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2,003 stories by "Scotty Zacher"

Review: Plainsong (Signal Ensemble Theatre) by Scotty Zacher

With Playwright Eric Schmiedl's adaptation, Signal Ensemble does a valiant job of bringing the characters to life in a meditative style, punctuated by bursts of naturalism and violence. But …

SOURCE: Chicago Theater Beat at 5:11pm on February 9, 2014

Review: Tom Jones (Northlight Theatre) by Scotty Zacher

Tom Jones is a fun night at the theater and worth the trek to the north hinterland of Skokie. I enjoyed the bawdy tale done with hearty, if uneven, aplomb. (read more...)

SOURCE: Chicago Theater Beat at 11:18am on February 9, 2014

Review: Edges the Musical (Circle Theatre) by Scotty Zacher

For a show about the ups and downs of life in your 20s, Edges has its moments - both enjoyable and eye-rolling. But the real star of Edges? That would be the marvelously expressive pianist …

SOURCE: Chicago Theater Beat at 8:41pm on February 8, 2014

Review: From White Plains (Broken Nose Theatre) by Scotty Zacher

Besides confonting the long-term effects of anti-gay bullying, From White Plains is also concerned with the power of healing and forgiveness, values that will be essential to keep as society…

SOURCE: Chicago Theater Beat at 11:31pm on February 7, 2014

Review: Macbeth (Polarity Ensemble Theatre) by Scotty Zacher

There's a lot to like about Macbeth: the wonderful design and performances make for an entertaining evening. If only the whole priestess/scapegoat aspect had been discarded, it would be even…

SOURCE: Chicago Theater Beat at 9:20pm on February 7, 2014

Review: Luna Gale (Goodman Theatre) by Scotty Zacher

Rebecca Gilman's engaging world premiere play is the kind of production that Goodman loves to produce, addressing a major social problem, pitting conservative and liberal ideals against each…

SOURCE: Chicago Theater Beat at 5:39pm on February 7, 2014

Review: hamlet is dead. no gravity (Red Tape Theatre) by Scotty Zacher

Seth Bockley's precise-yet-invigorating staging, along with a tremendously talented cast, help offset any frustration from the play's repetition. The choreographed actions of tossing in bed,…

SOURCE: Chicago Theater Beat at 6:38pm on February 6, 2014

Review: Fifty Shades of Shakespeare (re)discover theatre) by Scotty Zacher

Despite the BDSM-inspired title, Fifty Shades is gentle and often grin-inducing, with a few surprising moments of tenderness. The (re)discoverians have a charming tongue-in-cheek(y) chemistr…

SOURCE: Chicago Theater Beat at 4:33pm on February 6, 2014

Review: Do-Gooder (16th Street Theater) by Scotty Zacher

Laura Jacqmin's Do-Gooder is a small gem of a play: tightly scripted, truly thought-provoking and oh, so very, very funny. Directed by Ann Filmer, the world premiere's four-person story tak…

SOURCE: Chicago Theater Beat at 9:39pm on February 3, 2014

Review: The Lark (Promethean Theatre Ensemble) by Scotty Zacher

Although Rachel Sypniewski's vibrant costume design combines with a talented cast to make the production's roles distinct and interesting, the entire production plays it very safe. It's oft…

SOURCE: Chicago Theater Beat at 8:05pm on February 3, 2014

Review: Quark (MPAACT) by Scotty Zacher

There are some minor conflicts in Quark, and the characters are all good, reasonable people with their conflict based on perfectly understandable differences of needs and opinions. However t…

SOURCE: Chicago Theater Beat at 8:21pm on February 2, 2014

Review: The Golden Dragon (Sideshow Theatre) by Scotty Zacher

Playwright Schimmelpfenning has penned a quirky tale with some fascinating folks. It's a rapidly-paced 65 minutes. Set in a restaurant, I definitely know what they are eating onstage. I'm…

SOURCE: Chicago Theater Beat at 6:23pm on February 1, 2014

Review: Rose and the Rime (House Theatre, 2014) by Scotty Zacher

As a classic and cautionary fairy tale about the quest for happiness and the ultimate price of power, Rose and Rime is a dark, foreboding story. But thanks to the company's signature visual…

SOURCE: Chicago Theater Beat at 2:15pm on February 1, 2014

Review: strangers, babies (Steep Theatre) by Scotty Zacher

For their newest production, Steep Theatre pulls you into their dark woods and forces you to confront your own prejudices. What kind of scrutiny should childhood killers face as adults? Al…

SOURCE: Chicago Theater Beat at 11:00pm on January 29, 2014

Review: Mr. Chickee's Funny Money (Chicago Children's Theatre) by Scotty Zacher

The story is silly fun, and the music is the major draw for the fantastic Mr. Chickee's Funny Money, with Lamont and Paris Doziers delivering a memorable score that has this reviewer crossin…

SOURCE: Chicago Theater Beat at 7:14pm on January 29, 2014

Review: Gidion's Knot (Profiles Theatre) by Scotty Zacher

If you're in the mood for some intense theater, Gidion's Knot is definitely a guarantee. On the night I went the audience, by the end of the play, were on the edge of their seats, holding th…

SOURCE: Chicago Theater Beat at 10:19pm on January 27, 2014

Review: The Tennessee Williams Project (The Hypocrites) by Scotty Zacher

Fans of Tennessee Williams will note many commonalities between these three one-acts and his more popular fare, while also noticing how these go deeper into his infamous heart of darkness. U…

SOURCE: Chicago Theater Beat at 8:57pm on January 27, 2014

Review: 42nd Street (Paramount Theatre) by Scotty Zacher

With a 27-person cast of triple threat singer/dancer/actors backed by a richly talented orchestra, 42nd Street is bursting with taptacular wonders. The production would stand out in any seas…

SOURCE: Chicago Theater Beat at 7:31pm on January 27, 2014

Review: Request Concert (Side Project Theatre) by Scotty Zacher

Poignantly, Director Mary Ellen O'Hara has moved the setting of F.X. Kroetz work from Germany to Chicago 1975. Meg Elliott portrays a devistatingly impeccable woman entrenched in bland, lon…

SOURCE: Chicago Theater Beat at 10:04pm on January 25, 2014

Review: Mr. Shaw Goes to Hollywood (MadKap Productions) by Scotty Zacher

Playwright Mark Saltzman has uncovered a fascinating, untold Hollywood story, that of George Bernard Shaw's trip to Hollywood. Though engagin in its delightful style of storytelling, the pl…

SOURCE: Chicago Theater Beat at 7:52pm on January 25, 2014

Review: El año en que nací / The year I was born (Lola Arias @ Museum of Contemporary Art) by Scotty Zacher

There's a very honest and intense quality to this historical piece, no doubt because of the intensely personal material. I wish, however, that I could have felt more of a connection. While I…

SOURCE: Chicago Theater Beat at 5:20pm on January 25, 2014

Review: Luck of the Irish (Next Theatre) by Scotty Zacher

Sensitive to every subtlety in a script whose plot is not, Director Damon Kiely's grand cast fully inhabit each character, persuasively presenting the behavioral differences between the Eise…

SOURCE: Chicago Theater Beat at 9:30pm on January 24, 2014

Review: Rasheeda Speaking (Rivendell Theatre) by Scotty Zacher

Wish dynamite direction and ensemble work, Rasheeda Speaking is a powerful promotion for a zero tolerance policy in the workplace. It picks apart prejudice indiscriminately. (read more...)

SOURCE: Chicago Theater Beat at 7:05pm on January 24, 2014

Review: Seven Guitars (Court Theatre) by Scotty Zacher

More literary than dramatic (especially in the first act), Seven Guitars is still a thought-provoking piece, and - as it's less produced than others in the August Wilson cycle - a definite m…

SOURCE: Chicago Theater Beat at 5:38pm on January 24, 2014

Review: Out Loud (eta Creative Arts) by Scotty Zacher

eta Creative Art's Out Loud is what the vision and potential of Chicago theater looks like when fulfilled. Highly Recommended.

SOURCE: Chicago Theater Beat at 8:01pm on January 23, 2014
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