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2,003 stories by "Scotty Zacher"

Review: West Side Story (Broadway in Chicago) by Scotty Zacher

The cast and orchestra do such a great job with the dances and the score that this production is well worth seeing for fans of the show and newbies alike. It's not often you get to see these…

SOURCE: Chicago Theater Beat at 12:05am on June 14, 2013

Review: The Second City Guide to the Opera (Second City and Lyric Opera of Chicago) by Scotty Zacher

Set in cabaret style on the Civic Opera House stage, this isn't your typical Second City experience. It's a new innovation that is distinctively Chicago. Check it out! (read more...)

SOURCE: Chicago Theater Beat at 12:20am on June 13, 2013

Review: Lives of the Pigeons (Side Project Theatre) by Scotty Zacher

As always, The Side Project does an impressive job of creating an entire world in its tiny space, a perfect setting for this world premier by renowned poet Sherod Santos, where the silly bec…

SOURCE: Chicago Theater Beat at 7:35pm on June 12, 2013

Review: H.M.S. Pinafore (Light Opera Works) by Scotty Zacher

A classic work of musical theater sometimes needs a classic execution, which is precisely what Light Opera Works has done here. Everything about this production seems classic " from the gran…

SOURCE: Chicago Theater Beat at 4:17pm on June 12, 2013

Review: The Three Musketeers (Lifeline Theatre) by Scotty Zacher

From lights up, the pacing is slightly off. Conversations feels stilted, clunky. But the best moments in facilitating thrilling feats of physicality and stage combat. (read more...)

SOURCE: Chicago Theater Beat at 5:56pm on June 11, 2013

Review: The Emigrants (Organic Theater Company) by Scotty Zacher

Great absurdist fiction has a way of pulling you into a world that has just enough elements of your own to seem familiar, then flipping it around on you to expose your hidden philosophies an…

SOURCE: Chicago Theater Beat at 12:29pm on June 11, 2013

Review: Caligula (Organic Theater Company) by Scotty Zacher

Mounted in repertory by the Organic Theater Company, along with The Emigrants, their Caligula arrives with a stylish flourish but quickly devolves into a near-flat interpretation of what sho…

SOURCE: Chicago Theater Beat at 12:03am on June 11, 2013

Review: Fat Pig (Steppenwolf Theatre Next Up) by Scotty Zacher

A comedy that forces the audience to confront their own insecurities and question their priorities, this production serves up the laughs, many of which are uncomfortable. Though this ensembl…

SOURCE: Chicago Theater Beat at 11:09pm on June 9, 2013

Review: A Cole Porter Song Book (Theo Ubique Cabaret Theatre) by Scotty Zacher

Always smiling and singing their hearts out, this foursome implements David Heimann's dance moves with impressive effortlessness. This songbook definitely got "under my skin". It's a feel go…

SOURCE: Chicago Theater Beat at 11:12pm on June 8, 2013

Review: The Drunken City (Steppenwolf Theatre Next Up) by Scotty Zacher

Playwright Adam Bock has his finger on the pulse of woman. From the shockingly precise portrayal of inebriation to the clumsy attempts at figuring out a relationship without the other person…

SOURCE: Chicago Theater Beat at 5:23pm on June 7, 2013

Review: The Internationalist (Steppenwolf Theatre Next Up) by Scotty Zacher

Playwright Washburn is not completely off the mark: there are thoughts, lines and whole scenes that had me leaning forward in my seat, laughing or nodding in agreement. Overall, though, I wi…

SOURCE: Chicago Theater Beat at 9:56pm on June 6, 2013

Review: Aloha, Say the Pretty Girls (Brown Paper Box Co.) by Scotty Zacher

With some wonderful dialogue and poignant moments, this script does at times manage to the hit the mark in terms of representing life as a twenty-something, but it gets lost in abstract conc…

SOURCE: Chicago Theater Beat at 7:42pm on June 6, 2013

Review: Harry's Halfway House (Rebekah Theatre Project) by Scotty Zacher

In the end, Harry's Halfway House seems content with just being quirky while leaving audiences feeling empty and having more questions than answers. Quirky means nothing without purpose, mot…

SOURCE: Chicago Theater Beat at 3:25pm on June 5, 2013

Review: Kiss of the Spider Woman (Boho Theatre Company) by Scotty Zacher

Performing on two levels of this very compact penitentiary, Linda Fortunato's vaguely Fosse-fueled choreography is entertaining, and leads Smith and Carroll excel via Peter Marston Sullivan'…

SOURCE: Chicago Theater Beat at 5:47pm on June 4, 2013

Jean Stapleton, RIP by Scotty Zacher

Videos of Jean Stapleton, including an "All in the Family" scene where Edith Bunker checks out Playgirl Magazine, and a musical clip featuring Jean Stapleton, Bernadette Peters and Tony Rand…

SOURCE: Chicago Theater Beat at 3:22pm on June 3, 2013

Review: Yellow Moon (Writers' Theatre) by Scotty Zacher

Director Stuart Carden's dynamic staging captures your attention. Playwright David Greig's language is lyrical. The cast do a fine job. Basically everything about Yellow Moon at Writers' The…

SOURCE: Chicago Theater Beat at 8:19pm on May 30, 2013

Review: Smudge (Ka-Tet Theatre Company) by Scotty Zacher

The three leads dutifully pounce on the widely scattered truths behind this ultimately unedifying one-act, but the play itself is a bit of a smudge, better at questions than answers. What yo…

SOURCE: Chicago Theater Beat at 5:40pm on May 29, 2013

Review: Richard III (Wayward Productions & Chicago Fusion Theatre) by Scotty Zacher

This production is a perfect example of when a great script and innovative concept don't necessarily work well together. The cast and crew do a masterful job of giving the production the loo…

SOURCE: Chicago Theater Beat at 6:03pm on May 28, 2013

Review: Homecoming 1972 (Chicago Dramatists) by Scotty Zacher

Homecoming 1972 does have individual moments that carry great weight, but these are only moments, and they are too few in a play that doesn't engage us in a journey. Without giving us suffic…

SOURCE: Chicago Theater Beat at 12:22am on May 28, 2013

Review: The Cotton Mouth Club (Chicago Dance Crash) by Scotty Zacher

A wonderful concept that's the stuff of thoughtful entertainment, a pitch-perfect score (both OutKast and Michael Jackson's songs are show-stopping yet profound), and a gorgeous, nimble ense…

SOURCE: Chicago Theater Beat at 6:01pm on May 27, 2013

Review: The Miss Neo Pageant (The Neo-Futurists) by Scotty Zacher

More carnival than not, The Miss Neo Pageant blends realism with abstraction, prose with poetry. Like many abstractions, it's seams are gleefully messy, and we are allowed to skim the fun on…

SOURCE: Chicago Theater Beat at 12:51am on May 26, 2013

Review: Stella & Lou (Northlight Theatre) by Scotty Zacher

An engaging if somewhat slight piece of work, elevated to something truly special by the power of its performances of Frances Guinan and Rhea Perlman, resulting in a production that's funny,…

SOURCE: Chicago Theater Beat at 5:36pm on May 24, 2013

Review: What's the T? (About Face Youth Theatre) by Scotty Zacher

Though at times a rather unfocused cross-section of lavender life in the big city, this high-energy ensemble is too driven to be dull. No question, these mainly teen players are paying thei…

SOURCE: Chicago Theater Beat at 12:58am on May 23, 2013

Review: The Marvelous Land of Oz (New American Folk Theatre) by Scotty Zacher

Anthony Whitaker's original songs are well sung and fit nicely into the story and Jamal Howard's choreography is snappy and fun. The result is a charming production that holds true to the sp…

SOURCE: Chicago Theater Beat at 11:20pm on May 22, 2013

Review: The Timey Wimey Fantastic Brilliant Extravaganza " Geronimo! (Right Brain Project) by Scotty Zacher

insert picture with top margin and right margin of 5px, and bottom margins of 10px.                 The Timey Wimey Fant…

SOURCE: Chicago Theater Beat at 6:03pm on May 22, 2013
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