Student Affairs
THEATER REVIEW: SAN FRANCISCO Reunion, SF Playhouse. By Sam Hurwitt On the surface, Julie and Valerie seem to have nothing in common. As played by Lauren English in Kenn Rabin's play Reunion…
THEATER REVIEW: SAN FRANCISCO Reunion, SF Playhouse. By Sam Hurwitt On the surface, Julie and Valerie seem to have nothing in common. As played by Lauren English in Kenn Rabin's play Reunion…
FF Friday: Fantastic Four by Jonathan Hickman, Vol. 2. By Sam Hurwiitt My weekly look at the trade collections of writer Jonathan Hickman's current run on Fantastic Four brings me to the sec…
THEATER REVIEW: SAN FRANCISCO American Idiot, SHN. By Sam Hurwitt The Broadway musical based on the album of the same name by East Bay punk band Green Day, American Idiot has walked a lonely…
THEATER REVIEW: MOUNTAIN VIEW Wheelhouse, TheatreWorks. By Sam Hurwitt Wheelhouse is a musical that may be of interest if you have a burning desire to learn about the history of the rock ban…
THEATER REVIEW: SAN FRANCISCO Bruja, Magic Theatre. By Sam Hurwitt Playwright Luis Alfaro dazzled Magic Theatre audiences two years ago with Oedipus el Rey, his lyrical barrio gangster updat…
FF Friday: Fantastic Four by Jonathan Hickman, Vol. 1. By Sam Hurwitt We now continue a week-by-week examination of Jonathan Hickman's Fantastic Four run with… the first trade paperbac…
THEATER REVIEW: BERKELEY Emilie: La Marquis du Châtelet Defends Her Life Tonight, Symmetry Theatre Company. By Sam Hurwitt A recent transplant to San Francisco from Georgia by way of New …
Star Trek: The Next Generation/Doctor Who: Assimilation2 #1, IDW Publishing. By Sam Hurwitt As I said in my recent write-up of Jonathan Hickman's Fantastic Four, I can't afford to buy single…
FF Friday: Dark Reign: Fantastic Four Every Friday for the next couple of months I'll be reviewing a collection of Jonathan Hickman's assorted Fantastic Four series. Hickman's three-year…
THEATER REVIEW: BERKELEY Black n Blue Boys/Broken Men, Berkeley Repertory Theatre. By Sam Hurwitt Let's get this out of the way first. Dael Orlandersmith's solo show at Berkeley Repertory Th…
I have not one but two reviews in today's Marin Independent Journal: Cinnabar Theater's rollicking revival of Born Yesterday, featuring a hilarious Heather Gordon as Billie Dawn, and Marin T…
THEATER REVIEW: BERKELEY The Great Divide, Shotgun Players. By Sam Hurwitt Shotgun Players has doubled down on its commitment to new plays lately. Last year's 20th-anniversary season was ent…
The Music Man, Mountain Play. Whaddaya talk, whaddaya talk… I’m just talkin’ ’bout The Music Man, way up yonder at the Mountain Play, in today’s Marin Independe…
THEATER REVIEW: SAN FRANCISCO A Behanding in Spokane, SF Playhouse. By Sam Hurwitt Bay Area audiences have become familiar with the devilish and often bloody-minded wit of Martin McDonagh ov…
THEATER REVIEW: SAN FRANCISCO Tenderloin, Cutting Ball Theater. By Sam Hurwitt As company-in-residence at Exit on Taylor, the avant-garde Cutting Ball Theater strikes an odd contrast with th…
THEATER REVIEW: SAN FRANCISCO Endgame and Play, American Conservatory Theater. By Sam Hurwitt The announcement late last year that American Conservatory Theater would be staging Samuel Becke…
The Odyssey, We Players. Hey, I have a new review in today’s Marin Independent Journal! It’s We Players’ day-long adaptation of The Odyssey on Angel Island. So click on the…
THEATER REVIEW: SAN FRANCISCO Blues for an Alabama Sky, Lorraine Hansberry Theatre. By Sam Hurwitt The first season that longtime American Conservatory Theater actor Steven Anthony Jones has…
THEATER REVIEW: BERKELEY Anatol, Aurora Theatre Company. By Sam Hurwitt Chicks dig Anatol, and Anatol digs chicks. Exactly why the ladies are drawn to the title character of Arthur Schnitzle…
Crevice, Impact Theatre. By Sam Hurwitt Who hasn't wondered what his or her life would be like if, well, everything were different? It's the sort of reflection that nobody really indulges in…
References to Salvador Dali Make Me Hot, AlterTheater. I’ve had to take a break from the blog the last couple of weeks for a wide assortment of reasons, but I do have a review in …
THEATER REVIEW: SAN JOSE & SAN FRANCISCO God of Carnage, San Jose Repertory Theatre. Maple and Vine, American Conservatory Theater. The Aliens, SF Playhouse. By Sam Hurwitt French playwr…
Othello, the Moor of Venice, Marin Theatre Company. Marin Theatre Company does its first Shakespeare play in years, and I reviewed it in Thursday’s Marin Independent Journal. So click …
THEATER REVIEW: SAN FRANCISCO Octopus's Garden, PianoFight. By Sam Hurwitt Scott Herman's play Octopus's Garden doesn't actually have anything to do with octopi, nor gardens, nor even the B…
THEATER REVIEW: BERKELEY Red, Berkeley Repertory Theatre. By Sam Hurwitt British-born director Les Waters has been a consistently outstanding artistic presence at Berkeley Repertory Theatre …