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2,003 stories by "Scotty Zacher"

Review: Dawn, Quixote (The Building Stage) by Scotty Zacher

To a one, the cast throws itself into the story with a contagious enthusiasm, at once goading the audience to revel in the hijinks and imparting the ultimately bittersweet story of impossibl…

SOURCE: Chicago Theater Beat at 4:15pm on March 31, 2013

Review: A Streetcar Named Desire (Lyric Opera of Chicago) by Scotty Zacher

Playwright Tennessee Williams' iconic play ignites on the Lyric Opera stage. Composer André Previn uses sultry melodies with hints of New Orleans jazz to provide a powerful opus for the fam…

SOURCE: Chicago Theater Beat at 9:53pm on March 30, 2013

Review: Red Hamlet (Red Theater Chicago) by Scotty Zacher

While the comedy is intoxicating, the serious themes are equally gripping, and the somber moments are beautifully played; the command of range shown by this cast is formidable. I've heard sa…

SOURCE: Chicago Theater Beat at 1:40am on March 30, 2013

Review: Under a Rainbow Flag (Pride Films and Plays) by Scotty Zacher

By show's end, you truly care about these people and their lives, all their flaws, their compromises, and their bravery on more than one kind of battlefield. Under a Rainbow Flag is a fittin…

SOURCE: Chicago Theater Beat at 12:11am on March 29, 2013

Review: The Blue Room (Street Tempo Theatre) by Scotty Zacher

By striking a balance between honoring Arthur Schnitzler's original La Ronde premise and updating themes and humor for a modern audience, Street Tempo Theatre's *The Blue Room8 is definitely…

SOURCE: Chicago Theater Beat at 9:29pm on March 28, 2013

Review: La Ronde (Street Tempo Theatre) by Scotty Zacher

Ultimately, La Ronde runs a bit long for a show that doesn't do much to develop plot or characters, instead repeating a scenic formula to develop a theme. But the themes presented are worth …

SOURCE: Chicago Theater Beat at 9:29pm on March 28, 2013

Review: F**king Men (Street Tempo Theatre) by Scotty Zacher

Though in need of some tweaking, F**king Men unflinchingly discusses the trials of being a gay man searching for love, or at the very least, a way to not be lonely. (read more...)

SOURCE: Chicago Theater Beat at 9:29pm on March 28, 2013

Review: The Emperor's New Threads " A Fashion Statement (Lifeline Theatre) by Scotty Zacher

The Emperor's New Threads: A Fashion Statement is the perfect fit for a family outing. The cast keeps the kids and their adults engaged in their interactive wardrobe craze. It's a runway hit…

SOURCE: Chicago Theater Beat at 11:42pm on March 26, 2013

Review: Pedro Páramo (Teatro Buendía at Goodman Theatre) by Scotty Zacher

Pedro Páramo provides a lot of visual interest with the attractive cast's slow, stylized movements and the interesting use of light and shadow playing against the white sheet. But the ove…

SOURCE: Chicago Theater Beat at 6:11pm on March 26, 2013

Review: Teeny Travel Takes a Trip (Coriolis Theater Company) by Scotty Zacher

*Teeny Travel* is a strange blend of dystopian dreck cribbing from superior sources that is"in theory" dark humor, vulgar humor, farce, serious emotion, and some neighborhood-café-hosts-an-…

SOURCE: Chicago Theater Beat at 7:16pm on March 24, 2013

Review: Crime Scene, A Chicago Anthology (Collaboraction) by Scotty Zacher

This insightful work by an incredibly mature, talented, and engaging group is a perfect example of what great theater can accomplish when it combines a trenchant message with a beautiful way…

SOURCE: Chicago Theater Beat at 4:24pm on March 24, 2013

Review: An American Story (Royal George Theatre) by Scotty Zacher

While An American Story reveals some interesting details about the hours following the assassination of President Lincoln, it doesn't bring the character of Charles Leale to life any better …

SOURCE: Chicago Theater Beat at 10:32pm on March 23, 2013

Review: Jekyll & Hyde The Musical (Broadway in Chicago) by Scotty Zacher

The biggest disappointment is the show's failure to let us into the inner torment of the main character, to explore the very ideas at the core of the tale. In the end, you don't care about a…

SOURCE: Chicago Theater Beat at 3:26pm on March 23, 2013

Review: Priscilla Queen of the Desert (Broadway in Chicago) by Scotty Zacher

This musical adaptation of the 1994 cult film has moments of real gravity and heart tucked away in its snappy one-liners and sparkling high heels. A celebration of individuality and acceptan…

SOURCE: Chicago Theater Beat at 5:57pm on March 22, 2013

Review: Smokey Joe's Cafe (Theo Ubique Cabaret and SJC Chicago at Royal George Theatre) by Scotty Zacher

Each cast member is a standout in his and her own right; as an ensemble, they are a force of nature. There is not a low note in this wonderful evening of extraordinary talent and music. (re…

SOURCE: Chicago Theater Beat at 7:12pm on March 21, 2013

Review: Beau Jest (Oil Lamp Theater) by Scotty Zacher

I found everything about this production charming. I think there are enough universals to keep anybody laughing, Whether you're Jewish or not, Beau Jest is definitely worth taking the time a…

SOURCE: Chicago Theater Beat at 6:21pm on March 20, 2013

Review: Julius Caesar (Babes With Blades Theatre) by Scotty Zacher

This Julius Caesar, true to form, is chock full of babes with blades. For the thrifty and homegirl appeal, it's hard to say no to this sword-fighting all-female production. (read more...)

SOURCE: Chicago Theater Beat at 2:29pm on March 20, 2013

Review: Measure for Measure (Goodman Theatre) by Scotty Zacher

Director Robert Falls doesn't shy away from darkness in the play's first half, injecting a few appropriate lighthearted moments. However, the second half's descent into slapstick humor is qu…

SOURCE: Chicago Theater Beat at 6:07pm on March 19, 2013

Review: Amleth, Princess of Denmark (Dream Theatre) by Scotty Zacher

the script is colorful and witty, and well delivered by the cast. That being said, the show suffers from the fact that the writer is also the director (and one of the leads), making it hard …

SOURCE: Chicago Theater Beat at 4:10pm on March 19, 2013

Review: Richard III (Wayward Productions) by Scotty Zacher

This king wants to be the monarch of the Warlock Motorcycle Gang, and he is willing to con and kill anyone to become supreme ruler. Richard III revs up the hog and takes Shakespeare on a ro…

SOURCE: Chicago Theater Beat at 12:43am on March 19, 2013

Review: Othello The Remix (Chicago Shakespeare Theater) by Scotty Zacher

The Q Brothers, born and bred in Chicago and now acclaimed worldwide, step up to the plate in this their third work, creating a masterful hip-hop homage to the classic Shakespeare tale. (re…

SOURCE: Chicago Theater Beat at 9:44pm on March 18, 2013

Review: She Kills Monsters (Buzz22 Chicago) by Scotty Zacher

Though fraught with winged beasties and magical powers, at its core this is an exuberant story about humans trying to forge connections with each other - here represented as unlikely heroes …

SOURCE: Chicago Theater Beat at 5:04pm on March 17, 2013

Review: Blacktop Sky (Theatre Seven) by Scotty Zacher

There are seeds of some interesting ideas here, including issues of class, race and police profiling, but Playwright Christina Anderson fails to explore any of this with any depth. (read mor…

SOURCE: Chicago Theater Beat at 5:26pm on March 16, 2013

Review: Fight Club " A Project Mayhem Burlesque (The Mental Notion Society + Plan 9 Burlesque) by Scotty Zacher

In between audience catcalls, these scantily-clad dancing and fighting ladies look to be receiving as much pleasure as they are giving! (read more)

SOURCE: Chicago Theater Beat at 3:03pm on March 16, 2013

Review: Desdemona " A Play About A Handkerchief (Sea Change Theatre) by Scotty Zacher

Reviewed by Keith Glab: If there's a way to make Desdemona poignant enough to warrant bastardizing Shakepeare's Othello, this company did not find it. But they do land enough interesting mom…

SOURCE: Chicago Theater Beat at 1:35am on March 16, 2013
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