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2,003 stories by "Scotty Zacher"

Review: My Asian Mom 2.0.1.3 (A-Squared Theatre Workshop) by Scotty Zacher

In this delightful evening of vignettes, A-Squared truly embraces the collaborative nature of theatre, and the result here is a funny, entertaining, and often poignant production. (read mor…

SOURCE: Chicago Theater Beat at 11:31am on July 6, 2013

Review: A Long Walk for Water (Jerry Miller Productions @ City Lit) by Scotty Zacher

Logistical problems aside, this is a moving story " a story that needs to be told. As depressing as the subject matter is, Miller finds a couple of moments of levity in his show and offers a…

SOURCE: Chicago Theater Beat at 2:52pm on July 4, 2013

Review: The Burden of Not Having a Tail (Sideshow Theatre) by Scotty Zacher

Karie Miller radiates a joyful I-am-a-survivor spirit. She playfully engages the audience in latex-gloved interactive moments. Despite her rattled grip on reality, she is a willing cheerle…

SOURCE: Chicago Theater Beat at 9:57pm on July 3, 2013

Review: Big Lake Big City (Lookingglass Theatre) by Scotty Zacher

Keith Huff's new play is a concept too large with not enough thought and far too much instinct. Gimmicks, shock effects, terrible one-liners, and misanthropic mindsets don't make an impactfu…

SOURCE: Chicago Theater Beat at 8:38pm on July 3, 2013

Review: Tartuffe (Court Theatre) by Scotty Zacher

If one can be patient with the first half's wordiness and ignore the incongruities of the modern dress setting, the sharp comic acting of this production makes for a most entertaining lesson…

SOURCE: Chicago Theater Beat at 9:41pm on July 2, 2013

Review: Waiting for Lefty (Oracle Theatre) by Scotty Zacher

A short but striking look at labor practices and at the socio-economic climate of the 1930s, Oracle's production is most is effectively is when director Matt Foss is able to immerse us in a …

SOURCE: Chicago Theater Beat at 9:42pm on July 1, 2013

Review: The Half-Brothers Mendelssohn (Strange Tree Group) by Scotty Zacher

"Brothers" has a lot to say about life choices at different moments in time. The story is here. It's just buried under a dead body. Playwright Elizabeth Bagby needs to tighten up her tale …

SOURCE: Chicago Theater Beat at 5:57pm on June 29, 2013

Review: Inner Voices (Piccolo Teatro di Milano @ Chicago Shakespeare) by Scotty Zacher

The amorphous, slippery concept of truth is uncovered in the world of Eduardo de Filippo's darkly comic " and at times confounding - play. (read more...)

SOURCE: Chicago Theater Beat at 11:54am on June 29, 2013

Review: Southern Baptist Sissies (Ludicrous Theatre-Chicago) by Scotty Zacher

Southern Baptist Sissies tries one's patience a bit, but it ultimately gives worthwhile insight into a segment of American gay life and a look at some promising young Chicago actors. (read …

SOURCE: Chicago Theater Beat at 11:46pm on June 27, 2013

Review: Boeing, Boeing (Drury Lane Theatre) by Scotty Zacher

Marc Camoletti's feather-weight, thoroughly unnecessary and totally groovy farce is a rollicking ride from start to finish, packed with the sort of turbulence that's makes for a high-flying …

SOURCE: Chicago Theater Beat at 11:29pm on June 26, 2013

Review: The Little Dog Laughed (Kid Brooklyn Productions) by Scotty Zacher

A cleverly-written and adeptly performed production, this script makes a point, but in a manner so light-hearted that you hardly notice until you look back on the play later. The choices mad…

SOURCE: Chicago Theater Beat at 9:29pm on June 24, 2013

Review: Ain't No Cryin' the Blues: In the Memory of Howlin' Wolf (Black Ensemble Theater) by Scotty Zacher

Thanks to a polished script and transcendent leading man Rick Stone, "Howlin' Wolf" is not only a Black Ensemble Theater standout but one of 2013's most memorable productions. (read more...)

SOURCE: Chicago Theater Beat at 10:22pm on June 23, 2013

Review: Jason and (Medea) " (re)discover theatre by Scotty Zacher

The production as a whole may feel like a mixed bag, but Jason and (Medea) is still worth looking at for what it's at least trying to get across. The strong cast and respect to the classical…

SOURCE: Chicago Theater Beat at 4:51pm on June 23, 2013

Review: Mine (The Gift Theatre) by Scotty Zacher

This play is unforgettable for its gripping content and authentic acting (though slowed down by staging hiccups). Nonetheless, "Mine" is riveting and definitely worth the trek out to Gift T…

SOURCE: Chicago Theater Beat at 1:09pm on June 23, 2013

Review " Buddy: The Buddy Holly Story (Broadway in Chicago) by Scotty Zacher

The original jukebox musical, Buddy, even more than Jersey Boys, puts us present at the creation as a nerdy Texas teenager found his sound. It still rolls and rocks, becoming a veritable Fou…

SOURCE: Chicago Theater Beat at 10:51pm on June 22, 2013

Review: Black and Blue (Vault 13 Productions & Raven Theatre) by Scotty Zacher

Vault 13 Productions can continue to remount this play every few years and deliver a pretty authentic and entertaining 90 minutes of Chicago theatre. But there is potential for more in this …

SOURCE: Chicago Theater Beat at 8:40am on June 21, 2013

Review: I Love You, You're Perfect, Now Change (Marriott Theatre) by Scotty Zacher

Starting with a superficial premise (all girls and boys are straight and want nothing more than to get married) and dumbing it down even further, what we wind up with is a exclusionary look …

SOURCE: Chicago Theater Beat at 12:35am on June 20, 2013

Review: The Pride (About Face Theatre) by Scotty Zacher

This play is the work of a very gifted writer, exquisitely executed by cast and director. Unfortunately playwright Campbell falls short in creating a compelling story around his worthy them…

SOURCE: Chicago Theater Beat at 9:11am on June 19, 2013

Review: Slaughter City (Prop Thtr) by Scotty Zacher

There has to be at least a half-dozen different plays in here somewhere, but Playwright Naomi Wallace never narrows her focus. The result is over two hours of confusion with little resolutio…

SOURCE: Chicago Theater Beat at 8:30pm on June 18, 2013

Review: Brothers Beckett (Black Fox Theatre) by Scotty Zacher

Entertaining in a summer-rerun-kind- of-way, this show is incomplete in its current state. It either needs to get tighter and funnier for a late night drinking crowd, or the playwright needs…

SOURCE: Chicago Theater Beat at 11:32pm on June 17, 2013

Review: Uncle Bob (Mary-Arrchie Theatre) by Scotty Zacher

In this disturbing taboo-ridden play, Rudy Galvan and Richard Cotovsky effectively establish the tumultuous routine of their relationship. However, although the script calls for plenty of f…

SOURCE: Chicago Theater Beat at 10:55pm on June 16, 2013

Review: Kate's Dates (Waltzing Mechanics) by Scotty Zacher

An entertaining evening that highlights the need for connection and how to overcome those walls we build between ourselves and others. Though not the most original theme, Kate's Dates is all…

SOURCE: Chicago Theater Beat at 5:47pm on June 16, 2013

Review: The Glass Menagerie (Mary-Arrchie Theatre Chicago) by Scotty Zacher

The premise of Tom narrating as a homeless man revitalizes a script that has become dated since its world premiere in Chicago seven decades ago. If you missed it at Angel Island, you have on…

SOURCE: Chicago Theater Beat at 6:48pm on June 15, 2013

Review: danc(e)volve: New Works Festival (Hubbard Street Dance Chicago) by Scotty Zacher

Hubbard Street's annual festival of new works emphasizes the importance of innovation and thinking ahead. Despite an overly long running time, danc(e)volve is yet another example of why this…

SOURCE: Chicago Theater Beat at 5:35pm on June 15, 2013

Review: The Complete Works of William Shakespeare, Abridged (Eclectic Theatre) by Scotty Zacher

Despite hiccups, Complete Works never fails to entertain. The cast's interactions with the office are engaging and almost sweet. Eclectic proves once again they're a new company to watch. (r…

SOURCE: Chicago Theater Beat at 8:36pm on June 14, 2013
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