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2,003 stories by "Scotty Zacher"

Review: Devil Land (UrbanTheater Chicago) by Scotty Zacher

Devil Land is a spellbinding story of a woman forever trapped in self-hatred and denial of her indigenous roots. She draws her husband by kidnapping a not-so-innocent child, leading them in…

SOURCE: Chicago Theater Beat at 1:21pm on March 20, 2014

Review: LoveTaps (Chicago Tap Theatre) by Scotty Zacher

Chicago Tap's latest 90-minute narrative with interactive elements is pure charm, with a sweet, hopeful message that love actually is all around. (read more...)

SOURCE: Chicago Theater Beat at 11:38am on March 20, 2014

Review: Best Beloved, The Just So Stories (Forks & Hope Ensemble) by Scotty Zacher

A charming, funny and heartbreaking ode to the power of storytelling - Recommended. (read more...)

SOURCE: Chicago Theater Beat at 8:09pm on March 17, 2014

Review: A Tale of Two Cities (Lifeline Theatre) by Scotty Zacher

Lifeline Theatre's adaption of this sweeping epic is a bit bare bones, to be sure, but it compensates with an intimate look at the characters of Dickens' tale and is a good reason to revisit…

SOURCE: Chicago Theater Beat at 9:34pm on March 16, 2014

Review: Miss Marx, Or the Involuntary Side Effect of Living (Strawdog Theatre) by Scotty Zacher

Despite issues of pacing and superfluous characters, it's hard not to get swept up into the story of Eleanor Marx. This play isn't for all, but if you don't mind melodrama, it just might be …

SOURCE: Chicago Theater Beat at 7:54pm on March 16, 2014

Review: This Is Not a Cure for Cancer (Collaboraction) by Scotty Zacher

It's clear that Anthony Mosely's Collaboraction compadres"all thirteen of them"are supportive and enthusiastic with the subject matter, but I'm not sure whether this wouldn't have been bette…

SOURCE: Chicago Theater Beat at 6:05pm on March 16, 2014

Review: Songs for a New World (NightBlue Performing Arts) by Scotty Zacher

The songs flow freely, the comedy revels and the revelations resonate in this two-hour tour-de-chanson. This new world is well worth an exploration. (read more and watch three production v…

SOURCE: Chicago Theater Beat at 9:49pm on March 15, 2014

Review: The Earliest Known Photo of Men Drinking Beer (Drinking & Writing Theater) by Scotty Zacher

I see what Earliest Known Photo was trying to do, and I appreciate it. But intention and execution are two very different things, and in this case good intentions were not enough. (read mor…

SOURCE: Chicago Theater Beat at 7:20pm on March 15, 2014

Review: Spring Series " Four Works by Jiří Kyliáns (Hubbard Street Dance Chicago) by Scotty Zacher

Even though this program has its challenges, Hubbard Street dancers are always breathtaking. Like ethereal creatures of the night, they glide across the stage, and bend, twist and leap with …

SOURCE: Chicago Theater Beat at 11:38am on March 15, 2014

Review: The Gospel of Lovingkindness (Victory Gardens Theater) by Scotty Zacher

An intimate look at Chicago's street violence, Playwright Marcus Gardley has crafted a hymn for the theater straight from the heart, and despite its flaws, it still sings. (read more and wat…

SOURCE: Chicago Theater Beat at 8:29pm on March 14, 2014

Review: Les Parents Terribles (The Artistic Home) by Scotty Zacher

Jean Cocteau's Les Parents Terribles's heavier themes and subject matters help elevate the comedy, but unfortunatey this production sadly misses the mark on that front. (read more...)

SOURCE: Chicago Theater Beat at 4:10pm on March 14, 2014

Review: Golden Boy (Griffin Theatre) by Scotty Zacher

Ambitious, compelling and boasting one of those impossibly rich ensemble casts that are the signature of Chicago storytelling, Griffin Theatre's Golden Boy packs a punch. (read more...)

SOURCE: Chicago Theater Beat at 5:55pm on March 13, 2014

Review: Rock of Ages (Broadway in Chicago, 2014) by Scotty Zacher

Rock of Ages works much better on stage than on screen. The plot is thin, sure, but the script is surprisingly funny, the score nostalgic and pleasing and the cast ripe with a game, infectio…

SOURCE: Chicago Theater Beat at 9:54pm on March 12, 2014

Review: The Magical Exploding Boy and The Invisible Circus (The Actors Gymnasium) by Scotty Zacher

An ebullient and thrilling show with something for every imagination. I recommend this show for a perfect family outing. (read more...)

SOURCE: Chicago Theater Beat at 7:17pm on March 12, 2014

Review: Heartbeat of Home (Broadway in Chicago) by Scotty Zacher

There's more than enough human spectacle on stage to make Heartbeat of Home dazzle. The dancers and the musicians here are thrilling in every respect. Layering in all that electronic artific…

SOURCE: Chicago Theater Beat at 3:50pm on March 12, 2014

Review: Leveling Up (Steppenwolf Theatre) by Scotty Zacher

Deborah Zoe Laufer's coming-of-age tale succeeds as a thought-provoking and powerful insight into why "leveling up" in life doesn't just mean defeating your opponent. Topical subject matters…

SOURCE: Chicago Theater Beat at 6:13pm on March 8, 2014

Review: Ring of Fire, The Music of Johnny Cash (Theatre at the Center) by Scotty Zacher

Ring of Fire is not a straightforward biography nor should it be. It's a fun and sentimental reminder of a man and his genius at living and singing his life. (read more...)

SOURCE: Chicago Theater Beat at 2:26pm on March 8, 2014

Review: Love and Understanding (Redtwist Theatre) by Scotty Zacher

I highly recommend this show. The acting is outstanding. Jaclynn Jutting's direction by is sharp and brilliantly staged. This show made me laugh through gritted teeth with a satisfying and r…

SOURCE: Chicago Theater Beat at 9:00am on March 7, 2014

Review: Three Soldiers for Sisters (Red Theater Chicago) by Scotty Zacher

There might be something worth salvaging here if Playwright Aaron Sawyer is willing to hand his script over to an editor and then a director with a fresh set of eyes. But as produced here, i…

SOURCE: Chicago Theater Beat at 9:26pm on March 6, 2014

Review: Rusalka (Lyric Opera of Chicago) by Scotty Zacher

What elevates this opera are incredible production values, even by the Lyric's high standards. And the haunting Antonín Dvořák score conducted by Sir Andrew Davis completes the ul…

SOURCE: Chicago Theater Beat at 4:54pm on March 3, 2014

Review: Corpus Delicti (MadKap Productions) by Scotty Zacher

To call Corpus Delicti *community theater-bad* is an insult to community theater. Aside from a nice set and one salvageable performance, this show is not only weak across the board, but a c…

SOURCE: Chicago Theater Beat at 7:49pm on March 2, 2014

Review: The People's Return of Neverland (Quest Theatre Ensemble) by Scotty Zacher

Quest's productions are talent-packed and executed with tremendous heart. The People's Return of Neverland is no exception. It's free entertainment that children and parents alike can enjoy …

SOURCE: Chicago Theater Beat at 9:52pm on March 1, 2014

Review: Cock (Profiles Theatre) by Scotty Zacher

In Cock, Playwright Mike Bartlett challenges conservative views of sexuality, using one man's sexual identity crisis to examine the crippling effect of societal pressures., creating a riveti…

SOURCE: Chicago Theater Beat at 7:40pm on March 1, 2014

Review: Mishap! (Akvavit Theatre) by Scotty Zacher

This brisk and sharp comedic romp comes to an abruptly dark conclusion for all involved. The last production in Akvavit's Nordic Cycle, Mishap! might be one of the few theatrical experiences…

SOURCE: Chicago Theater Beat at 4:51pm on March 1, 2014

Review: Amadeus (BoHo Theatre) by Scotty Zacher

As brought out by BoHo's gorgeous production, the fictional Salieri's journey is an engrossing exploration. BoHo has marshalled great talent to bring his Pyrrhic victory to life, and their d…

SOURCE: Chicago Theater Beat at 9:07am on February 28, 2014
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