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2,003 stories by "Scotty Zacher"

Review: Blood Wedding (Pursuit Productions) by Scotty Zacher

Federico Garcia Lorca is a perfect choice for Pursuit's brand of eclectic mingling, with his freewheeling mixture of prose and poetry, naturalism and symbolism that harken back to Greek trag…

SOURCE: Chicago Theater Beat at 6:59pm on July 22, 2013

Review: Shrek the Musical (Chicago Shakespeare Theater) by Scotty Zacher

Shrek the Musical is this year's summer show for young audiences, but to view this as a scaled-down version for kids would be a mistake. It's a full-blown, gorgeously designed production tha…

SOURCE: Chicago Theater Beat at 9:43pm on July 21, 2013

Review: ROOMS, a rock romance (Broken Nose Theatre) by Scotty Zacher

*ROOMS: a rock romance* is a fun-loving, flirtatious frolic. It's the perfect way to jam out while falling in love. (read more...)

SOURCE: Chicago Theater Beat at 7:30pm on July 21, 2013

Review: New Dances 2013 (Thodos Dance Chicago) by Scotty Zacher

New Dances 2013 contains several standout pieces. "It Rains There in the Reverence" is a showcase of strong balances, exquisite extensions and lovely developpés. The dance that follows, "Re…

SOURCE: Chicago Theater Beat at 5:35pm on July 21, 2013

Review: Bristol Renaissance Faire (Renaissance Entertainment, Kenosha) by Scotty Zacher

It's been called the "country's best Renaissance Faire" and that's definitely true. This very game festival aims to catch and cover medieval times as the renaissance town of Bristol is colo…

SOURCE: Chicago Theater Beat at 8:07pm on July 19, 2013

Review: The Australian Bee Gees Show (Broadway Playhouse) by Scotty Zacher

Mock those tight trousers and carefully manscaped plumage all you want - the music that comes out of the Australian Bee Gees is fantastic, and a worthy tribute to the real Bee Gees. (read mo…

SOURCE: Chicago Theater Beat at 5:46pm on July 18, 2013

Review: Twelfth Night (Arc Theatre) by Scotty Zacher

A thoroughly enjoyable show, Arc Theatre's Twelfth Night is a production I highly recommend going to see. This show gives you the chance (for free!) to see wonderful performances, a deft exe…

SOURCE: Chicago Theater Beat at 9:07pm on July 17, 2013

Review: A Clown Car Named Desire (The Second City e.t.c.) by Scotty Zacher

Dreams differed and dissipated into disillusion take center stage in Second City e.t.c.'s latest revue, a hit-and-miss production that is pocked with some outrageously funny scenes but on ba…

SOURCE: Chicago Theater Beat at 7:35pm on July 15, 2013

Review: Simpatico (A Red Orchid Theatre) by Scotty Zacher

                Simpatico  Written by Sam Shepard  Directed by Dado  A Red Orchid Theatre, 1531 N. Wells …

SOURCE: Chicago Theater Beat at 5:09pm on July 14, 2013

Review: The Casuals (Jackalope Theatre) by Scotty Zacher

Spirited but inevitably unfocused, Jonathan Berry's staging of this world premiere cryptic drama talks much about secrets, but they are barely divulged. And, as nothing is fully resolved in…

SOURCE: Chicago Theater Beat at 9:28pm on July 12, 2013

Review: Fallow (Steep Theatre) by Scotty Zacher

So many details take up too much time in the 2 hour play that the mind is left reeling. The show collapses under the burden of superfuous material 90 minutes in and limps for another 30. If…

SOURCE: Chicago Theater Beat at 8:12pm on July 12, 2013

Review: Beaten (The Artistic Home) by Scotty Zacher

Scott Woldman's narrative isn't without a few gaping plot holes, but his dialogue contains passages that will remain lodged in your brain long after the final blackout. Moreover, in director…

SOURCE: Chicago Theater Beat at 6:38pm on July 12, 2013

Review: Cirque Shanghai " Dragon's Thunder (Navy Pier) by Scotty Zacher

This is a wonderfully energetic, uplifting, adrenaline rush that everybody can enjoy. The showmanship of these performers is impressive. Physical feats aside, they engage the audience with t…

SOURCE: Chicago Theater Beat at 9:36pm on July 11, 2013

Review: Death and Harry Houdini (The House Theatre of Chicago) by Scotty Zacher

Successful magic is both art and science, and in terms of both, Dennis Watkins, as Harry Houdini, should win the Nobel Prize. The House Theatre is one of Chicago's most groundbreaking compan…

SOURCE: Chicago Theater Beat at 7:30pm on July 11, 2013

Review: The Liar (Writers' Theatre) by Scotty Zacher

Pierre Corneille's The Liar is a delightfully frivolous bauble of a play, as witty as it is silly. Writers' Theatre's staging of this arguably unnecessary farce is absolutely worth seeing. T…

SOURCE: Chicago Theater Beat at 1:15pm on July 11, 2013

Review: The Jungle Book (Goodman Theatre) by Scotty Zacher

Artistic enough for adults and comprehensible and entertaining enough for kids, Jungle Book is a lovely piece and a solid retelling of the Kipling stories. Mary Zimmerman's adaptation is eas…

SOURCE: Chicago Theater Beat at 8:05pm on July 10, 2013

Review: Hedwig and the Angry Inch (Haven Theatre Chicago) by Scotty Zacher

Hilarious and heartfelt, Hedwig is an indelible character, and Ryan Lanning is a marvel to watch and hear. Not only will this music stick with you days after the performance, but so too will…

SOURCE: Chicago Theater Beat at 12:45pm on July 10, 2013

Review: Dr. Seuss' The Cat in the Hat (Emerald City Theatre @ Broadway Playhouse) by Scotty Zacher

This is a solid, hour-long charmer, deftly and imaginatively retold to delight even the surliest toddler: Emerald City Theatre's Dr. Seuss' The Cat in the Hat celebrates the title character'…

SOURCE: Chicago Theater Beat at 10:02pm on July 8, 2013

Review: Mahal (Bailiwick Chicago Theater) by Scotty Zacher

Though there's no doubting for a stage minute the sincerity of everything on this busy stage, you're still left with a well-worn formula of foreign-family-moves-to-America culture shock. Th…

SOURCE: Chicago Theater Beat at 7:49pm on July 8, 2013

Review: Kill Your Boyfriends (Pride Films and Plays) by Scotty Zacher

This choreo-poem/collage/performance art piece arranged and choreographed by Derek Van Barham (for the Naked July Festival) designates most of the dancing for James Nedrud and Erik Strebig, …

SOURCE: Chicago Theater Beat at 6:15pm on July 8, 2013

Review: Belleville (Steppenwolf Theatre) by Scotty Zacher

Above all, Belleville is a meditation on the nature of trust, and how terrifying it is to lose that trust in a person to whom you entrusted everything. It's an entertaining and thought-provo…

SOURCE: Chicago Theater Beat at 1:33pm on July 8, 2013

Review: Cowboy Mouth (Black Ribbon Theater) by Scotty Zacher

Black Ribbon Theater does little to elucidate a rough script and tacks a mini-concert onto the end of it that drags. Because the audience isn't given enough reason to become invested in the …

SOURCE: Chicago Theater Beat at 8:38pm on July 7, 2013

Review: Thom Pain (based on nothing) " Theater Wit by Scotty Zacher

Playwright Will Eno penned an intellectualized, existentialist crisis aftermath. Under the direction of Jeremy Wechsler, the monologue is tailored perfectly for Lance Baker. With Baker's ste…

SOURCE: Chicago Theater Beat at 6:52pm on July 7, 2013

Review: Facing Angela (Ruckus Theater) by Scotty Zacher

Facing Angela is a fascinating experience. It uses the medium of theater to its full advantage in telling this unique love story. In just 75 minutes, playwright Scott T. Barsotti and The Ruc…

SOURCE: Chicago Theater Beat at 5:44pm on July 7, 2013

Review: The Land of Smiles (Chicago Folks Operetta) by Scotty Zacher

Irresistible as the score is, Elizabeth Margolius' sprightly staging surrounds it with a flawless 20-strong orchestra, conducted by Kim Diehnelt, who can do no wrong. Add to this a lush stag…

SOURCE: Chicago Theater Beat at 5:40pm on July 6, 2013
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