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2,003 stories by "Scotty Zacher"

Review: Mill Fire (Shattered Globe Theatre) by Scotty Zacher

Shattered Globe Theatre ignites this story of grief and acceptance with a vengeance matched only by an incendiary set of performances that make this production a poetic turn on what might ha…

SOURCE: Chicago Theater Beat at 1:42pm on May 1, 2014

Review: A View from the Bridge (Teatro Vista) by Scotty Zacher

Teatro Vista's staging of Arthur Miller's tragedy is truly riveting. Directed by Ricardo Gutierrez, this production crackles and surges from start to finish - an edge-of-your-seat emotional …

SOURCE: Chicago Theater Beat at 1:03am on April 30, 2014

Review: The Way West (Steppenwolf Theatre) by Scotty Zacher

This off-beat but very funny play asks what happens when the pot of gold at the end of the rainbow is empty. Despite a few missteps, it's a darkly funny and nightmarish look at where America…

SOURCE: Chicago Theater Beat at 9:31pm on April 26, 2014

Review: Dorian (The House Theatre) by Scotty Zacher

While lively and colorful, the House's version of Oscar Wild's Dorian Gray is, in the end, about as impactful as a paint-by-number kit.

SOURCE: Chicago Theater Beat at 10:24pm on April 25, 2014

Review: Emma (Dead Writers Theatre Collective) by Scotty Zacher

Emma has enough charm and wit to stay true to Jane Austen's writing. Director Jim Schneider keeps the pace smooth and quick, making up for its safe script with beautiful sets and costumes an…

SOURCE: Chicago Theater Beat at 5:20pm on April 25, 2014

Review: Ruined (Eclipse Theatre) by Scotty Zacher

Eclipse Theatre has chosen to begin their Lynn Nottage season with her most powerful work, an unflinching personal portrait of exiled women who must rebuild some semblance of a life on the b…

SOURCE: Chicago Theater Beat at 7:29pm on April 24, 2014

Review: Mud Blue Sky (A Red Orchid Theatre) by Scotty Zacher

It's always a treat to see a play where the female roles outnumber the males, and it's even better when the roles are as meaty as the ones here. These actors fully embody their characters, …

SOURCE: Chicago Theater Beat at 5:12pm on April 24, 2014

Review: Principal Principle (Stage Left Theatre & Theatre Seven of Chicago) by Scotty Zacher

Playwright Joe Zarrow has provided as much compassion as criticism in this world premiere, indicting a semi-privatized CPS that's over-regulated and underfunded. Scott Bishop's staging nail…

SOURCE: Chicago Theater Beat at 8:12pm on April 23, 2014

Review: Depraved New World (Second City) by Scotty Zacher

Depraved New World delivers the laughs, whether they're rooted in whipsmart satire or lowest-common-denominator sex jokes. You won't be disappointed. Director Mick Napier's exploration of th…

SOURCE: Chicago Theater Beat at 3:47pm on April 20, 2014

Review: Thinner Than Water (The Gift Theatre) by Scotty Zacher

Thinner Than Water lacks the tension, stakes, and compelling characters to warrant such an overdone premise. A dreary play with one bright spot - is that enough to tread through this rainy d…

SOURCE: Chicago Theater Beat at 7:04pm on April 19, 2014

Review: Savior? (eta Creative Arts) by Scotty Zacher

Savior is not witty or challenging. It falls back on stock portrayals and dialogue that preening rather than inciteful. This is a disjointed 90 minutes with broadly drawn characters and them…

SOURCE: Chicago Theater Beat at 6:28pm on April 18, 2014

Review: Les Misérables (Drury Lane Oakbrook) by Scotty Zacher

A triumph of stagecraft and musicianship, this Drury Lane production is one not to miss. We likely won't have the chance to see Les Mis performed this well and this intimately in a long time…

SOURCE: Chicago Theater Beat at 3:25pm on April 18, 2014

Review: The President (Oracle Theatre) by Scotty Zacher

The President has the potential to be both funny and insightful, and the main players work with as much as they can. However, Max Truax's direction lacks clarity of vision and active tone, s…

SOURCE: Chicago Theater Beat at 8:59pm on April 16, 2014

Review: The Dance of Death (Writers Theatre) by Scotty Zacher

Direct Henry Wishcamper makes great use of the intimate space to allow for more subtle emotional moments, guiding this stellar, veteran cast to create an evening of theatrical fireworks. Hi…

SOURCE: Chicago Theater Beat at 9:04am on April 16, 2014

Review: A Midsummer Night's Dream (Piccolo Theatre) by Scotty Zacher

Abetted by the zealous cast in the intimate setting of Piccolo's space, the in-the-round action bubbles over into the shallow rows of seating. It's a fulsome frolic in the forest that will h…

SOURCE: Chicago Theater Beat at 8:08pm on April 14, 2014

Review: The Haunting of Hill House (City Lit Theater) by Scotty Zacher

Though City Lit captures intermittent shades of Shirley Jackson's masterful nightmare, they need to tone down the campish humor and dial up the psychological terror to really have something …

SOURCE: Chicago Theater Beat at 7:53pm on April 13, 2014

Review: The Great God Pan (Next Theatre) by Scotty Zacher

With acclaimed playwright Amy Herzog's "Great God Pan", we're given a lot of exposition, most of it illustrating how memory shifts shapes and plays game with the past and present, without an…

SOURCE: Chicago Theater Beat at 4:12pm on April 13, 2014

Review: Bat-Hamlet (Corn Productions) by Scotty Zacher

If Playwright Jordan Pulliam and Director Kallie Rolison can become a dynamic duo of shrewd editing, Bat-Hamlet is poised to become a party night crowd pleaser with a smart balance of the er…

SOURCE: Chicago Theater Beat at 10:36pm on April 11, 2014

Review: Lyle Finds His Mother (Lifeline Theatre) by Scotty Zacher

Lifeline Theatre has created a fun and joyous show that tells every child and adult that "family is family", no matter the makeup or family history. Bring tissues if you're prone to be as sa…

SOURCE: Chicago Theater Beat at 6:59pm on April 10, 2014

Review: God's Work (Albany Park Theater Project) by Scotty Zacher

The APTP ensemble is contagiously passionate throughout the performance, presenting a showcase for these dedicated performers. Despite the need for more focus on the story's overall arch, th…

SOURCE: Chicago Theater Beat at 11:38pm on April 9, 2014

Review: Sandalwood (Tympanic Theatre & The Side Project) by Scotty Zacher

The staging of Sandalwood is good and Dustin Pettigrew's set is wonderfully claustrophobic in portraying the open and empty Wild West. Despite holes in the storytelling, it's an interesting …

SOURCE: Chicago Theater Beat at 9:45pm on April 7, 2014

Review: Tristan & Yseult (Kneehigh at Chicago Shakespeare) by Scotty Zacher

Chicago Shakespeare's World's Stage Series is a true gift for this city, and England's Kneehigh is the latest international troupe to create magic on the Pier, whose production takes the aud…

SOURCE: Chicago Theater Beat at 9:12am on April 7, 2014

Review: Peter and the Starcatcher (Broadway in Chicago) by Scotty Zacher

You'll definitely have a great time with Rick Elice's alternately smart and silly script that offers its share of bad puns, personal hygiene and self-referential jokes and anachronisms. And …

SOURCE: Chicago Theater Beat at 7:12pm on April 5, 2014

Review: The Jewels (TUTA Theatre Chicago) by Scotty Zacher

The Jewels is a very pretty production " everything from the beautiful score to the balletic transitions is thoughtful and well-placed. If only the spoken dialogue was so compelling.

SOURCE: Chicago Theater Beat at 1:11am on April 5, 2014

Review: Folk Bound (Duplicity Ensemble) by Scotty Zacher

There's much talent on display here from this brand new company and a cast that has not yet been seen a lot on Chicago stages. It's likely we'll see good things from them all in the coming y…

SOURCE: Chicago Theater Beat at 9:16pm on April 4, 2014
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