Judging from the success of their first professional endeavor, Leftend Productions is a welcome addition to Chicago's the…

SOURCE: Chicago Theater Beat at 5:30pm on March 7, 2013

Review: A Body of Water (Redtwist Theatre) by Scotty Zacher

If you need a clear storyline that provides answers, this may not be for you. But if you enjoy the intellectual tease of a conundrum, that tantalizing itch of uncertainty, you may enjoy it c…

SOURCE: Chicago Theater Beat at 3:25pm on March 7, 2013

Review: Fools Tango 2 (Theatre Zarko) by Scotty Zacher

Tango serves as a window through which we can peer into the world where the limits of theatrical form and devices can be melded together to create something entirely new " a completely uniqu…

SOURCE: Chicago Theater Beat at 3:13pm on March 7, 2013

Review: Kill Shakespeare (Strawdog Theatre) by Scotty Zacher

Kill Shakespeare is an innovative collusion of Com Con meets the Stratford Festival. This show Shakes it up, indeed! (read more...)

SOURCE: Chicago Theater Beat at 9:39pm on March 6, 2013

Review: Everything is Illuminated (Next Theatre) by Scotty Zacher

The Next Theatre cast and crew have done an excellent job of presenting the play. The acting is exceptional. The play itself, however, is too flawed to be satisfying. (read more...)

SOURCE: Chicago Theater Beat at 8:45pm on March 5, 2013

Review: Never the Bridesmaid (Polarity Ensemble Theatre) by Scotty Zacher

Perhaps Bill Jepsen's next play will be better than Never the Bridesmaid, a sorry sophomore showing. Please, Mr. Jepsen, for the sake of all women, do not attempt romantic comedy. Ever again…

SOURCE: Chicago Theater Beat at 6:16pm on March 1, 2013

Review: CCX (Modofac Productions) by Scotty Zacher

Jim Lynch's play makes its world premiere complete with a solid storyline, characters, and dialogue that ring true. Less intuitively, Lynch's script also offers a balanced portrayal of the p…

SOURCE: Chicago Theater Beat at 4:17pm on March 1, 2013

Review: Rock 'n' Roll AD (Time of Your Life Players) by Scotty Zacher

Familiar and fun - despite the (at times) clumsy and stiff by-play - this therapeutic show deserves the benefit of your doubts. If there's such a thing as geezer glory, it's eager to please …

SOURCE: Chicago Theater Beat at 8:56pm on February 28, 2013

Review: Peyton Place (City Lit Theater) by Scotty Zacher

This adaptation might be a good first draft - as it is, the first half is entertaining enough that you won't want to leave at intermission, but the second act is so laborious you'll soon eno…

SOURCE: Chicago Theater Beat at 6:58pm on February 28, 2013
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