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116 stories by "Samuel Sims"

Review: Wuthering Heights, Ambassador's Theatre by Samuel Sims

Helping young people accomplish their dreams is a bit of alright in my book, and especially when they are at a serious disadvantage because of a lack of money. Ian McKellen thinks the Nation…

SOURCE: A Younger Theatre at 5:22pm on October 8, 2015

Review: The Father, Wyndham's Theatre by Samuel Sims

Writer Florian Zeller has expressed his keenness on this piece – on this journey to not simply be voyeuristic but for the audience to become lost in a mental labyrinth. He doesn’…

SOURCE: A Younger Theatre at 9:00pm on October 7, 2015

Review: Kinky Boots, Adelphi Theatre by Samuel Sims

Bugger me, this show makes you want to go out and party. My boyfriend has mentioned having a drag inspired birthday shindig next year and at first I was very skeptical. I like my heels below…

SOURCE: A Younger Theatre at 1:43pm on September 18, 2015

Review: Photograph 51, Noel Coward Theatre by Samuel Sims

"I suppose she just wasn't exceptional enough": at first a seemingly passing statement but in the final moments of Anna Ziegler's play, Photograph 51, Nicole Kidman summarises her character …

SOURCE: A Younger Theatre at 1:09pm on September 16, 2015

Review: I Believe in Unicorns, Vaudeville Theatre by Samuel Sims

Gotta love a unicorn. They're just so horny and precious and long-maned. I Believe in Unicorns isn’t totally devoted to the creatures, but the story does every now and again return …

SOURCE: A Younger Theatre at 12:58pm on August 17, 2015

Review: The Adventures of Pinocchio, Greenwich Theatre by Samuel Sims

Most popularly associated with Disney's 1940 film, Pinocchio actually started life in 1883 in Italy as The Adventures of Pinocchio and was written in serial form. It is the author Carlo Coll…

SOURCE: A Younger Theatre at 2:03pm on August 10, 2015

Review: Carrie, Southwark Playhouse by Samuel Sims

The inevitability of yet more cuts to the arts after today's election result has brought morale to a staggering low. At the same time I'm seeing hope and I'm still seeing some excellent thea…

SOURCE: A Younger Theatre at 7:57pm on May 8, 2015

Review: Between Worlds, Barbican by Samuel Sims

I'm sure some of our readers are too young to vividly remember the devastating 9/11 attacks on New York's Twin Towers but would have undoubtedly since seen or heard about them in one fo­r…

SOURCE: A Younger Theatre at 4:28pm on April 21, 2015

Review: The Twits, Royal Court Theatre by Samuel Sims

It's fair to say that Roald Dahl's 1980 children's book The Twits offers a strong aversion to 'bad' people, and a general consensus that they'll inevitably get their comeuppance. It's not…

SOURCE: A Younger Theatre at 5:47pm on April 19, 2015

Review: Sweeney Todd: The Demon Barber of Fleet Street, London Coliseum by Samuel Sims

A feeling of bewilderment befell the Coliseum’s auditorium as, happy as Larry, Emma Thompson, Bryn Terfel and the remainder of Sweeney Todd’s cast strolled onto stage and p…

SOURCE: A Younger Theatre at 8:30am on April 3, 2015

Review: Stevie, Hampstead Theatre by Samuel Sims

There's an overwhelming feeling of self-importance among the human race; an unavoidable subjective notion that we are special and, in the early stages of life, invincible. Then there is the …

SOURCE: A Younger Theatre at 4:15pm on March 18, 2015

Review: Harajuku Girls, Finborough Theatre by Samuel Sims

We're strong advocates for fringe, here at A Younger Theatre. We " I, love seeing shows in small venues with a small cast and budget. The excitement of being unawares is far more than walkin…

SOURCE: A Younger Theatre at 9:31am on February 28, 2015

Review: Closer, Donmar Warehouse by Samuel Sims

Oh simplicity how I adore thee. Even before the cast of Patrick Marber's Closer arrive on stage, I am slapped in the face with the excitable foresight of what is to come. The set is effortle…

SOURCE: A Younger Theatre at 8:34am on February 28, 2015

Review: How I Learned to Drive, Southwark Playhouse by Samuel Sims

Unfamiliar with Paula Vogel's 1997 play, How I Learned to Drive, I acquainted myself and immediately felt as though this could be something really special. I had expectations of a deeply rea…

SOURCE: A Younger Theatre at 3:27pm on February 18, 2015

Review: Di and Viv and Rose, Vaudeville Theatre by Samuel Sims

Those that have gone to university will know that special friendships can indeed be formed and further, seek longevity. Obviously there are exceptions but sharing such an intense experience …

SOURCE: A Younger Theatre at 8:29am on February 5, 2015

Review: Women on the Verge of a Nervous Breakdown, Playhouse Theatre by Samuel Sims

Good grief, why don’t more West End shows dose up their characters on Valium? One of the highlights of Women on the Verge of a Nervous Breakdown, skirts on the brink of misandry whi…

SOURCE: A Younger Theatre at 9:10am on January 16, 2015

Review: Swan Lake, London Coliseum by Samuel Sims

Swan Lake is perhaps the most well-known of all classical ballets. Since debuting at the Bolshoi Theatre in Moscow in 1877, Tchaikovsky’s masterpiece has been performed by countless co…

SOURCE: A Younger Theatre at 9:27am on January 10, 2015

Film Review: Into the Woods, Disney by Samuel Sims

Since debuting on Broadway 27 years ago, Stephen Sondheim’s fairytale musical Into the Woods has won countless awards and gained a strong and very loyal fan-base. It’s h…

SOURCE: A Younger Theatre at 7:00pm on December 16, 2014

Review: Usagi Yojimbo, Southwark Playhouse by Samuel Sims

Whilst Usagi Yojimbo, currently showing at Southwark Playhouse’s larger space is running until early January, it is by no means a traditional Christmas show. Based on Stan Sakai’…

SOURCE: A Younger Theatre at 10:03am on December 3, 2014

Review: Dirty Rotten Scoundrels, Savoy Theatre by Samuel Sims

Praise bejesus Katherine Kingsley hasn’t disappeared during Dirty Rotten Scoundrels‘ current cast change. Instead, Alex Gamound has replaced Rufus Hound as Freddy Benson, joining…

SOURCE: A Younger Theatre at 11:33am on November 23, 2014

Review: Behind the Beautiful Forevers, National Theatre by Samuel Sims

Many cities have stark socio-economic contrasts. Take London for example: one moment you could be standing amongst some of the most obscenely expensive shops and houses, and twenty minutes l…

SOURCE: A Younger Theatre at 11:18am on November 23, 2014

Review: Made In Dagenham, The Adelphi by Samuel Sims

The rather tiresome but quite successful fashion for creating musicals based on movies has settled down this year. Instead we have seen Broadway transfers (Urinetown, The Scottsboro Boys …

SOURCE: A Younger Theatre at 5:37pm on November 9, 2014

Review: La Bohème, London Coliseum by Samuel Sims

Call me crazy but I’m partial to a love story with some believability. I find myself feeling frustrated and bored with my experience of Puccini’s La Bohème, which is often…

SOURCE: A Younger Theatre at 1:33pm on November 1, 2014

Review: Urinetown, Apollo Theatre by Samuel Sims

Ultra-violence with a cracker of a smile on its face is one of my favourite things; add in singing and it becomes a large gorge-fest of brand spanking new fun. Is Urinetown that brutal…

SOURCE: A Younger Theatre at 11:51am on October 11, 2014

Review: Speed-the-Plow, Playhouse Theatre by Samuel Sims

There’s an undeniably cliched 80s feel to David Mamet’s three-hander, Speed-the-Plow. It captures a Working Girl-esque image of corporate America, of the dog-eat-dog wor…

SOURCE: A Younger Theatre at 5:26am on October 8, 2014
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