763 stories by "Sam Hurwitt"
Show #68: Macbeth, Marin Shakespeare Company, July 15.
I reviewed Marin Shakes’s shaky Macbeth for the Marin Independent Journal, so hie thee hence to read all about it.
Macbeth struts…
THEATER REVIEW: SAN FRANCISCO
Show #67: Salty Towers, Thunderbird Theatre Company, July 10.
By Sam Hurwitt
There are plenty of companies that I follow because I feel I should keep informed …
THEATER REVIEW: EAST BAY
Show #66: The Verona Project, California Shakespeare Theatre, July 9.
By Sam Hurwitt
California Shakespeare Theater is doing more Shakespeare than usual this season…
Show #64: 2012–The Musical!, San Francisco Mime Troupe, July 4.
I reviewed this year’s unusually self-referential Mime Troupe show in the parks in today’s Marin IJ, so g&#…
THEATER REVIEW: BERKELEY
Show #61: Working for the Mouse, Impact Theatre, June 24.
By Sam Hurwitt
When you're a little kid at Disneyland, you may understand on some level that the Donald Duc…
THEATER REVIEW: SAN FRANCISCO
Show #57: Fighting Mac!, Theatre Rhinoceros, June 11.
By Sam Hurwitt
The artistic director of San Francisco's Theatre Rhinoceros, which lays claim to being "the…
THEATER REVIEW: SAN FRANCISCO
Show #56: Assassins, Ray of Light Theatre, June 11.
By Sam Hurwitt
That Stephen Sondheim has picked some perverse subjects for his musicals shouldn't be much of…
THEATER REVIEW: SAN FRANCISCO
Show #54: Armistead Maupin's Tales of the City: A New Musical, American Conservatory Theater, June 5.
Show #50: The Edenites, No Nude Men Productions, June 3.
S…
THEATER REVIEW: EAST BAY
Show #49: Care of Trees, Shotgun Players, June 2.
Show #58: Down a Little Dirt Road, Just Theater, June 12.
Show #60: Metamorphosis, Aurora Theatre Company, June 18…
THEATER REVIEW: SAN FRANCISCO
Show #53: Nobody Move, Intersection for the Arts/Campo Santo, June 5.
By Sam Hurwitt
Everybody in Nobody Move is on the move. More specifically, they're on the …
Show #55: Tiny Alice, Marin Theatre Company, June 7.
I reviewed Marin Theatre Company’s season-closing production of Edward Albee’s 1964 play Tiny Alice for today’s Marin I…
THEATER REVIEW: BERKELEY
Show #46: Disassembly, Impact Theatre, May 14.
By Sam Hurwitt
There's such a thing as being accident-prone, but when your body is covered with scars from freak incid…
THEATER REVIEW: SAN JOSE
Show #47: Love in American Times, San Jose Repertory Theatre, May 18.
By Sam Hurwitt
When people see a very wealthy, much older man married to a very attractive, muc…
