Grim Fairy Tale
THEATER REVIEW: BERKELEY Show #117: The Wild Bride, Berkeley Repertory Theatre, December 7. By Sam Hurwitt "You know, for a feminist folk tale, this book isn't half bad." It's the devil who …
THEATER REVIEW: BERKELEY Show #117: The Wild Bride, Berkeley Repertory Theatre, December 7. By Sam Hurwitt "You know, for a feminist folk tale, this book isn't half bad." It's the devil who …
THEATER REVIEW: BERKELEY Show #116: God's Plot, Shotgun Players, December 3. By Sam Hurwitt American theater started as a criminal act. The first play performed in English in the colonies wa…
THEATER REVIEW: SAN FRANCISCO Show #118: Bring It On: The Musical, SHN, December 14. By Sam Hurwitt Bring It On: The Musical may look like just the latest in a very, very long line of hit mo…
THEATER REVIEW: SAN FRANCISCO Show #103: The Kipling Hotel, The Marsh, October 23. By Sam Hurwitt Don Reed's popular one-man show East 14th: True Tales of a Reluctant Player ran at the Ma…
THEATER REVIEW: SAN FRANCISCO Show #106: Totem, Cirque du Soleil, October 28. By Sam Hurwitt Montreal's Cirque du Soleil produces such a steady stream of shows that either take root in Vegas…
THEATER REVIEW: BERKELEY Show #109: The Chalk Boy, Impact Theatre, November 5. By Sam Hurwitt If there's one thing we learn from Joshua Conkel's recent plays at Impact Theatre, it's that kid…
Show #115: The Glass Menagerie, Marin Theatre Company, November 29. I reviewed this Tennessee Williams chestnut for today’s Marin Independent Journal. So it’s all over yonder if…
THEATER REVIEW: BERKELEY Show #114: Endgame and Watt, Cal Performances, November 17. By Sam Hurwitt Dublin's Gate Theatre knows Samuel Beckett backward and forward, having done full retrosp…
Show #112: A Man, His Wife, and His Hat, AlterTheater, November 12. I reviewed AlterTheater’s commissioned world premiere of a Lauren Yee play in today’s Marin Independent Journ…
THEATER REVIEW: BERKELEY Show #110: The Internationalist, Just Theater, November 6. By Sam Hurwitt "People are always more appealing when they're unintelligible." That's what Sara says to L…
THEATER REVIEW: SAN FRANCISCO Show #107: Sticky Time, Crowded Fire, October 29. By Sam Hurwitt There's a Willie Nelson song that asks, "Ain't it funny how time slips away?" The funny thing a…
THEATER REVIEW: SAN FRANCISCO Show #98: Day of Absence & Almost Nothing, Lorraine Hansberry Theatre, October 14. By Sam Hurwitt Longtime American Conservatory Theater actor Steven Antho…
THEATER REVIEW: BERKELEY Show #97: How to Write a New Book for the Bible, Berkeley Repertory Theatre, October 12. By Sam Hurwitt Playwright Bill Cain has explored Shakespeare and the Gunpow…
THEATER REVIEW: SAN FRANCISCO Show #105: Race, American Conservatory Theater, October 27. David Mamet's play Race is a fine example of truth in advertising. It's a play about race, and p…
Show #108: Pelleas & Melisande, Cutting Ball Theater, October 30. I reviewed the Cutting Ball Theater’s new translation of the Symbolist classic for today’s Marin Independent…
THEATER REVIEW: BERKELEY Show #104: Desdemona, Cal Performances, October 26. By Sam Hurwitt Toni Morrison's play Desdemona came out of a bargain of sorts with director Peter Sellars. The…
Show #100: In the Maze of Our Own Lives, The Jewish Theatre, October 20. Show #102: Crimes of the Heart, Cinnabar Theater, October 22. I reviewed both TJT's swan song and Cinnabar's Southern…
THEATER REVIEW: SAN FRANCISCO Show #95: Hanging Georgia, TheatreFIRST, October 9. By Sam Hurwitt It's sad and heartening at the same time when someone tries to do something really challengi…
THEATER REVIEW: BERKELEY Show #101: The Infernal Comedy, Cal Performances, October 21. By Sam Hurwitt For a dead serial killer, Jack Unterweger is a charming guy. In a white suit and sunglas…
THEATER REVIEW: SAN FRANCISCO Show #99: Richard III, SHN, October 19. By Sam Hurwitt Highly questionable historical accuracy aside, Richard III is one of William Shakespeare's most delightfu…
THEATER REVIEW: MOUNTAIN VIEW Show #94: Clementine in the Lower 9, TheatreWorks, October 8. By Sam Hurwitt At first things seem to be going so well in TheatreWorks' world premiere of Dan Di…
THEATER REVIEW: SAN FRANCISCO Show #89: Not Getting Any Younger, The Marsh, September 15. By Sam Hurwitt "According to Wikipedia, Marga Gomez is known for her honesty," Marga Gomez says in …
There's been some fan grumbling about Batman having four series of his own, and certainly they stick out among DC's 52 relaunched titles, and more so when you consider the many other Bat-Fam…
Show #96: Bellwether, Marin Theatre Company, October 11. I reviewed Steve Yockey’s creepy new play at Marin Theatre Company for today’s Marin Independent Journal, so go over yond…
THEATER REVIEW: BERKELEY Show #87: A Delicate Balance, Aurora Theatre Company, September 13. Show #91: Phaedre, Shotgun Players, September 24. By Sam Hurwitt "Happy families are all alike,"…