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75 stories by "Samuel Garza Bernstein"

Theater Review: FOREVER BOUND (Atwater Village Theater in Los Angeles) by Samuel Garza Bernstein

WHEN METAPHORS BECOME MONSTERS Art thrives when it dances on the edge of a razor — flaunting itself and teasing us — fully embracing the risk of toppling over at any moment and s…

SOURCE: Stage and Cinema at 2:55pm on May 12, 2018[SHARE]

Theater Review: SCHOOL OF ROCK THE MUSICAL (National Tour at the Hollywood Pantages) by Samuel Garza Bernstein

KIDS RULE IN ENERGETIC ROCK There is an announcement before the start of School of Rock The Musical. After the expected exhortations against using electronic devices, we are assured that yes…

SOURCE: Stage and Cinema at 7:13pm on May 4, 2018[SHARE]

Los Angeles Theater Review: NATIVE SON (Antaeus Theatre in Glendale) by Samuel Garza Bernstein

BLINDING SON I'm half Latino, half Eastern-European Jew, and I'm gay. But I know nothing of what it means to be African-American in a country founded on hating the color of your skin"a count…

SOURCE: Stage and Cinema at 2:37pm on April 20, 2018[SHARE]

Los Angeles Theater Review: SIGNIFICANT OTHER (Geffen Playhouse in Westwood) by Samuel Garza Bernstein

TOGETHER ALONE Keilly McQuail and Will Von Vogt are absolutely riveting in Significant Other, Joshua Harmon's mostly funny, sometimes sad take on the pitfalls of being the GBF (gay best frie…

SOURCE: Stage and Cinema at 9:06pm on April 13, 2018[SHARE]

Los Angeles Theater Review: SELL/BUY/DATE (Geffen Playhouse in Westwood) by Samuel Garza Bernstein

SEX WORK/#METOO/FUTURE TENSE Sarah Jones is a prescient writer and an actor of rare gifts and remarkable range. It's no wonder that an early patron and supporter was Meryl Streep, for like S…

SOURCE: Stage and Cinema at 4:22pm on March 10, 2018[SHARE]

Los Angeles Theater Review: IRONBOUND (Geffen Playhouse in Westwood) by Samuel Garza Bernstein

THE JOY OF SURVIVAL Marin Ireland is mesmerizing and deeply moving in Ironbound. She plays Daria, a Polish immigrant. To my ear, her accent is impeccable " and most importantly, entirely con…

SOURCE: Stage and Cinema at 1:51pm on February 10, 2018[SHARE]

Los Angeles Theater Review: THE HOTHOUSE (Antaeus Theatre in Glendale) by Samuel Garza Bernstein

A TRAGI-COMEDY OF VIOLENCE Harold Pinter's The Hothouse is exactly the kind of play I hope to see at the Antaeus Theatre Company. It is a classic to some but not to others, and there's a lot…

SOURCE: Stage and Cinema at 7:20pm on January 29, 2018[SHARE]

Los Angeles Theater Review: THE CHOSEN (Fountain) by Samuel Garza Bernstein

LOVE AND “COMPASSIONATE SILENCE” We are living through an era that seems to value greed, hypocrisy, narcissism and blatant dishonesty over truth and meaning. This makes the journ…

SOURCE: Stage and Cinema at 4:58pm on January 22, 2018[SHARE]

Los Angeles Theater Review: KING CHARLES III (Pasadena Playhouse) by Samuel Garza Bernstein

WOMEN BEHAVING BADLY In Mike Bartlett's play about the imagined aftermath of Queen Elizabeth II's death, men hold inherited titles, but women, both living and dead, hold the keys to power. C…

SOURCE: Stage and Cinema at 2:57am on November 15, 2017[SHARE]

Los Angeles Theater Review: LES LIAISONS DANGEREUSES (Antaeus Theatre in Glendale) by Samuel Garza Bernstein

THE SEXUAL POLITICS OF SAVAGES Who would have imagined that a 30-year-old stage adaptation (by Christopher Hampton) of a 1782 novel (by Choderlos de Laclos) would be so devastatingly of the …

SOURCE: Stage and Cinema at 4:54pm on October 30, 2017[SHARE]

Los Angeles Theater Review: BRIGHT STAR (Ahmanson) by Samuel Garza Bernstein

LIGHTING UP THE SOUTHERN SKY Carmen Cusack is luminous. She uses her whole self"physically, emotionally, vocally"to open herself to the audience, holding every last one of us in her loving a…

SOURCE: Stage and Cinema at 2:21am on October 22, 2017[SHARE]

Los Angeles Theater Review: TIME ALONE (Belle Rêve Theatre Company at the Los Angeles Theatre Center) by Samuel Garza Bernstein

THE SOLITARY LONELINESS OF LOSS There is something cheeky and even a bit dangerous about a writer reaching far outside his or her community, culture, or country. When an outsider succeeds, t…

SOURCE: Stage and Cinema at 4:09pm on October 18, 2017[SHARE]

Los Angeles Theater Review: TURN ME LOOSE (The Wallis in Beverly Hills) by Samuel Garza Bernstein

DRY WIT AND RIGHTEOUS OUTRAGE The best sequence in this one-man show starring Joe Morton as civil rights activist, comedian, and writer Dick Gregory, is playwright Gretchen Law's dramatizati…

SOURCE: Stage and Cinema at 2:52am on October 17, 2017[SHARE]

Los Angeles Theater Review: OUR TOWN (Pasadena Playhouse) by Samuel Garza Bernstein

THE UNBEARABLE CURSE OF BEING I remember reading Rebecca Mead's New Yorker review of Gypsy when Tyne Daly first starred as Mama Rose. She described the experience of not being sure beforehan…

SOURCE: Stage and Cinema at 8:08pm on October 3, 2017[SHARE]

Los Angeles Theater Review: HEAD OF PASSES (Center Theatre Group's Mark Taper Forum) by Samuel Garza Bernstein

GOD THE FATHER AND THE MOTHER OF ALL GODS I will remember Phylicia Rashad's performance in Head of Passes until the day I die. She is an emotional hurricane, often still, even funny"while in…

SOURCE: Stage and Cinema at 2:23am on September 26, 2017[SHARE]

Los Angeles Theater Review: THE DANCE OF DEATH (Odyssey Theatre Ensemble) by Samuel Garza Bernstein

MISERY LOVES COMPANY In referring to August Strindberg's 1900 play The Dance of Death as a foreshadowing of Edward Albee's Who's Afraid of Virginia Woolf, director Ron Sossi is on firm groun…

SOURCE: Stage and Cinema at 8:56pm on September 25, 2017[SHARE]

Los Angeles Theater Review: BIG NIGHT (Kirk Douglas Theatre in Culver City) by Samuel Garza Bernstein

A STAR IS BORN Paul Rudnick's bright new comedy takes place on Oscar night. Michael (Brian Hutchison) is a journeyman actor with a career and life-changing Best Supporting Actor nomination. …

SOURCE: Stage and Cinema at 2:41pm on September 17, 2017[SHARE]

Los Angeles Theater Review: WALKING TO BUCHENWALD (Open Fist at Atwater Village Theatre) by Samuel Garza Bernstein

'SELF DEPORTATION' OR SIX STAGES OF AMERICAN GRIEF Denial, anger, bargaining, depression, and acceptance. In life, death, and in playwright Tom Jacobson's world view, these familiar five sta…

SOURCE: Stage and Cinema at 2:58am on September 17, 2017[SHARE]

Los Angeles Theater Review: A FUNNY THING HAPPENED ON THE WAY TO THE GYNECOLOGIC ONCOLOGY UNIT AT MEMORIAL SLOAN KETTERING CANCER CENTER OF NEW YORK C by Samuel Garza Bernstein

DON'T ARGUE WITH ME, I HAVE CANCER As the play begins, two women are asleep in hospital beds in a shared room with a curtain drawn between them. A tightly wound young woman, Karla (Halley Fe…

SOURCE: Stage and Cinema at 3:49pm on September 15, 2017[SHARE]

Los Angeles Theater Review: DAYTONA (Rogue Machine at the Met Theatre) by Samuel Garza Bernstein

HIDING IN PLAIN SIGHT One of the brilliant things about Oliver Cotton's Daytona, is how his dialogue both reveals and conceals at the same time. "Billy, are you in trouble?" Joe (George Wyne…

SOURCE: Stage and Cinema at 4:32pm on September 10, 2017[SHARE]

Theater Interview: MISS COCO PERU: THE TAMING OF THE TENSION by Samuel Garza Bernstein

SHE WHO CAN’T BE TAMED Clinton Leupp may not aspire to self-help guru status, but his upcoming appearance as Miss Coco Peru in The Taming of the Tension is driven by a definite sense o…

SOURCE: Stage and Cinema at 1:15am on August 23, 2017[SHARE]

Los Angeles Theater Review: HONKY TONK LAUNDRY (Hudson Mainstage Theatre in Hollywood) by Samuel Garza Bernstein

THE HARDEST WORKING GALS IN SHOW BUSINESS One thing is clear: If Bets Malone and Misty Cotton ever choose to sell themselves as an actual country music recording duo, they will be a smash. T…

SOURCE: Stage and Cinema at 3:14am on August 12, 2017[SHARE]

Los Angeles Theater Review: SHOUT SISTER SHOUT! (Pasadena Playhouse) by Samuel Garza Bernstein

THE ORIGINAL SISTER ACT This new bio-musical of the legendary gospel/rock crossover star Sister Rosetta Tharpe is at its best when focusing on its three powerhouse female stars. Tracy Nicole…

SOURCE: Stage and Cinema at 3:14pm on July 31, 2017[SHARE]

Los Angeles Theater Review: MAMMA MIA! (Hollywood Bowl) by Samuel Garza Bernstein

SUPER TROUPERS BURN BRIGHTLY UNDER THE STARS I've always thought Benny Andersson and Björn Kristian Ulvaeus of ABBA, along with Mamma Mia! book writer Catherine Johnson, were incredibly sma…

SOURCE: Stage and Cinema at 3:59pm on July 30, 2017[SHARE]

Los Angeles Theater Review: BORN FOR THIS (The Broad Stage in Santa Monica) by Samuel Garza Bernstein

THE MIRACLE OF LOVE: WINANS STYLE BeBe Winans was on-hand to enjoy a triumphant opening night for his coming-of-age stage musical Born For This, that takes him and his sister CeCe from young…

SOURCE: Stage and Cinema at 3:51am on July 21, 2017[SHARE]
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