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2,003 stories by "Scotty Zacher"

Review: The White Snake (Goodman Theatre) by Scotty Zacher

Rich and resonant in that ineffable way that makes the enduring myths both fantastical and human, The White Snake is at its best when it meditates on the universal challenges of romance that…

SOURCE: Chicago Theater Beat at 8:08pm on May 24, 2014

Review: Wit (AstonRep Theatre) by Scotty Zacher

AstonRep's Wit is a poignant, smart exploration of mortality, smartly done by a strong cast. It's a shame that playwright Margaret Edson forswore writing more after this Purlitzer prize winn…

SOURCE: Chicago Theater Beat at 3:12pm on May 23, 2014

Review: The Doll's House Project " Ibsen Is Dead (Interrobang Theatre Project) by Scotty Zacher

The collapse of carefully constructed facades aligning with the collapse of the Berlin Wall could have made for excellent conflict. Unfortunately, The Doll's House Project has a foundation o…

SOURCE: Chicago Theater Beat at 12:18pm on May 23, 2014

Review: Bellboys, Bears and Baggage (Redmoon) by Scotty Zacher

Able to illicit a sense of wonder in the mind"if not the heart,"the Redmoon team deserves praise for its audacity alone. To quote the bard, "If this be magic, let it be art." Bellboys, Bears…

SOURCE: Chicago Theater Beat at 4:54pm on May 22, 2014

Review: The Very Hungry Caterpillar (Chicago Children's Theatre & Mermaid Theatre of Nova Scotia) by Scotty Zacher

The Mermaid Theatre of Nova Scotia performs this show adapted from the books of Eric Carle with gorgeous puppets colored exactly like the books that keep the kids enthralled throughout. Def…

SOURCE: Chicago Theater Beat at 7:36pm on May 21, 2014

Review: Without Trace (MPAACT) by Scotty Zacher

In Without Trace, Playwright Eric Lockley weaves a masterful hour of mystery and suspense, and Carla Stillwell directs the show with laser timing and a keen control of the emotionally laden …

SOURCE: Chicago Theater Beat at 4:04pm on May 21, 2014

Review: Fault Lines (Broken Road Theatre) by Scotty Zacher

Fault Lines is the searing retelling of the abduction and subsequent murder of Polly Klaas in 1993. When going, be prepared to ask ponder some hard questions about life in a world getting e…

SOURCE: Chicago Theater Beat at 6:49pm on May 20, 2014

Review: The Next Thing (Signal Theatre Ensemble) by Scotty Zacher

It's one thing to write a show with a weak will-she-or-won't-she romance storyline, plagueing most Hollywood rom-coms, but The Next Thing feels content on giving us a story with no stakes, n…

SOURCE: Chicago Theater Beat at 4:49pm on May 20, 2014

Review: How to Succeed in Business Without Really Trying (Porchlight Music Theatre) by Scotty Zacher

               How to Succeed in Business   Without Really Trying Book by Abe Burrows, Jack Weinstock, Willie Gilbert Mu…

SOURCE: Chicago Theater Beat at 2:46pm on May 20, 2014

Review: Hit the Wall (The Inconvenience & Chicago Commercial Collective) by Scotty Zacher

If you've managed to miss this show in its previous renditions, now's your chance to see a seminal chapter of American civil rights history leap to life with intensity, ruthlessness and gorg…

SOURCE: Chicago Theater Beat at 3:48pm on May 19, 2014

Review: Medea (Theatre Y) by Scotty Zacher

Replete with so many textural and expressionistic elements, it's surprising that this may be the first time that this interpretation has been realized in Chicago. Theatre Y has done the city…

SOURCE: Chicago Theater Beat at 6:21pm on May 17, 2014

Review: Confederates in the Attic (City Lit Theater) by Scotty Zacher

Richly adapted and faithfully staged by City Lit artistic director Terry McCabe, these 150 minutes teem with scary revelations about the unreconstructed territory below the Mason-Dixon Line.…

SOURCE: Chicago Theater Beat at 5:09pm on May 16, 2014

Review: Avenue Q (Mercury Theater) by Scotty Zacher

Mercury Theater gets it right - despite its adult content, Avenue Q leaves its audience with warm fuzzies. Thanks to the excellent production team, musicians and cast, this show is not to be…

SOURCE: Chicago Theater Beat at 2:12pm on May 15, 2014

Review: Dinner with Friends (rebekah theatre project) by Scotty Zacher

This well-paced production keeps the audience engaged and uncovers issues on monogamy and divorce that appeared to hit really close to home for several of the couples in the audience opening…

SOURCE: Chicago Theater Beat at 12:03pm on May 14, 2014

Review: The Gin Game (Rebekah Theatre Project) by Scotty Zacher

D.L. Coburn's script is smart and subtle; director James Sparling gets the Paul and Patricia Tinsley to evoke their characters' subtext very well. The material just isn't edge-of-your-seat s…

SOURCE: Chicago Theater Beat at 4:58pm on May 13, 2014

Review: Buyer & Cellar (Broadway in Chicago) by Scotty Zacher

As shaped by director Stephen Brackett, this 105-minute confection proves as bittersweet as hilarious, a name-dropping tour de tabloid that, given Michael Urie's winsomely fey performance, t…

SOURCE: Chicago Theater Beat at 12:52am on May 13, 2014

Review: Motown the Musical (Broadway in Chicago) by Scotty Zacher

Thanks to wickedly competent director Charles Randolph-Wright, the huge, costume-changing, hard-hoofing cast deliver unstoppable and awesomely accurate musical and dance recreations of showb…

SOURCE: Chicago Theater Beat at 11:12pm on May 12, 2014

Review: Jacob (Provision Theatre) by Scotty Zacher

There's a clear drive and passion to this re-imagining of the Genesis tale, but there's not much thought. This is a play in desperate need of subtlety. Perhaps this isn't a ladder Jacob shou…

SOURCE: Chicago Theater Beat at 9:53pm on May 11, 2014

Review: Hey! Dancin'! Hey! Musical! (Factory Theater) by Scotty Zacher

There are so many priceless moments in this musical remake of Factory's 2010 hit play, and you're guarenteed to leave the theatre basking in big-hair memories from the overwrought 80s. (rea…

SOURCE: Chicago Theater Beat at 3:19pm on May 10, 2014

Review: Hang Your Hat at Mr. Kelly's (Three Cat Productions) by Scotty Zacher

The storyline that encompasses this delightfully sung musical review takes place in a retirement home, and is written quite maudlin and, rather than tug, it mauls the heartstrings. The backs…

SOURCE: Chicago Theater Beat at 10:06pm on May 9, 2014

Review: Rosencrantz and Guildenstern Are Dead (Promethean Theatre Ensemble) by Scotty Zacher

Rosencrantz and Guildenstern is a roller coaster ride of heady brilliance, but taken with these two poignant, pathetic paupers, it's one of the most rewarding trips in theaterdom. (read more…

SOURCE: Chicago Theater Beat at 4:22pm on May 9, 2014

Review: Lay Me Down Softly (Seanachai Theatre) by Scotty Zacher

Poetic but imperfect, this tale of boxing scores in the subtlety of Playwright Billy Roche's writing, and Kevin Christopher Fox's tempered direction. (read more...)

SOURCE: Chicago Theater Beat at 2:16pm on May 7, 2014

Review: Romeo and Juliet (Joffrey Ballet Chicago) by Scotty Zacher

With Romeo and Juliet, the US premiere of Krzysztof Pastor's choreography of the Prokofiev classic score, the ballet company takes its stellar work to an unparalleled level. Joffrey has alwa…

SOURCE: Chicago Theater Beat at 6:09pm on May 6, 2014

Review: The Sound of Music (Lyric Opera of Chicago) by Scotty Zacher

You'll no doubt never see a more grand version of this American musical classic, as Lyric Opera gives us movie-sized spectacle in a live performance and for that, many lovers of the musical …

SOURCE: Chicago Theater Beat at 9:50pm on May 3, 2014

Review: The Wizard of Oz (Broadway in Chicago) by Scotty Zacher

Sure, this Wizard of Oz is full of spectacle, splendid voices and fantastical projections, but you can't have it both ways--both honor *and* spoof the same source. It's rude to punish an aud…

SOURCE: Chicago Theater Beat at 7:28pm on May 3, 2014
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