A Two-Hour Tour
THEATER REVIEW: SAN FRANCISCO Port Out, Starboard Home, foolsFURY Theater and Z Space. By Sam Hurwitt Let's get the title out of the way first. The word "posh" supposedly derives from an acr…
THEATER REVIEW: SAN FRANCISCO Port Out, Starboard Home, foolsFURY Theater and Z Space. By Sam Hurwitt Let's get the title out of the way first. The word "posh" supposedly derives from an acr…
THEATER REVIEW: SAN FRANCISCO Invasion!, Crowded Fire Theater. By Sam Hurwitt Invasion! is a puzzling play. Written by Tunisian-Swedish playwright Jonas Hassen Khemiri and translated from th…
WONDER WEDNESDAY On Wednesdays I look at various chapters in Wonder Woman's history. Click here for previous installments, including Greg Rucka's run and the current "New 52" era. By Sam Hur…
THEATER REVIEW: SAN FRANCISCO Placas: The Most Dangerous Tattoo, San Francisco International Arts Festival. By Sam Hurwitt Placas: The Most Dangerous Tattoo is a project that's been in the w…
THEATER REVIEW: SAN JOSE The Death of the Novel, San Jose Repertory Theatre. By Sam Hurwitt The big selling point of San Jose Rep's season opener, The Death of the Novel, is not that it's a …
THEATER REVIEW: BERKELEY The Elaborate Entrance of Chad Deity, Aurora Theatre Company. By Sam Hurwitt It's not often that you see a guy in a Mexican wrestling mask just sitting in the audien…
Wonder Woman gets her first recurring villain! And acts as a majorette in an all-gal marching band! And that's not even close to the strangest thing that happens in this issue. It starts wi…
THEATER REVIEW: BERKELEY Chinglish, Berkeley Repertory Theatre. By Sam Hurwitt As opposed to the similar portmanteau "Spanglish," which simply refers to speaking a blend of Spanish and Engli…
The Liar, Marin Shakespeare Company. Robert Currier directs a delightful production of David Ives’s marvelously clever adaptation of Pierre Corneille’s 1643 farce The Liar. I wr…
WONDER WEDNESDAY On Wednesdays I look at various chapters in Wonder Woman's history. Click here for previous installments, including Greg Rucka's run and the current "New 52" era. By Sam H…
THEATER REVIEW: BERKELEY The Fisherman's Wife, Impact Theatre. By Sam Hurwitt Playwright Steve Yockey has had plays produced locally by Magic Theatre, Climate Theater and Marin Theatre Compa…
THEATER REVIEW: BERKELEY Precious Little, Shotgun Players. By Sam Hurwitt What exactly is being communicated, and how is it different from what's being said? For that matter, why's it being …
Last week we looked at the end of Greg Rucka's terrific tenure as the regular writer of Wonder Woman. But that wasn't quite the end of Rucka writing Wonder Woman, as he came back four years …
WONDER WEDNESDAY On Wednesdays I'll be taking a look at various chapters in Wonder Woman's history. This is the sixth in a series of posts on Greg Rucka's much-lauded stint writing Wonder Wo…
THEATER REVIEW: SAN FRANCISCO Believers, Wily West Productions. By Sam Hurwitt It may or may not be the end of the world. Certainly there are a lot of frogs and locusts out there, and all th…
THEATER REVIEW: SAN FRANCISCO Dog Sees God, Boxcar Theatre. By Sam Hurwitt Boxcar Theatre has become known for taking on bold projects, whether it's staging several Sam Shepard plays in repe…
Circle Mirror Transformation, Marin Theatre Company. For someone whose work was unseen in the Bay Area before this year, East Coast playwright Annie Baker is suddenly all over the place: Bod…
THEATER REVIEW: BERKELEY The Education of a Rake, Central Works. By Sam Hurwitt Congressman Roy Armstrong loves women. As he's quick to tell anyone who asks, being raised by a working-class …
WONDER WEDNESDAY On Wednesdays I'll be taking a look at various chapters in Wonder Woman's history. This is the fifth in a series of posts on Greg Rucka's much-lauded stint writing Wonder Wo…
If the historic first crossover between the fanatically popular fortysomething-year-old science fiction franchises wasn't enough to rope me in"and it was"this was the issue of Star Trek: The…
THEATER REVIEW: SAN FRANCISCO War Horse, SHN. By Sam Hurwitt There are two ways of looking at War Horse. Both points of view are equally true, but it comes down to a matter of taste. One is …
A Midsummer Night’s Dream, Marin Shakespeare Company. Robert Currier dreamed up a Hawaiian-themed Midsummer at Marin Shakes, featuring hulu fairies in long johns, and I dutifully wrot…
WONDER WEDNESDAY On Wednesdays I'll be taking a look at various chapters in Wonder Woman's history. This is the fourth in a series of posts on Greg Rucka's much-lauded stint writing the Wond…
FF FRIDAY This is the ninth in a series of reviews of writer Jonathan Hickman’s run on Fantastic Four and its spinoff, FF. The first eight posts are here, here, here, here, here, here,…
THEATER REVIEW: SAN JOSE One-Man Lord of the Rings, San Jose Repertory Theatre. By Sam Hurwitt Charles Ross basically has the best job in the world. The solo performer has been touring his O…