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2,003 stories by "Scotty Zacher"

Review: The Electric Baby (Rivendell Theatre) by Scotty Zacher

The Electric Baby is illuminating, and you truly care about these strangers' lives as they intertwine with others. As the drama unfolds, you'll no doubt get misty for their losses and their …

SOURCE: Chicago Theater Beat at 3:44pm on May 22, 2013

Review: Reverb (Redtwist Theatre) by Scotty Zacher

Despite some distractions, it's Peter Oyloe and Mary Williamson that make this show worth a visit. More than just a reflection on wrath, Reverb is a meditation on that shameful aspect of a c…

SOURCE: Chicago Theater Beat at 12:32am on May 21, 2013

Review: The Misanthrope (Court Theatre) by Scotty Zacher

Played out on a simple, yet elegant set by John Culbert, Court Theatre's production as directed by Charles Newell is both entertaining and respectful of the piece's classic status and herita…

SOURCE: Chicago Theater Beat at 8:34pm on May 20, 2013

Review: Speech and Debate (American Theater Company) by Scotty Zacher

It's hard to deny the entertainment value of Speech & Debate. PJ Paparelli's straightforward direction allows his energetic cast to execute a script teeming with humor. Add in Andrew Wh…

SOURCE: Chicago Theater Beat at 6:02pm on May 19, 2013

Review: Fight Girl Battle World (Infusion Theatre) by Scotty Zacher

This show is is "Kill Bill" meets "Battlestar Galactica" - with a side of "Space Balls." And the stage combat is just as fun as the special effects! Infusion Theatre's large ensemble works…

SOURCE: Chicago Theater Beat at 2:07pm on May 18, 2013

Review: In the Company of Men (Profiles Theatre) by Scotty Zacher

Neil LaBute's brand of gutsy, in-your-face, confrontation-theater can quickly get under your skin and into your blood, and this play doesn't stray from these qualities. This must-see show de…

SOURCE: Chicago Theater Beat at 12:57am on May 18, 2013

Review: Ganesh Versus the Third Reich (Back to Back Theatre and MCA) by Scotty Zacher

Back to Back Theatre's exploration of power and narrative is like nothing I have ever seen before, or will ever see again. I was confused, then transfixed, then moved. To say that this piec…

SOURCE: Chicago Theater Beat at 9:43pm on May 17, 2013

Review: Lear (Red Tape Theatre) by Scotty Zacher

The most convincing part of this strange, confrontational 75-minute Chicago premiere--a puzzle play by experimental dramatist Young Jean Lee--is Emily Guthrie's literally captivating set des…

SOURCE: Chicago Theater Beat at 12:26am on May 17, 2013

Review: By the Way, Meet Vera Stark (Goodman Theatre) by Scotty Zacher

The one good thing in this Chicago premiere of Pulitzer winner Lynn Nottage's overlong production is the first act. Once we enter the Act 2, Nottage wants to have it both ways"to write a sa…

SOURCE: Chicago Theater Beat at 12:46am on May 16, 2013

Review: The Robbers (Strangeloop Theatre) by Scotty Zacher

In Strangeloop's ambitious production, the show is cast entirely with women, who play both male and female roles. The purpose of this is unclear; had the male characters been changed to fema…

SOURCE: Chicago Theater Beat at 12:34am on May 16, 2013

Review: Seek and Ye Shall Find (Mortar Theatre) by Scotty Zacher

Sentell Harper entertains, educates and inspires in his colorful one-man show mosaic. This isn't a show just for black gay men. It's for everyone; a definite must-see. (read more...)

SOURCE: Chicago Theater Beat at 5:54pm on May 15, 2013

Review: Orange Water Flower (BareBones Theatre and Interrobang Theatre Project) by Scotty Zacher

Well acted though it is, these characters could use a bit more characterization in order for us to care about them. Instead of reconciling our ideals of self satisfaction with responsibilit…

SOURCE: Chicago Theater Beat at 1:58pm on May 15, 2013

Review: Henry VIII (Chicago Shakespeare Theater) by Scotty Zacher

Henry VIII may be minor Shakespeare, but it's major Chicago Shakespeare. It contains spectacular acting that is just a treat to behold. Director Barabara Gaines' cast gives the Elizabethan l…

SOURCE: Chicago Theater Beat at 11:05pm on May 14, 2013

Review: Reality Check (MPAACT Theatre) by Scotty Zacher

Reality Check is funny, timely, provocative, and clever. With well-paced sketches highlighting the ways our social media actually makes us *less* connected, this production may even shame yo…

SOURCE: Chicago Theater Beat at 9:07pm on May 13, 2013

Review: The Hunting of the Snark (Strawdog Theatre) by Scotty Zacher

At roughly 50 minutes, the show is not overly long, but its mesmerizing, non-stop adrenaline rush will leave you well satisfied. Be there, or be a boojum. (read more...)

SOURCE: Chicago Theater Beat at 7:19pm on May 13, 2013

Review: Brighton Beach Memoirs (Raven Theatre) by Scotty Zacher

              Brighton Beach Memoirs  Written by Neil Simon  Directed by Cody Estle at Raven Theatre, 6157 N. Clark (map…

SOURCE: Chicago Theater Beat at 6:56pm on May 12, 2013

Review: Lascivious Something (Signal Ensemble Theatre) by Scotty Zacher

For some terrific performances, and a lesson in maintaining tension on stage, I would certainly recommend this show. We are offered some truly captivating moments, but the confusing way that…

SOURCE: Chicago Theater Beat at 6:43pm on May 11, 2013

Review: Spoon River Anthology (Provision Theater) by Scotty Zacher

A pleasant and heartfelt evening, this naked contemplation of death reminds us, in a melancholic way, to make the most of living, tackling life with all its joys and failures. (read more...)

SOURCE: Chicago Theater Beat at 5:42pm on May 11, 2013

Review: Ploughed Under " An American Songbook (The House Theatre) by Scotty Zacher

The cast " a multi-faceted group that provides accompaniment on piano, guitar, ukulele, horns, violin and spoons in addition to singing " is an engaging, charismatic lot that brings vibrancy…

SOURCE: Chicago Theater Beat at 1:05am on May 11, 2013

Review: A Study in Scarlet (Promethean Theatre Ensemble) by Scotty Zacher

There is an endearing earnest community-theater feel to the piece that makes it fun to watch despite its drawbacks. The cast works hard, and their commitment is evident. Now if the adaptati…

SOURCE: Chicago Theater Beat at 10:57pm on May 10, 2013

Review: Ivywild (The Hypocrites) by Scotty Zacher

Some will find Ivywild to be a unique and engaging experience. Others will leave the theatre with a pickle button and wonder what in the heck they just witnessed. In either case, kudos goes …

SOURCE: Chicago Theater Beat at 5:49pm on May 10, 2013

Review: Blood and Gifts (TimeLine Theatre) by Scotty Zacher

WOW"spelled backwards! Every stage minute in this two-act thriller totally justifies the bravura work that super-skilled, incredibly meticulous TimeLine Theatre Company puts into this Chicag…

SOURCE: Chicago Theater Beat at 3:37pm on May 10, 2013

Review: If You Split a Second (Pegasus Players) by Scotty Zacher

I liked this show but I didn't love it. If You Split a Second could be timeless with a little more depth in character. (read more...)

SOURCE: Chicago Theater Beat at 9:54pm on May 8, 2013

Review: The Ruling Class (Goat Song Theatre) by Scotty Zacher

The accents are unimprovable (but not always comprehensible), the casting well-targeted and the pace brisk enough, considering the overlong second act that seems to be desperate for an endin…

SOURCE: Chicago Theater Beat at 12:33am on May 7, 2013

Review: Oklahoma! (Lyric Opera of Chicago) by Scotty Zacher

Oklahoma! feels right at home in one of the world's great opera houses, showing how the definition of works to be performed here can change even as the institution's mission remains constant…

SOURCE: Chicago Theater Beat at 2:25pm on May 6, 2013
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