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2,003 stories by "Scotty Zacher"

Review: Collected Stories (American Blues Theater) by Scotty Zacher

Collected Stories is a compelling look into these two women's lives and the stories they told and wrote. Highly Recommended.

SOURCE: Chicago Theater Beat at 6:53pm on May 5, 2013

Review: Adult Entertainment (Bard and Fool Theater Group) by Scotty Zacher

It's fascinating how innocent a comedy about sex industry workers creating "porn art" can feel. The talented sextet are quintessentially American even as they manage to dumb down everything …

SOURCE: Chicago Theater Beat at 4:22pm on May 5, 2013

Review: The Lake Effect (Silk Road Rising) by Scotty Zacher

Under Timothy Douglas' subtly effective direction, the three talented actors, using Rajiv Joseph's rich dialogue, succeed in creating a richly realistic family dynamic as troubled as it is v…

SOURCE: Chicago Theater Beat at 3:51pm on May 4, 2013

Review: The Happiest Song Plays Last (Goodman Theatre and Teatro Vista) by Scotty Zacher

In the end, this world premiere is a production of considerable strengths and considerable drawbacks. But for all its flaws, there's no denying the poetic, impassioned voice of the playwrigh…

SOURCE: Chicago Theater Beat at 1:06am on May 4, 2013

Review: A Part of the Game (Curious Theatre Branch) by Scotty Zacher

The sports-related stories at the heart of the production are endearing and entertaining, and the performers do a satisfactory job bringing them to life. But there are too many distracting e…

SOURCE: Chicago Theater Beat at 11:55pm on May 2, 2013

Review: Tea with Edie and Fitz (Dead Writers Theatre Collective) by Scotty Zacher

Tea with Edie and Fritz is a hot brew with a couple of lumps. Once the cast finds their bearings in Act 2, it's a lingering sophisticated libation with a hint of a bittersweet-ness. (read mo…

SOURCE: Chicago Theater Beat at 6:21pm on May 2, 2013

Review: The Pajama Game (The Music Theatre Company) by Scotty Zacher

Despite some fine individual work and a plethora of timeless music, the show still needs more than shining moments to come together as a solid whole - especially with such a creaky script. (…

SOURCE: Chicago Theater Beat at 12:29am on May 2, 2013

Review: Girlfriend (20% Theatre Company) by Scotty Zacher

Kudos to Keely Flynn for a terrific new script, and to 20% Theatre for doing it such justice. Many aspects of the Chicago theater scene may be satire-worthy, but its production of great new …

SOURCE: Chicago Theater Beat at 9:56pm on May 1, 2013

Review: Next Fall (AstonRep Theatre) by Scotty Zacher

There's no questioning the sincerity and commitment of this company to a piece that is an intelligent examination of unique challenges gay men and women face in fully integrating all their r…

SOURCE: Chicago Theater Beat at 12:35am on May 1, 2013

Review: Rabbit (Stage Left Theatre) by Scotty Zacher

British playwright Nina Raine's 2006 drama delivers a forensic showdown between some dubious friends who break apart along sexual lines, indulging in brutally explicit putdowns of their part…

SOURCE: Chicago Theater Beat at 6:35pm on April 30, 2013

Review: Death Takes a Holiday (Circle Theatre) by Scotty Zacher

Hearing the cast's gorgeous voices is what puts this show in the recommended column. Indeed, Laura McClain's wonderful soprano alone is worth the price of admission. (read more...)

SOURCE: Chicago Theater Beat at 6:40pm on April 29, 2013

Review: Othello (Joffrey Ballet Chicago) by Scotty Zacher

The core of Othello is its base emotions of love, ambition and betrayal " and thanks to gloriously haunting music, flawless choreography and the magnificent Joffrey dancers, Lar Lubovitch's …

SOURCE: Chicago Theater Beat at 6:23pm on April 28, 2013

Review: The Pianist of Willesden Lane (Eighty-Eight Entertainment) by Scotty Zacher

Willesden Lane offers a lot to audiences due to the compelling story and gorgeous music. Despite her stiff acting, Mona Golabek's inspiring piano performance in a narrative context makes thi…

SOURCE: Chicago Theater Beat at 4:23pm on April 28, 2013

Review: Anything Goes (Broadway in Chicago) by Scotty Zacher

Anything Goes is pure escapist enjoyment. From Cole Porter's classic songs to Kathleen Marshall's precise tap choreography, you'll be grinning in your seat. Nostalgia is powerful, and as ma…

SOURCE: Chicago Theater Beat at 12:04am on April 28, 2013

Review: Pal Joey (Porchlight Music Theatre) by Scotty Zacher

In this most Chicago of shows, Porchlight Music Theatre has mounted a fun, frisky evening affair that's brimming with great moves, humor, and some now classic songbook numbers. (read more...)

SOURCE: Chicago Theater Beat at 4:59pm on April 27, 2013

Review: The Silent Language (TUTA Theatre Chicago) by Scotty Zacher

With The Silent Language, TUTA Theatre provides exceptional sensory delight for children and adults alike, providing an experience you can't get anywhere else. It's well worth a trip to the …

SOURCE: Chicago Theater Beat at 6:40pm on April 26, 2013

Review: The Exonerated (Next Theatre & NU's Theatre and Interpretation Center) by Scotty Zacher

The Exonerated is a series of vignettes based on true stories about people who had been wrongfully convicted. With each story is as heart wrenching as the next, It's safe to say that you nee…

SOURCE: Chicago Theater Beat at 11:55pm on April 25, 2013

Review: Big Love (Strawdog Theatre) by Scotty Zacher

Employing a creative and amusing use of song, staging, and big characters, Strawdog's Big Love delightfully comments on the varied nature of relationships and the complexity of gender roles.…

SOURCE: Chicago Theater Beat at 6:49pm on April 25, 2013

Review: María de Buenos Aires (Chicago Opera Theater) by Scotty Zacher

With Maria de Bueanos Aires, repurposing the original plot"with its more overt religious themes and fantastical elements"into a work of social and political commentary without changing a wor…

SOURCE: Chicago Theater Beat at 4:25pm on April 25, 2013

Review: Big Fish (Broadway in Chicago) by Scotty Zacher

Out of all the musical endings I've ever seen, Big Fish is one of the most true. I wasn't manipulated. I was genuinely, completely moved. For all its imperfect lead-up, Big Fish has a perfec…

SOURCE: Chicago Theater Beat at 12:38am on April 24, 2013

Review: James Barrie's Quartets (ShawChicago) by Scotty Zacher

In James Barrie's Quartets, for the price of one show in two hours we see three. 1, 2, 3... Outstanding! ShawChicago knows how to deliver invaluable entertainment. (read more...)

SOURCE: Chicago Theater Beat at 6:32pm on April 23, 2013

Review: The Knowledge (Steep Theatre) by Scotty Zacher

The good definitely outweighs the bad in Steep Theatre's powerful production of The Knowledge, a title that carries three separate meanings in the play. You can attend secure in the knowledg…

SOURCE: Chicago Theater Beat at 9:12pm on April 22, 2013

Review: Still Alice (Lookingglass Theatre) by Scotty Zacher

Christine Mary Dunford's artful adaptation of Lisa Genova's novel chronicles the ending of a brilliant mind, and does so with pure poetry. *Still Alice* is a serious story, but there's humor…

SOURCE: Chicago Theater Beat at 11:13pm on April 21, 2013

Review: The Elephant and the Whale (Chicago Children's Theatre and Redmoon Theatre) by Scotty Zacher

A collaboration between Chicago Children's Theatre and Redmoon Theatre, the creative team of conceivers, designers, and performers work overtime to ensure this adorable story about friendshi…

SOURCE: Chicago Theater Beat at 5:57pm on April 21, 2013

Review: The Brig (Mary-Arrchie Theatre) by Scotty Zacher

Though not for everyone, this show's complete commitment to in-your-face prison realism and total lack of pretension or artiness makes this 50-year old opus feel fresh and exciting. (read mo…

SOURCE: Chicago Theater Beat at 4:43pm on April 20, 2013
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