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247 stories by "Sanjoy Roy"

Tanztheater Wuppertal Pina Bausch: Ten Chi " review by Sanjoy Roy

Barbican, LondonPina Bausch's "travelogue" works are less portraits of places than composites of haphazard snapshots, each scene filtered through the weird and sometimes wonderful lenses of …

SOURCE: The Guardian at 2:18pm on June 18, 2012[SHARE]

Daniel Linehan " review by Sanjoy Roy

Lilian Baylis, LondonWith his grey shorts, buttoned-up shirt and floppy hair, Thibault Lac looks like a serious schoolboy reciting his homework as he explains the title of the piece we are a…

SOURCE: The Guardian at 12:53pm on May 10, 2012[SHARE]

Breakin' Convention " review by Sanjoy Roy

Sadler's Wells, LondonFor three days each spring, the Breakin' Convention festival turns Sadler's Wells into a hip-hop hive, every foyer, studio and auditorium abuzz with workshops and shows…

SOURCE: The Guardian at 1:02pm on May 7, 2012[SHARE]

Exposure " review by Sanjoy Roy

Linbury, LondonPlatforms for emerging artists are often required to jettison coherence in favour of choreographic diversity. The stylistic lurches between pieces can leave you a little seasi…

SOURCE: The Guardian at 12:08pm on February 24, 2012[SHARE]

Flamenco Gala " review by Sanjoy Roy

Sadler's Wells, LondonThe annual Flamenco festival at Sadler's Wells has always showcased the diversity of flamenco. This year's central gala performance was a welcome opportunity …

SOURCE: The Guardian at 1:30pm on February 14, 2012[SHARE]

Cloud Gate Dance Theatre " review by Sanjoy Roy

Sadler's Wells, LondonLin Hwai-Min's White, for his company Cloud Gate Dance Theatre of Taiwan, is a work in three parts made at two different times: the first section in 1998, the rest in 2…

SOURCE: The Guardian at 1:15pm on November 10, 2011[SHARE]

Richard Alston Dance Company " review by Sanjoy Roy

The Place, LondonThis year's Dance Umbrella festival sees contemporary dance acknowledging its own history. The latest programme to feature rare revivals of old works is by Richard Alston Da…

SOURCE: The Guardian at 1:15pm on October 21, 2011[SHARE]

Step-by-step guide to dance: Lucinda Childs by Sanjoy Roy

An American experimental stalwart who went from avant garde work with found objects to finding a visual style for Philip GlassIn shortLook at a portrait of Lucinda Childs's face ("like Cathe…

SOURCE: The Guardian at 10:20am on October 18, 2011[SHARE]

Candoco Dance Company " review by Sanjoy Roy

Queen Elizabeth Hall, LondonCandoco certainly don't play safe in their programming. For the 20th-anniversary tour of this integrated company of disabled and non-disabled dancers, the centrep…

SOURCE: The Guardian at 1:16pm on October 17, 2011[SHARE]

Shaun Parker & Company " review by Sanjoy Roy

Peacock theatre, LondonA while into Shaun Parker's dancework Happy as Larry you start asking: just how happy was Larry anyway? For although programme and publicity suggest that the piece is …

SOURCE: The Guardian at 8:00am on October 17, 2011[SHARE]

Emanuel Gat Dance " review by Sanjoy Roy

Sadler's Wells, LondonTwo images keep coming to mind during Emanuel Gat's Brilliant Corners: birds and brains. The group sequences embody them most vividly. In the opening, for example, the …

SOURCE: The Guardian at 2:00pm on October 11, 2011[SHARE]

Jean Abreu Company " review by Sanjoy Roy

Queen Elizabeth Hall, LondonJean Abreu has taken a bold step with Inside. The feline fluidity and spacious abstraction that marked his earlier pieces are now alloyed with a new element of ps…

SOURCE: The Guardian at 8:24am on September 23, 2011[SHARE]

Sidi Larbi Cherkaoui: TeZukA " review by Sanjoy Roy

Sadler's Wells, LondonBelgian choreographer Sidi Larbi Cherkaoui is a huge fan of comic books, Japanese manga in particular. And perhaps that's the problem with his new work TeZukA, inspired…

SOURCE: The Guardian at 1:11pm on September 8, 2011[SHARE]

The five top dance shows this autumn by Sanjoy Roy

Merce Cunningham's legacy tour, a triple treat from the Birmingham Royal Ballet and a cross-dressing comedyAkram Khan Company: DeshChoreographer Akram Khan may perform less than he used to, …

SOURCE: The Guardian at 5:30pm on September 4, 2011[SHARE]

Step-by-step guide to dance: National Ballet of China by Sanjoy Roy

From 1950s Beijing to this year's Edinburgh festival, China's national ballet braved revolution and reforms to become a leading presence on the world stageIn shortThe National Ballet of Chin…

SOURCE: The Guardian at 12:28pm on August 11, 2011[SHARE]

Napoletango " review by Sanjoy Roy

Coliseum, LondonTango is a dance of grace and danger, a dance that embodies desire in its web of glances, advances and evasions, a dance that inspires deep devotion from its followers " a da…

SOURCE: The Guardian at 1:17pm on August 8, 2011[SHARE]

Carlos Acosta: Premieres Plus " review by Sanjoy Roy

Coliseum, LondonRecently, Carlos Acosta has been branching out from ballet superstardom. Last year he presented Premieres, a rather misjudged programme of short modern ballets for himself an…

SOURCE: The Guardian at 1:29pm on July 29, 2011[SHARE]

Circa " review by Sanjoy Roy

Barbican, LondonThe Brisbane-based Circa troupe was founded in 1987, but its current identity comes courtesy of director Yaron Lifschitz, who took over in 2004. A trained theatre director wh…

SOURCE: The Guardian at 4:08am on July 22, 2011[SHARE]

Hofesh Shechter by Sanjoy Roy

Sadler's Wells, LondonHofesh Shechter rocks. No, really. The Israeli-born choreographer and composer was once in a rock group " and in Political Mother, more than any other piece, it shows. …

SOURCE: The Guardian at 12:16pm on July 14, 2011[SHARE]

Roland Petit: a career in clips by Sanjoy Roy

From Hollywood musicals to a Pink Floyd ballet, Roland Petit's choreography raised the bar " and hemlines " of dance for everTwo enduring loves span the life of French choreographer Roland P…

SOURCE: The Guardian at 7:10am on July 11, 2011[SHARE]

Cocteau Voices " review by Sanjoy Roy

Linbury Studio Theatre, LondonThere's a revolving-door feel to Cocteau Voices, a double bill of dance and opera that spins around the same themes " desire, absence, delusion " from two contr…

SOURCE: The Guardian at 2:10pm on June 21, 2011[SHARE]

Romeo and Juliet - review by Sanjoy Roy

O2 Arena, London"Ballet rocks!" is a phrase increasingly bandied about by enthusiastic dance fans. Ballet has indeed been bursting its opera-house laces, with high-profile appearances in a K…

SOURCE: The Guardian at 12:45pm on June 20, 2011[SHARE]

Saburo Teshigawara/KARAS " review by Sanjoy Roy

Sadler's Wells, LondonYou don't look for coherence in the works of Japanese choreographer Saburo Teshigawara, you go to experience them. Mirror and Music (2009) is characteristic: a loose-kn…

SOURCE: The Guardian at 1:56pm on June 19, 2011[SHARE]

Step-by-step guide to dance: Saburo Teshigawara and Karas by Sanjoy Roy

Choreographer and performer whose troupe dance along the edge of physical expression, forging a sensory style all their ownIn shortHis company's name means "crow", but Saburo Teshigawara is …

SOURCE: The Guardian at 8:59am on June 15, 2011[SHARE]

Step-by-step guide to dance: Paul Taylor by Sanjoy Roy

A pillar of modern choreography, the US octogenarian once turned George W Bush's walk into a danceIn short Although neither a pioneer nor a radical of American modern dance, Paul Taylor is s…

SOURCE: The Guardian at 1:20pm on May 24, 2011[SHARE]
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